{"id":13150,"date":"2022-11-02T14:36:46","date_gmt":"2022-11-02T18:36:46","guid":{"rendered":"https:\/\/cinemadailyus.com\/?p=13150"},"modified":"2023-12-12T03:49:20","modified_gmt":"2023-12-12T08:49:20","slug":"carthage-film-festival-la-fellinette-exclusive-interview-with-francesca-fabbri-fellini","status":"publish","type":"post","link":"https:\/\/cinemadailyus.com\/?p=13150","title":{"rendered":"Carthage Film Festival: La Fellinette \/ Exclusive Interview With Francesca Fabbri Fellini"},"content":{"rendered":"

Niece of the great maestro Federico Fellini and daughter of actress Maddalena Fellini and Giorgio Fabbri, Francesca Fabbri Fellini is a film director and critic who hosted a weekly radio programme on the Italian radio station RTL, entirely devoted to cinema.\u00a0<\/span><\/p>\n

Her short film La Fellinette<\/i><\/b>, that tributes the oneiric work of her uncle, is part of the programme of the 33rd<\/sup> edition of the Carthage Film Festival<\/a> in Tunis. The festival is to date the oldest event of its kind still active in Africa, founded in 1966 and often known by the abbreviation JCC, from its French name, Journ\u00e9es cin\u00e9matographiques de Carthage<\/i>, or by its Arabic title, \u0623\u064a\u0627\u0645 \u0642\u0631\u0637\u0627\u062c \u0627\u0644\u0633\u064a\u0646\u0645\u0627\u0626\u064a\u0629. This year the festival includes in one of its Parallel Sections \u2018The World According To Federico Fellini\u2019<\/b>: <\/b>a selection of films by or about the great Italian director. This includes three iconic Federico Fellini films: Amarcord<\/i><\/b>, The Voice Of The Moon<\/i><\/b> and Eight And A Half<\/i><\/b>. Four additional films are about his work: Fellini, Fine Mai<\/i><\/b> by Eugenio Cappusio (2019), In The Footsteps Of Fellini<\/i><\/b> (2013) by G\u00e9rald Morin, Fellini And The Shadow <\/i><\/b>(2021) by Catherine Mc Gilvray and the animated short film La Fellinnette <\/i><\/b>(2020) by Francesca Fabbri Fellini.<\/p>\n

The film directed by Federico Fellini\u2019s niece \u2014 released in 2020 to celebrate the 100th<\/sup> anniversary of her uncle\u2019s birth \u2014 coalesces animation with dream-like live action, bringing to life the drawing of a little girl that the Italian director had made in 1971.\u00a0<\/span><\/p>\n

In this Exclusive Interview, Francesca Fabbri Fellini shares her inspiration in the making of her La Fellinette<\/i><\/b>:<\/p>\n

\"\"<\/p>\n

Q: Federico Fellini was known to make many drawings, especially of his dreams, several were included in the publication <\/b>The Book of Dreams<\/b><\/a>. One of your uncle\u2019s wishes was to make an animation, is this why you decided to animate one of his drawings in La Fellinette<\/i>?<\/b><\/p>\n

FFF: I recall I was thinking about what I could do to celebrate his 100th<\/sup> birthday, and one night I dreamt of the little \u2018Fellinette,\u2019 the drawing he made for me when I was only six years old, that has kept me company for 51 years. That dream was an animated story. I am convinced that he would have liked this \u2018little film,\u2019 as my uncle Chicco would have called it, especially for the way I put his teaching into practice. \u201cRemember Franceschina that we have two lives, one with open eyes and one with closed eyes<\/i>,\u201d he used to tell me.<\/p>\n

Q: Who is the little red-haired girl with the balloon and the white dog?<\/b><\/p>\n

FFF: I am the little Fellinette. I am the girl with the braided red hair walking on the beach of Rimini with my white poodle Alfie, who unfortunately passed away last year at the age of 17. With this film I\u00a0 <\/span>gave immortality to my loving playmate.<\/p>\n

Q: A great protagonist of your uncle\u2019s films is the city of Rimini, and the same can be said for La Fellinette<\/i>, set in the wintery seaside of Riviera<\/b> Romagnola. What is your relationship with Rimini, also seen through your uncle\u2019s eyes?<\/b><\/p>\n

FFF: \u201cRimini: a word made up of auctions, of toy soldiers lined up. I can\u2019t objectify. Rimini is a mess, confused, fearful, tender, with this great breath, this open emptiness of the sea; there the nostalgia becomes clearer, especially the winter sea, the white crests, the great wind, as I saw it the first time. It is rather, and only, a dimension of memory. In fact, when I am in Rimini, I am always attacked by ghosts that have already been archived, sorted out.<\/i>\u201d This is what Federico wrote about Rimini. During the beautiful winter days, we both loved to go for a stroll by the sea and clear our minds. We found it refreshing.<\/p>\n

\"\"<\/p>\n

Q: How do you feel contemporary youth differs from the one that Federico Fellini portrayed in his 1953 film I Vitelloni<\/i>?<\/b><\/p>\n

FFF: The \u2018layabouts\u2019 of the film are nothing but provincial dandies \u2014 in Italy during the Fifties they were called \u2018GaG\u00e0\u2019 for their dainty and refined style. I Vitelloni<\/i> are spoiled brats, the idlers of the bourgeoisie, common to small and big cities. I believe that \u2018vitellonism\u2019 still exists. However, contemporary youth has to face social and economic pressures that are unrelated to previous generations.<\/p>\n

Q: What are the three films made by Federico Fellini that represent his style the best, that you feel young people should see?<\/b><\/p>\n

FFF: \u201cBy making films, my aim is to follow this natural inclination, that is, to tell stories with cinema, stories that are congenial to me and that I like to tell in an inextricable mixture of sincerity and invention.<\/i>\u201d These are the words of Federico Fellini and for me the films that best represent his pursuit are: Eight And A Half<\/i><\/b>, La Dolce Vita<\/i><\/b>, Amarcord<\/i><\/b>.<\/p>\n

Q: How was your creative process with Linda Kelvink, at the helm of the animation company Studio Ibrido?<\/p>\n

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<\/b><\/p>\n

FFF: Linda and her team are a very high quality animation studio.<\/p>\n

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We worked together a lot in order to give three-dimensionality to the little Fellinette, who was born as a two-dimensional figure. I gave Linda the sketches that my uncle had made for his film The Clowns<\/i><\/b>. But the most wonderful thing that Linda made was the animation of Federico himself, who appears in the finale of my film.<\/p>\n

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Every time I see him I get goosebumps.<\/p>\n

Q: The live action in your film takes place in a very Fellinian setting: the circus. The Paniko circus has a modern concept of this kind of entertainment, what traits do you think corresponded to your uncle\u2019s creative world?<\/b><\/p>\n

FFF: Indeed, we shot the live action part in a chapiteau of the Circo Paniko, the only original Italian contemporary circus without animals. The crazy trapeze artist, the tall Dane, the hunchback with the metre, the sassy Spaniard: all these characters could have come out of a silent film, they had a Buster Keaton and Samuel Beckett flair that uncle Federico would have liked.<\/p>\n

Q: Besides Milena Vukotic \u2014 who had already worked with Federico Fellini in Juliet of the Spirits \u2014<\/i> your cast includes Ivano Marescotti and Sergio Bustric. What Fellinian trait did they possess to be fit for their roles?\u00a0<\/span><\/b><\/p>\n

FFF: Federico loved Charlie Chaplin. My short film is a silent film. In silent cinema actors had to convey information without using their voice, for this reason, facial expressions, gestures and body movements were very important. My actors were perfect in this.<\/p>\n

\"\"<\/p>\n

Q: What was it like to combine the cinematography by Blasco Giurato, the shadow play by Carlo Truzzi, the music score by Andrea Guerra and editing by Simone Felici?<\/b><\/p>\n

FFF: I had an extraordinary technical cast that made it possible to create a jewel of poetry.<\/p>\n

Q: The poster of the film was designed by the great Renato Casaro, what was it like to share your vision with him?<\/b><\/p>\n

FFF: For me it is a great honour to have the poster designed by an artist like Renato Casaro who is known worldwide. In his poster there is the soul of my film. It was his way of paying homage to Federico, for whom he had never worked.<\/p>\n

Q: What does it feel like to be at the Carthage Film Festival, also in the company of other filmmakers who homaged the work of your uncle?<\/b><\/p>\n

FFF: I have always been attracted by the timeless charm of Tunisia. I\u2019m very excited to be part of the 33rd<\/sup> edition of the JCC, with my La Fellinette<\/i><\/b>, and I am convinced it will be a sensory experience.<\/p>\n

Q: What word of advice did Federico give you that you cherish the most?<\/b><\/p>\n

FFF: \u201cNothing is known, everything is imagined<\/i>.\u201d<\/p>\n

Check out more of Chiara\u2019s articles<\/a>.<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Niece of the great maestro Federico Fellini and daughter of actress Maddalena Fellini and Giorgio Fabbri, Francesca Fabbri Fellini is a film director and critic who hosted a weekly radio programme on the Italian radio station RTL, entirely devoted to cinema.\u00a0 Her short film La Fellinette, that tributes the oneiric work of her uncle, is…<\/p>\n","protected":false},"author":6,"featured_media":13260,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[33],"tags":[2803,12386,12399,12391,12395,855,12398,12394,12384,12397,12396,12387,12393,12392,12385,12389,12390,12388],"acf":[],"yoast_head":"\nCarthage Film Festival: La Fellinette \/ Exclusive Interview With Francesca Fabbri Fellini | Cinema Daily US<\/title>\n<meta name=\"description\" content=\"The film directed by Federico Fellini\u2019s niece \u2014 released in 2020 to celebrate the 100th anniversary of her uncle\u2019s birth \u2014 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With a degree in Political Sciences, a Master\u2019s in Screenwriting & Film Production, and studies at the Lee Strasberg Theatre & Film Institute, Chiara has been working in the press since 2003. Italian by blood, British by upbringing, fond of Japanese culture since the age of 7, once a New Yorker always a New Yorker, and an avid traveller, Chiara collaborates with international magazines and radio-television networks. She is also a visual artist, whose eco-works connect to her use of language: the title of each painting is inspired by the materials she upcycles on canvas. Her \u2018Material Puns\u2019 have so far been exhibited in four continents, across ten countries. She is a dedicated ARTivist, donating her works to the causes and humanitarians she supports, and is Professor of Phenomenology of Contemporary Arts at Istituto Europeo di Design in Milan.","sameAs":["https:\/\/www.cinemadailyus.com"],"url":"https:\/\/cinemadailyus.com\/?author=6"}]}},"_links":{"self":[{"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/posts\/13150"}],"collection":[{"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13150"}],"version-history":[{"count":0,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/posts\/13150\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/media\/13260"}],"wp:attachment":[{"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}