{"id":11613,"date":"2022-07-27T11:43:18","date_gmt":"2022-07-27T15:43:18","guid":{"rendered":"https:\/\/cinemadailyus.com\/?p=11613"},"modified":"2022-07-27T11:44:25","modified_gmt":"2022-07-27T15:44:25","slug":"moonage-daydream-official-trailer-starring-david-bowie","status":"publish","type":"post","link":"https:\/\/cinemadailyus.com\/?p=11613","title":{"rendered":"MOONAGE DAYDREAM – Official Trailer : Starring David Bowie"},"content":{"rendered":"

Synopsis\u00a0<\/span><\/b><\/p>\n

Moonage Daydream<\/strong> illuminates the life and genius of David Bowie, one of the most prolific and influential artists of our time.\u00a0<\/span><\/p>\n

Told through sublime, kaleidoscopic, never-before-seen footage, performances and music, Brett Morgen\u2019s (The Kid Stays in the Picture, Cobain: Montage of Heck, Jane) feature length experiential cinematic odyssey explores David Bowie\u2019s creative, musical and spiritual journey. The film is guided by David Bowie\u2019s own narration and is the first officially sanctioned film on the artist.\u00a0<\/span><\/p>\n

About MOONAGE DAYDREAM\u00a0<\/span><\/b><\/p>\n

With MOONAGE DAYDREAM<\/strong>, Brett Morgen (The Kid Stays in the Picture, Kurt Cobain: Montage of Heck, Jane) presents a genre defying immersion into the art and sounds of David Bowie. Considered one of the greatest artists of our time, David Bowie has been moving culture for over 50 years. MOONAGE DAYDREAM<\/strong> is the first film to be supported by the David Bowie Estate, which granted Morgen unprecedented access to their collection.\u00a0<\/span><\/p>\n

Told through sublime, kaleidoscopic imagery, personal archived footage, unseen performances, and anchored by David Bowie\u2019s own music and words, MOONAGE DAYDREAM<\/strong> invites audiences to immerse themselves in the unique world that is \u201cBowie\u201d.\u00a0<\/span><\/p>\n

In 2018, Morgen was granted unprecedented access to Bowie\u2019s archives which encompasses a lifetime of materials, including an extensive catalog of unseen footage and personal collection of his own art and poetry. Morgen spent four years assembling the film and another 18 months designing the soundscape, animations, and color palette.\u00a0<\/span><\/p>\n

For the film, the sound team, featuring Bowie\u2019s long-time collaborator, friend and music producer Tony Visconti and Academy Award\u00ae-winning sound mixer Paul Massey (Bohemian Rhapsody<\/strong>) remixed and translated Bowie\u2019s original stems for a theatrical environment that will be presented in 12.0, 5.0, Atmos, and 7.1\/5.1.\u00a0<\/span><\/p>\n

Throughout his career, across generations, Bowie taught us that our differences were our strengths. With MOONAGE DAYDREAM<\/strong>, Bowie provides us with a roadmap of how to survive the 21st century, inviting audiences to celebrate his legacy and enduring influence like never before.\u00a0<\/span><\/p>\n

\"\"<\/p>\n

Filmmaker Bios\u00a0<\/span><\/b><\/p>\n

Brett Morgen | Director, Writer, Editor, Producer\u00a0<\/span><\/b><\/p>\n

Brett Morgen has been called \u201cthe leading revolutionary of American Documentary film\u201d by the Wall Street Journal. His credits include JANE<\/strong> (2017), KURT COBAIN: MONTAGE OF HECK<\/strong> (2015), CROSSFIRE HURRICANE<\/strong> (2012), JUNE 17, 1994 (2010), THE KID STAYS IN THE PICTURE<\/strong> (2002), and ON THE ROPES<\/strong> (1999). He has received nearly every industry honor including the DGA, PGA, A.C.E., WGA, and IDA awards for Outstanding Documentary. He has also received the Emmy Award Best Director, 9 individual Primetime Emmy nominations, 18 Primetime Emmy nominations for his past three films, two Peabody Awards, and both BAFTA and Academy Award nominations. Morgen has recently completed work on MOONAGE DAYDREAM<\/strong>, the first authorized film about David Bowie.\u00a0<\/span><\/p>\n

Tony Visconti | Music Producer<\/b><\/p>\n


\n<\/b>When David Bowie\u2019s album Blackstar came out at the end of 2015, it was the fourth album in a row music producer Tony Visconti produced for David. Blackstar was one of the most celebrated albums of the year and the decade winning two Grammys and the Album of the Year\u00a0at the Brit Awards!\u00a0 <\/span>Since Bowie released his eponymous album, David Bowie, produced by Tony Visconti in 1969, the New York-based music producer has always been a vital part of the most decisive moments in Bowie\u2019s career.<\/p>\n

Visconti also provided musical direction for T. Rex\u2019s recordings as well as albums by Sparks, the Moody Blues, Thin Lizzy, Morrissey, Angelique Kidjo, Kaiser Chiefs, Alejandro Escovedo, The Damned, The Move, Badfinger, Kristeen Young and many others. Visconti was born in Brooklyn and moved to London in 1967 to begin his stellar career in the music industry that led to him being one of the most important pop producers in history. His unique life path is shared in his autobiography: Bowie, Bolan, and the Brooklyn Boy. Visconti, artist, music producer, and author, lives in New York City and looks toward the future with pure excitement.<\/p>\n

Recent albums he has produced include Emily\u2019s D + Evolution for Esperanza Spalding, produced and mixed Optimist in Black for the singer, English socialite and actress Daphne Guinness, produced Merrie Land for the English art rock supergroup, The Good, the Bad &amp; the Queen, and produced and mixed Perry Farrell\u2019s Kind Heaven release. Tony arranged and conducted strings for Foo Fighters on their song, \u201cI Am A River,\u201d from the Sonic Highways album and arranged two songs for the jazz artist Donny McCaslin\u2019s 2023 album. Additionally, Tony has toured the world with his band presenting the music of David Bowie, hosted two seasons of musical television programs, Sky Television\u2019s Guitar Star (2015 and 2016) and Tony Visconti\u2019s Unsigned Heroes (2017). He also chairs the Anchor Award as head judge at The Reeperbahn Music Festival in Hamburg, Germany every year since 2016.\u00a0<\/span><\/p>\n

\"\"<\/p>\n

David Giammarco | Re-Recording Mixer<\/b><\/p>\n

David Giammarco is a Canadian-American Supervising Sound Editor, Sound Designer and Re-recording Mixer who has worked on over 100 films. His work on Ford v Ferrari earned him an Academy Award Nomination for Best Sound Mixing and a BAFTA nomination for Best Sound. He also won the Cinema Audio Society Award for Best Sound Mixing, the Motion Picture Sound Editors Golden Reel Award for Best Sound Effects Editing and the Hollywood Film Award for Best Sound for Ford v Ferrari. David\u00a0<\/span><\/p>\n

received Academy Award nominations for Sound Mixing on Moneyball<\/strong> and 3:10 To Yuma<\/strong>. Other awards and nominations include two Canadian Film Awards and another MPSE Golden Reel Award. He lives in Los Angeles with his wife Sheila and two sons.\u00a0<\/span><\/p>\n

Stefan Nadelman | Animation and Graphics<\/b><\/p>\n

<\/b>Stefan Nadelman received a BFA from Iowa State University where he studied drawing, painting, printmaking, and graphic design. Starting his career as a web designer and Flash animator during the dot com bubble, he spent his spare time animating until he was able to submit his short films to Resfest and then Sundance where he won the short film jury prize for Terminal Bar.\u00a0<\/span><\/p>\n

Since then, Stefan continues to collaborate with directors such as Brett Morgen, Judd Apatow, Amir Bar-Lev, Chris Smith, R.J. Cutler, and Cullen Hoback, Stacy Peralta on their documentary projects.\u00a0<\/span><\/p>\n

John Warhurst | Supervising Sound and Music Editor<\/b><\/p>\n

John Warhurst is one of the film industry’s most accomplished sound editors, having supervised blockbuster soundtracks such as \u2019Bohemian Rhapsody<\/strong> ‘, for which he won a BAFTA and an Oscar\u00a9 in 2019 alongside Supervising Sound Editor, Nina Hartstone. Originally from Brighouse in West Yorkshire, he has worked on films such as the award-winning \u2019Les Mis\u00e9rables<\/strong>\u2019 as well as \u2018Sweeney Todd: The Demon Barber of Fleet Street<\/strong>\u2019, and the film documentary starring One Direction, \u2018This Is Us\u2019<\/strong>. After graduating from the University of Huddersfield with a BMus [Hons] degree in Orchestral Composition and Arrangement he decided to continue on to postgraduate study with a Master\u2019s degree in Electro-Acoustic Composition.<\/p>\n

His Oscar for the film Bohemian Rhapsody is seen by many as the crown jewel of film industry accomplishment, but this wasn\u2019t his first award. His introduction to the red carpet came in 2013 when he was part of the sound and music team on the film musical \u2018Les Mis\u00e9rables\u2019<\/strong>, which picked up Best Sound at the British BAFTA Film Awards. John\u2019s skills as a sound editor have also been heard in cinemas and movie theaters around the world in the films \u2018The Woman in Black<\/strong>\u2019, \u2018127 Hours<\/strong>\u2019 and \u2018Three Billboards Outside Ebbing Missouri<\/strong>\u2019, \u2018Lord of the Rings: Return of the King<\/strong>\u2019 and \u2018Harry Potter and the Chamber of Secrets<\/strong>\u2019. The soundscape he created for the David Bowie documentary experience, \u2018Moonage Daydream<\/strong>\u2019 showcases his talent. He is currently supervising the sound of the upcoming Whitney Houston biopic \u2018I Wanna Dance with Somebody\u2019.\u00a0<\/span><\/p>\n

\"\"<\/p>\n

Nina Hartstone | Supervising Sound Editor<\/b><\/p>\n

Nina Hartstone is an Oscar\u00a9-winning Supervising Sound Editor, primarily known for her sound editing expertise in dialogue, ADR, crowd design and vocals. In recent years, she has specialized in musical films alongside Supervising Sound and Music Editor, John Warhurst. She holds a BA (Hons) in Visual and Performing Arts and has worked in the film industry for nearly 30 years. Starting out in the cutting rooms at Pinewood Studios as a trainee, she worked her way up through the sound editorial ranks to the role of Supervisor and is now passionate about nurturing the next generation of sound creatives, with a particular focus on encouraging diversity through equal representation. Nina has participated in industry panels and given presentations at film festivals and educational establishments around the world, including the Santa Barbara International Film Festival, NAB in Las Vegas and The National Film and Television School. She has worked alongside leading industry professionals to devise and implement\u00a0<\/span><\/p>\n

innovative ways of recording, creating and editing sound for film. Her credits include titles as diverse as \u2018Everest<\/strong>\u2019, \u2018Enola Holmes<\/strong>\u2019, \u2018An Education<\/strong>\u2019, \u2018Pok\u00e8mon: Detective Pikachu<\/strong>\u2019, \u2018Evita\u2019<\/strong> and the multi award-winning blockbuster, \u2018Gravity<\/strong>\u2019. In 2019, this work was recognised with Academy Award\u00a9, BAFTA, AMPS and MPSE wins for sound editing on the smash hit film, \u2018Bohemian Rhapsody<\/strong>\u2019. She recently turned her skills to the eagerly awaited David Bowie documentary experience \u2018Moonage Daydream<\/strong>\u2019 and is currently working on \u2018I Wanna Dance With Somebody<\/strong>\u2019, the highly anticipated biopic about Whitney Houston.\u00a0<\/span><\/p>\n

Paul Massey | Re-Recording Mixers\u00a0<\/span><\/b><\/p>\n

Paul has been nominated for 10 Academy Awards, having won in 2019 for Bohemian Rhapsody<\/i><\/strong>. He has also been nominated for 9 BAFTAs and has won 4 for his work in Almost Famous <\/i><\/strong>(2000), Master and Commander: The Far Side of the World<\/strong> <\/i>(2003), Walk the Line<\/strong> <\/i>(2005), and Bohemian Rhapsody <\/i><\/strong>(2018).\u00a0<\/span><\/p>\n

Filmography includes:\u00a0<\/span><\/b><\/p>\n

Legends of the Fall <\/i>(1994)
\nAll Dogs Go to Heaven 2 <\/i>(1996)
\nLiar Liar <\/i>(1997)
\nAir Force One <\/i>(1997)
\nRugrats in Paris: The Movie <\/i>(2000)
\nMaster and Commander: The Far Side of the World <\/i>(2003) Walk the Line <\/i>(2005)
\nPirates of the Caribbean: Dead Man’s Chest <\/i>(2006)
\n3:10 to Yuma <\/i>(2007)
\nThe Martian <\/i>(2015)
\nBohemian Rhapsody <\/i>(2018)
\nMaleficent: Mistress of Evil <\/i>(2019)
\nFord v Ferrari <\/i>(2019)
\nNo Time To Die <\/i>(2020)\u00a0<\/span><\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis\u00a0 Moonage Daydream illuminates the life and genius of David Bowie, one of the most prolific and influential artists of our time.\u00a0 Told through sublime, kaleidoscopic, never-before-seen footage, performances and music, Brett Morgen\u2019s (The Kid Stays in the Picture, Cobain: Montage of Heck, Jane) feature length experiential cinematic odyssey explores David Bowie\u2019s creative, musical and…<\/p>\n","protected":false},"author":2,"featured_media":11618,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_acf_changed":false,"footnotes":""},"categories":[30],"tags":[9414,10769,9415,10764,9419,10766,9418,9413,1593,10767,10768,9416,10765,9417,10763],"acf":[],"yoast_head":"\nMOONAGE DAYDREAM - Official Trailer : Starring David Bowie | Cinema Daily US<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinemadailyus.com\/?p=11613\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MOONAGE DAYDREAM - 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