{"id":14210,"date":"2022-12-31T16:30:42","date_gmt":"2022-12-31T21:30:42","guid":{"rendered":"https:\/\/cinemadailyus.com\/?p=14210"},"modified":"2023-12-12T06:26:36","modified_gmt":"2023-12-12T11:26:36","slug":"the-top-10-best-films-of-2022-we-picked-our-favorites","status":"publish","type":"post","link":"https:\/\/cinemadailyus.com\/?p=14210","title":{"rendered":"The Top 10 Best Films Of 2022 : We Picked Our Favorites!"},"content":{"rendered":"<p><strong>It\u2019s New Year\u2019s Eve, it\u2019s time to look back on our best films in our film industry and select the top 10 best films of 2022. We picked our favorites, so check out to see what we selected. To pay homage to filmmakers and actors, we don\u2019t dare to rank them. Thank you for reading our contents, please continue to support our site.\u00a0<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14211\" src=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/Abe.png\" alt=\"\" width=\"300\" height=\"314\" srcset=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/Abe.png 300w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/Abe-287x300.png 287w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><strong>Abe Friedtanzer\u00a0<\/strong><\/p>\n<ul>\n<li>The Whale<\/li>\n<li>Everything Everywhere All at Once<\/li>\n<li>Glass Onion: A Knives Out Mystery<\/li>\n<li>Women Talking<\/li>\n<li>Girl Picture<\/li>\n<li>Athena<\/li>\n<li>Don\u2019t Make Me Go<\/li>\n<li>Dual<\/li>\n<li>Cha Cha Real Smooth<\/li>\n<li>Official Competition<\/li>\n<\/ul>\n<p>2022 was a great year for movies. <a href=\"https:\/\/cinemadailyus.com\/reviews\/toronto-international-film-festival-review-the-whale-is-an-excellent-character-study-with-exceptional-performances\/\"><b><i>The Whale<\/i><\/b><\/a> featured extraordinary performances from Brendan Fraser, Sadie Sink, and the rest of its ensemble in a moving and intimate human story. <b><i>Everything Everywhere All at Once<\/i> <\/b>was stunningly creative, bursting with invigorating energy and a dazzling interpretation of the multiverse. <a href=\"https:\/\/cinemadailyus.com\/reviews\/toronto-international-film-festival-review-glass-onion-a-knives-out-mystery-is-the-best-kind-of-sequel\/\"><b><i>Glass Onion: A Knives Out Mystery<\/i><\/b><\/a><b> <\/b>was a sequel that managed to be even better than its predecessor, expanding on a working concept and dialing it up with an equally tremendous cast. <b><i>Women Talking<\/i> <\/b>took a simple premise and made it vital and layered, full of thought-provoking conversations and arguments. <b><i>Girl Picture<\/i> <\/b>fleshed out three teenagers and the complexities of human relationships. <b><i>Athena <\/i><\/b>started with a bang and didn\u2019t let up for a second in its depiction of citizen uprisings about police brutality. <b><i>Don\u2019t Make Me Go<\/i><\/b> humorously and warmly portrayed an endearing father-daughter dynamic. <b><i>Dual <\/i><\/b>took the notion of identity theft to a whole new level. <a href=\"https:\/\/cinemadailyus.com\/reviews\/sundance-film-festival-review-cha-cha-real-smooth-is-a-delight-from-cooper-raiff\/\"><b><i>Cha Cha Real Smooth<\/i><\/b><\/a> paired up a delightful romance with uplifting and irresistible comedy. <b><i>Official Competition <\/i><\/b>brilliantly skewered excess and ego with wondrously enjoyable results.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14212\" src=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/Niclas-Goldberg-294x300.jpg\" alt=\"\" width=\"294\" height=\"300\" srcset=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/Niclas-Goldberg-294x300.jpg 294w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/Niclas-Goldberg-696x710.jpg 696w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/Niclas-Goldberg-412x420.jpg 412w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/Niclas-Goldberg-356x364.jpg 356w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/Niclas-Goldberg.jpg 753w\" sizes=\"(max-width: 294px) 100vw, 294px\" \/><\/p>\n<p><strong>Niclas Goldberg\u00a0<\/strong><\/p>\n<p>\u25cf Aftersun<\/p>\n<p>\u25cf EO<\/p>\n<p>\u25cf T\u00c1R\u00a0<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>\u25cf One Fine Morning<\/p>\n<p>\u25cf The Eternal Daughter<\/p>\n<p>\u25cf Memoria<\/p>\n<p>\u25cf Saint Omer<\/p>\n<p>\u25cf The Wonder<\/p>\n<p>\u25cf Corsage<\/p>\n<p>\u25cf A Love Song<\/p>\n<p>In 2022 many great films reflect on memory and its fragmental, sensitive and complex aspect. In her debut film, the rare, beautiful <b>Aftersun<\/b>, Charlotte Well\u2019s remembers the childhood vacation in Turkey with her father and in spellbinding <b>Memoria<\/b> Thai director Apichatpong Weerasethakul takes Tilda Swinton to Colombia to explore the sonic vibrations from the past. Swinton also makes the screen gently vibrates while playing both mother and daughter in gothic and spooky <b>The Eternal Daughter<\/b>, director Johanna Hogg\u2019s remembrance of her mother. Time seems to have stopped in Max Walker-Silverman\u2019s tender <b>A Love Song<\/b> as Dale Dickey longs for her past lover by a Colorado lake. To remember, or to pay tribute to, Robert Bresson\u2019s classic Au Hazard Balthazar, Polish director Jerzy Skolimowski leads a donkey on a visual knockout ride in surreal and moving <b>EO<\/b>. In rebellious <b>Corsage <\/b>Marie Kreutzer makes a salty kind of homage to Empress Elisabeth of Austria and in haunting meta-film <b>The Wonder<\/b> Chilean Sebasti\u00e1n Lelio travels back in time to the green plains of Ireland with Florence Pugh. Mia Hansen-L\u00f8ve returns to Paris and dives into her own past in astonishingly fluid <b>One Fine Morning<\/b> while Alice Diop reconstructs a horrifying story in tense, documentary-like court drama <b>Saint Omer<\/b>. And finally, Todd Field returns from the past.<\/p>\n<div style=\"position:absolute;left:-99195px;\"> online pharmacy <a href=\"http:\/\/ecnsweb.org\/img\/ecns2018\/jpg\/symbicort-inhaler.html\">symbicort inhaler over the counter<\/a> with best prices today in the USA <\/div>\n<p> In his splendid <b>T\u00c1R <\/b>Cate Blanchett hits all the right tones as the maestro heading for a fall. <span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14213\" src=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/Chiara-e1628390082272-293x300.png\" alt=\"\" width=\"293\" height=\"300\" srcset=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/Chiara-e1628390082272-293x300.png 293w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/Chiara-e1628390082272.png 300w\" sizes=\"(max-width: 293px) 100vw, 293px\" \/><\/p>\n<p><strong>Chiara Spagnoli Gabardi<\/strong><\/p>\n<p>\u25cf EO<\/p>\n<p>\u25cf Winners<\/p>\n<p>\u25cf Bardo<\/p>\n<p>\u25cf Argentina, 1985<\/p>\n<p>\u25cf T\u00e1r<\/p>\n<p>\u25cf Official Competition<\/p>\n<p>\u25cf She Said<\/p>\n<p>\u25cf Triangle of Sadness<\/p>\n<p>\u25cf The Whale<\/p>\n<p>\u25cf The Territory<\/p>\n<p>Cinema is an escapist journey where audiences can come across different perspectives. 2022 has taken diversity to wondrous levels with films that connect spectators with unexpected points of view. We empathise with a different species in <b><i>EO<\/i><\/b>; in <b><i>Winners <\/i><\/b>we witness how a prestigious accolade travels across a land of repression; we are catapulted in the lysergic magnum opus of <b><i>Bardo<\/i><\/b>; in <b><i>Argentina, 1985 <\/i><\/b>we are inspired by those who dared to prosecute those responsible for the crimes of a fascist military dictatorship; we\u00a0feel sympathy for the physical and psychological plight portrayed in <b><i>The Whale<\/i><\/b>; with <b><i>Triangle of Sadness<\/i><\/b> we question whether social groups are forever bound by their limitations and observe the breaking of the taboo of scatology in cinema<i>. <\/i>Furthermore, the female sphere has been portrayed in new ways on the silver screen. <b><i>T\u00e1r <\/i><\/b>presents a talented yet bellicose lesbian music conductor; <b><i>Official Competition <\/i><\/b>is driven by an eccentrically charismatic stage director; <b><i>She Said<\/i><\/b> sets an example of aspirational, courageous investigative journalists ready to subvert a patriarchal system. There have also been a wide selection of exceptional documentaries shedding light on the environmental crisis of our era, like the <b><i>The Territory <\/i><\/b>that stands out for the way it hands the storytelling to its protagonists.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14214\" src=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/Edward-Moran-1-246x300.jpg\" alt=\"\" width=\"246\" height=\"300\" srcset=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/Edward-Moran-1-246x300.jpg 246w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/Edward-Moran-1-344x420.jpg 344w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/Edward-Moran-1.jpg 356w\" sizes=\"(max-width: 246px) 100vw, 246px\" \/><\/p>\n<p><b>Edward Moran<\/b><\/p>\n<p>\u2022 Back to That Day<\/p>\n<p>\u2022 Call Me Anytime, I\u2019m Not Leaving the House<\/p>\n<p>\u2022 The Exiles<\/p>\n<p>\u2022 The Janes<\/p>\n<p>\u2022 Kaddish<\/p>\n<p>\u2022 Lucy and Desi<\/p>\n<p>\u2022 The Neighbors\u2019 Window<\/p>\n<p>\u2022 Radioactive: The Women of Three Mile Island<\/p>\n<p>\u2022 Three Minutes: A Lengthening<\/p>\n<p>\u2022 Words That Move: See Through a Different I<\/p>\n<p>There are no box-office blockbusters or big-studio franchise films on my Top 10 list. It\u2019s because I cherish the independent, low-budget features and documentaries that are too often overlooked but that represent grassroots filmmaking at its best.\u00a0Because they\u2019re all so damned good, I\u2019ll run through them alphabetically&#8211;from B to W.\u00a0<b><i>Back to That Day<\/i><\/b> explores grief and consolation around the death of a promising young Japanese woman mourned by her sister, while <b><i>Call Me Anytime, I&#8217;m Not Leaving the House<\/i><\/b> focuses on two Ukrainian sisters&#8211;one in war-torn Odessa, the other in Brooklyn&#8211;dealing with their own issues of separation. <b><i>The Exiles,<\/i><\/b> which took the top prize at Sundance, presents a searing account of the fate of some Tiananmen Square protesters in 1989, while <b><i>The Janes<\/i><\/b> focuses its lens on a clandestine network of women abortion providers in pre-Roe-v-Wade Chicago. <b><i>Kaddish<\/i><\/b><i> <\/i>is a heartfelt short film on the Holocaust by a Muslim filmmaker from Bangladesh who learned Yiddish to give the production greater authenticity. In<b><i>Lucy and Desi<\/i><\/b>, we observe the marital ups and downs of one of America\u2019s great comedic duos from the 1950s, while <b><i>The Neighbors&#8217; Window<\/i><\/b>, an Oscar winner, offers a poignant story of two New York couples who observe each other through adjoining apartment windows. <b><i>Radioactive: The Women of Three Mile Island<\/i><\/b> testifies to the power of intrepid women and mothers united in the face of America\u2019s worst nuclear accident. <b><i>Three Minutes: A Lengthening<\/i><\/b> uses vintage film footage to recreate the lives of a Jewish <i>shtetl<\/i> in Poland during the Holocaust. Finally, <b><i>Words That Move: See Through a Different I<\/i><\/b> employs dazzling animation and special effects to enhance a poet\u2019s commentaries on life, love, and our fractured civic landscape.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14215\" src=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/KarenBenardello-253x300.png\" alt=\"\" width=\"253\" height=\"300\" srcset=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/KarenBenardello-253x300.png 253w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/KarenBenardello.png 300w\" sizes=\"(max-width: 253px) 100vw, 253px\" \/><\/p>\n<p><b>Karen Benardello<span class=\"Apple-converted-space\">\u00a0<\/span><\/b><\/p>\n<p>\u2022 She Said<\/p>\n<p>\u2022 The Whale<\/p>\n<p>\u2022 Barbarian<\/p>\n<p>\u2022 Hellraiser<\/p>\n<p>\u2022 Orphan: First Kill<\/p>\n<p>\u2022 The Menu<\/p>\n<p>\u2022 Avatar: The Way of Water<\/p>\n<p>\u2022 Devotion<\/p>\n<p>\u2022 Living<\/p>\n<p>\u2022 Women Talking<\/p>\n<p>The most compelling films of 2022 feature complex protagonists who break free from environments that they don\u2019t feel comfortable in. <b><i>She Said<\/i><\/b> stars Carey Mulligan and Zoe Kazan as New York Times reporters Megan Twohey and Jodi Kantor, who expose Harvey Weinstein&#8217;s sexual misconduct against women. <b><i>The Whale<\/i><\/b> features Brendan Fraser as an obese man who reconnects with his estranged daughter. In <b><i>Barbarian<\/i><\/b>, Georgina Campbell\u2019s aspiring documentarian proves it\u2019s important for women to trust their instincts in dangerous situations. <b><i>Hellraiser<\/i><\/b> features Odessa A\u2019zion as a recovering addict who battles her fears after she unleashes the Cenobites. Isabelle Fuhrman shows how her titular character used her seemingly innocent nature to con her way into her first American family in <b><i>Orphan: First Kill<\/i><\/b>. <b><i>The Menu\u2019s<\/i><\/b> Anya Taylor-Joy created a working-class woman whose wit satirizes America\u2019s upper class. <b><i>Avatar: The Way of Water\u2019s<\/i><\/b> Sam Worthington and Zoe Salda\u00f1a\u2019s Na&#8217;vi characters once again repel the human invasion of Pandora in groundbreaking underwater motion capture performances. In <b><i>Devotion<\/i><\/b>, Jesse Brown, the first African-American elite fighter pilot in the U.S. Navy, endures institutional racism to defend his country. Bill Nighy shines as a Public Works office bureaucrat who searches for meaning after being diagnosed with a terminal illness in <b><i>Living<\/i><\/b>. In <b><i>Women Talking<\/i><\/b>, women from an isolated Mennonite colony achieve justice after their lives were constricted by religious tradition.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14216\" src=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/FB_IMG_1612890471620-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/FB_IMG_1612890471620-225x300.jpg 225w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/FB_IMG_1612890471620-696x928.jpg 696w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/FB_IMG_1612890471620-315x420.jpg 315w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/FB_IMG_1612890471620.jpg 720w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/p>\n<p><strong>Matthew Schuchman\u00a0<\/strong><\/p>\n<p>\u2022 Decision to Leave<\/p>\n<p>\u2022 Every Everywhere All at Once<\/p>\n<p>\u2022 Glass Onion<\/p>\n<p>\u2022 Nope<\/p>\n<p>\u2022 Resurrection<\/p>\n<p>\u2022 RRR<\/p>\n<p>\u2022 T\u00e1r<\/p>\n<p>\u2022 The Banshees of inisherin<\/p>\n<p>\u2022 The Menu<\/p>\n<p>\u2022 The Outfit<\/p>\n<p>Even though my top picks are listed in alphabetical order, let\u2019s make one thing clear; <b>Everything Everywhere All at Once<\/b> is bar-none, the best movie of 2022. Never has a film made me cry from laughter and pure dramatic emotion at the same time. Trying to truncate all my feelings about the film into a few sentences is impossible, we would be here forever if I kept going on about it. The criminally underseen <b>Resurrection<\/b> starring Rebecca Hall and Tim Roth is my unmitigated choice for 2nd best film of the year. Call it a psychological thriller if you need to put a specific genre onto it, the performances in this film drive an already packed story and the fact that both Hall and Roth are not going to see nominations behind their work in this film, is another crime of 2022. People want to hem and haw over Mia Goth\u2019s monologue from <b>Pearl, <\/b>but just wait till you see Rebecca Hall\u2019s 7 minute, unbroken speech from <b>Resurrection<\/b>.<\/p>\n<p>While the pure fun and spectacle of films like <b>RRR<\/b> and <b>Glass Onion <\/b>are enough to put them on everyone\u2019s list, they both have more layers to them for people looking for more than just awe and comedy. And the same goes for films like <b>Nope<\/b> and <b>The Menu<\/b>, but both of those films have a more even balance. I know <b>Nope<\/b> has been very divisive with audiences, but I now consider it the best Peele film out there. It would not be right for me to finish this breakdown without talking about the other underseen film this year that needs more attention, <b>The Outfit<\/b>. A small, much more indie affair in many ways, this is the gem of the year that people are still overlooking.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14217\" src=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/Nobuhiro-Hosoki-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/Nobuhiro-Hosoki-300x300.jpg 300w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/Nobuhiro-Hosoki-150x150.jpg 150w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2022\/12\/Nobuhiro-Hosoki.jpg 418w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><strong>\u00a0Nobuhiro Hosoki\u00a0<\/strong><\/p>\n<p>\u2022 Living<\/p>\n<p>\u2022 The Whale<\/p>\n<p>\u2022 Aftersun<\/p>\n<p>\u2022 She Said<\/p>\n<p>\u2022 Happening<\/p>\n<p>\u2022 Bardo<\/p>\n<p>\u2022 Triangle of Sadness<\/p>\n<p>\u2022 The Territory<\/p>\n<p>\u2022 We Are Still Here<\/p>\n<p>\u2022 Nitram<\/p>\n<p>\u201c<b>Living :<\/b>\u201d How could anyone even dare to remake Akira Kurosawa\u2019s remarkable \u201cIkiru\u201d except a guy who won the Nobel prize for literature. Writer\/screenwriter Kazuo Ishiguro beautifully transforms this cinematic masterpiece by transplanting it to an English setting. Lead actor Bill Nighy\u2019s performance captured the strong will of the human spirit. \u201c<b>The Whale<\/b>:\u201d In this film prosthetic make-up is used on an impressive scale beyond what\u2019s usually seen in a horror film. Director Darren Aronofsky gets a gripping performance out of Brendan Fraser that will melt your heart. You probably won\u2019t see a better performance than he presented in this film for a long time.\u201c<b>Aftersun<\/b>:\u201d Intentionally immersing its audience into this parent-child relationship, the film completely strips away any exterior trappings except for sharing with us their precious little time together. Director Charlotte Wells reveals it as a shining jewel, which haunts the mind.\u00a0\u201c<b>She Said<\/b>:\u201d Depicting the remarkable investigation of Megan Twohey and Jodi Cantor into movie mogul Harvey Weinstein\u2019s many sexual crimes, this film really delves into the mindset of the survivors, whose courage is to be reckoned with on the highest level.\u00a0\u201c<b>Happening<\/b>:\u201d Based on Nobel Prize winner Annie Ernaux\u2019s novel, this film tackles illegal abortion in \u201960s France. Like what some states in America are doing today \u2014 legally prohibiting abortion \u2014 director Audrey Diwan\u2019s cinematic version really made me question what chances women have to enjoy their basic rights with such laws in place.\u00a0<span class=\"gmail-Apple-converted-space\">\u00a0<\/span><\/p>\n<p>\u201c<b>Bardo<\/b>:\u201d Director Alejandro I\u00f1\u00e1rritu\u2019s recent epic is loaded with a lot of autobiographical elements which reminds me of Fellini\u2019s \u201c8\u00bd;\u201d it\u2019s full of imagination as it explores many aspects of human behavior. We don\u2019t get to see this type of film as a studio production these days.<\/p>\n<div style=\"position:absolute;left:-99195px;\"> online pharmacy <a href=\"https:\/\/salterlewismd.com\/wp-content\/uploads\/2022\/08\/png\/tamiflu.html\">tamiflu over the counter<\/a> with best prices today in the USA <\/div>\n<p>\u00a0\u201c<b>Triangle of Sadness<\/b>:\u201d This movie captures the way that certain systems enforce societal inequities and what might happen if that unravels. Director Ruben Ostlund&#8217;s black humor is brilliant, and his laughing at money-worshippers is priceless.\u00a0\u201c<b>The Territory<\/b>:\u201d Alex Pritz\u2019s fascinating documentary shows what will happen if the destruction of the rainforest continues forcing its indigenous people to leave the place. It&#8217;s really important to acknowledge what&#8217;s going on there.<span class=\"gmail-Apple-converted-space\">\u00a0<\/span>\u201c<b>We Are Still Here<\/b>:\u201d This film was created as a response to the 250th anniversary of the second voyage of James Cook to Australia in 1772. The project consists of 10 linked short films by 10 indigenous Australian and M\u0101ori filmmakers about the impact of the settlers\u2019 colonialism on the region\u2019s native cultures.<\/p>\n<div style=\"position:absolute;left:-99195px;\"> online pharmacy <a href=\"http:\/\/ecnsweb.org\/img\/ecns2018\/jpg\/cipro.html\">cipro over the counter<\/a> with best prices today in the USA <\/div>\n<p> All are remarkable pieces that effectively connect together.<span class=\"gmail-Apple-converted-space\">\u00a0\u00a0<\/span>\u201c<b>Nitram<\/b>:\u201d Based on events that lead up to the 1996 Port Arthur massacre on Tasmania, this film mainly provides a single perspective, which was really scary, rather than provoking a response full of emotions, it tells of the hows and why it happened. The film really reminded me of Gas Van Sant\u2019s \u201cElephant.\u201d<span class=\"gmail-Apple-converted-space\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s New Year\u2019s Eve, it\u2019s time to look back on our best films in our film industry and select the top 10 best films of 2022. We picked our favorites, so check out to see what we selected. To pay homage to filmmakers and actors, we don\u2019t dare to rank them. Thank you for reading&#8230;<\/p>\n","protected":false},"author":2,"featured_media":14228,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32],"tags":[10737,7391,12062,10736,10731,8790,6976,11671,13353,6662,11559,10849,13352,6625,12877,8019,6759,11718,12094,13354,13306,9246,2636,8479,12204,11304,13018,10727,6379,10733,6721,8418,6760,10725,12758,13308,9524,13144,11944,13355],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Top 10 Best Films Of 2022 : We Picked Our Favorites! | Cinema Daily US<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinemadailyus.com\/?p=14210\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Top 10 Best Films Of 2022 : We Picked Our Favorites! | Cinema Daily US\" \/>\n<meta property=\"og:description\" content=\"It\u2019s New Year\u2019s Eve, it\u2019s time to look back on our best films in our film industry and select the top 10 best films of 2022. 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