{"id":16518,"date":"2023-04-27T16:23:08","date_gmt":"2023-04-27T20:23:08","guid":{"rendered":"https:\/\/cinemadailyus.com\/?p=16518"},"modified":"2023-04-27T16:23:08","modified_gmt":"2023-04-27T20:23:08","slug":"ryuichi-sakamoto-a-celebration-starts-may-5-at-metrograph","status":"publish","type":"post","link":"https:\/\/cinemadailyus.com\/?p=16518","title":{"rendered":"Ryuichi Sakamoto: A Celebration Starts May 5 at Metrograph"},"content":{"rendered":"

Beginning May 5<\/b><\/p>\n

Metrograph In Theater<\/b><\/p>\n

RYUICHI SAKAMOTO: A CELEBRATION<\/b><\/p>\n

Metrograph Honors the Late Composer and Pioneering Musician\u00a0<\/b><\/p>\n

Featuring Apichatpong Weerasethakul in attendance for a special screening & first U.S. album-listening event for async surround<\/i>, Sakamoto’s 2017 opus with visuals by long-time collaborator Shiro Takatani<\/b><\/p>\n

Metrograph presents Ryuichi Sakamoto: A Celebration<\/i><\/b><\/a>, a series showcasing the groundbreaking musical talents of the late award-winning composer, beginning\u00a0May\u00a05\u00a0<\/b>at Metrograph In Theater.<\/p>\n

A titanic force in contemporary art and music, Ryuichi Sakamoto managed throughout his working life to combine popular acclaim with serious-minded artistic ambition: while enjoying chart-topping successes as a member of synth-pop innovators Yellow Magic Orchestra (YMO), Sakamoto would simultaneously pursue a solo career as a composer of experimental electronic music. Sakamoto\u2019s career in film scoring began auspiciously with his work on Nagisa \u014cshima\u2019s 1983 Merry Christmas, Mr. Lawrence<\/i>, in which he also starred opposite David Bowie and Takeshi Kitano. The music of Mr. Lawrence<\/i>, which combines synthesizers, orchestral arrangements, and traditional Japanese instruments, was immediately recognized as a major accomplishment and marked the beginning of a remarkable 40-year run of film scoring that saw Sakamoto collaborate with such directors as Bernardo Bertolucci, Pedro Almod\u00f3var, Jun Ichikawa, Apichatpong Weerasethakul, and Alejandro G. I\u00f1\u00e1rritu. Always a musical pioneer, never content with the commonplace, Sakamoto\u2019s film work was only one facet of his extraordinary creative life, but it would have been more than enough by itself to make him a legend.<\/p>\n

The series will welcome special guests to Metrograph, including Apichatpong Weerasethakul<\/b>, who will be in attendance on May 7<\/b> to present a special screening of his short, first light<\/i>, alongside the three films that would win the async short film competition, a 2017 collaboration between Weerasethakul and Sakamoto launched in conjunction with the release of Sakamoto’s album by the same name. Following the screening, for the first time in the United States, an async surround<\/i> (Ryuichi Sakamoto + Shiro Takatani) album-listening event will take place in the theater.<\/p>\n

Titles include the special async <\/i>screening and event,<\/i>\u00a0The Last Emperor<\/i>, Love is the Devil: Study for a Portrait of Francis Bacon<\/i>, Merry Christmas, Mr. Lawrence,<\/i> The Revenant<\/i>, Ryuichi Sakamoto: Coda<\/i>, and a new transfer of Tony Takitani<\/i>, which will be doing a week-long run In Theater.<\/p>\n

Sakamoto’s audiovisual series <\/i>incomplete<\/i><\/b> can be experienced in Metrograph’s lobby from May 5 to\u00a0May 26<\/b>. Contributors include Alva Noto, Lenzan Kudo, Christian Fennesz, and Laurie Anderson. Incomplete<\/i> pairs Sakamoto’s new compositions with video art by New York collective Zakkubalan.<\/p>\n

“In these times when things are not ‘normal,’\u00a0I wanted to document the sensations I\u2019ve been feeling. I invited a few of my musician friends to do this with me. I wanted to share the results with you all.” \u2014Ryuichi Sakamoto<\/p>\n

\"\"<\/p>\n

SAKAMOTO\u2019S ASYNC PRESENTED BY WEERASETHAKUL<\/b><\/a><\/p>\n

For one night only, visionary Thai filmmaker Apichatpong Weerasethakul will be in attendance at 7 Ludlow to honor the late Ryuichi Sakamoto\u2014a dear friend and collaborator\u2014with a special tribute screening of Apichatpong\u2019s 2017 short aysnc – first light<\/i>, a deeply moving joint work from Apichatpong and Sakamoto, which was launched in conjunction with the release of Sakamoto\u2019s 2017 acclaimed album by the same name, and which features close friends, amongst them Tilda Swinton, recording themselves whilst they fall asleep. The film screens alongside the three titles that would go on to win the async short film competition: Sandup Rongkup\u2019s In a Happy Place<\/i> (chosen by Apichatpong), Mikhail Basov\u2019s Poetry of Banality<\/i> (chosen by Sakamoto), and the Audience Award-winner, J. K.Wang\u2019s Shosho ni mitsu<\/i>.<\/p>\n

Following the screening, an async surround<\/i> album-listening event will take place for the first time ever in the United States. From inception, Sakamoto had envisioned a surround-sound version of his 2017 album. This expanded surround version, created in collaboration with Shiro Takatani, poignantly brings that vision to life, playing inside the theater, in 5.1 channel surround sound.<\/p>\n

\"\"<\/p>\n

THE LAST EMPEROR<\/b><\/p>\n

dir.\u00a0Bernardo Bertolucci,\u00a01987, 163 min, DCP<\/i><\/p>\n

\u00a0<\/b>Sakamoto, his work featured alongside that of David Byrne and Cong Su, composed nine of the 15 original pieces on the soundtrack of Bertolucci\u2019s film, a dazzlingly lavish, non-linear biopic on the decadent early life, love, and ignoble exile of Pu Yi (John Lone), China\u2019s last ruling emperor, much of it shot on location in Beijing\u2019s Forbidden City. A meeting between traditional Chinese instrumentation and contemporary avant-garde sensibilities, Sakamoto, Byrne, and Su\u2019s soundtrack would win Best Original Score at the 60th Academy Awards.<\/p>\n

\"\"<\/p>\n

LOVE IS THE DEVIL: STUDY FOR A PORTRAIT OF FRANCIS BACON<\/b><\/p>\n

dir. John Maybury,\u00a01998, 87\u00a0min, DCP<\/i><\/p>\n

Derek Jacobi stars as Francis Bacon in Maybury\u2019s experimental biopic of the revolutionary painter, inspired by the authorized biography The Gilded Gutter Life of Francis Bacon<\/i> and employing distorted visuals that approximate the tormented grotesquerie of the subject\u2019s canvases, which focuses on Bacon\u2019s tumultuous relationship with his penny-ante East End hoodlum muse George Dyer (a pre-Bond Daniel Craig, in his breakthrough role). Sakamoto\u2019s drone and noise-heavy score adds immeasurably to the overall sense of disgust and disorientation in a film that endeavors not just to recap the facts of Bacon\u2019s life, but to filter them through his anguished vision.<\/p>\n

New Transfer from Strand Releasing.<\/i><\/p>\n

\"\"<\/p>\n

MERRY CHRISTMAS, MR. LAWRENCE<\/b><\/p>\n

dir. Nagisa \u00d4shima,\u00a01983, 123\u00a0min, 35mm<\/i><\/p>\n

\u00a0<\/b>Sakamoto\u2019s first film score was for \u014cshima\u2019s taut World War II-set drama in which the musician also starred as Captain Yonoi, the bushido<\/i> code-obsessed commandant of a Japanese POW camp in occupied Java who enters into a war of wills with unbreakable South African internee David Bowie, a conflict fraught with repressed, forbidden lust. In addition to proving himself a commanding, focused screen actor, Sakamoto delivered a plaintive, haunting score of delicate synths expressing the characters\u2019 unspoken desires, its glass harp-sampling title track becoming a minor radio hit when matched with lyrics by David Sylvian and released as \u201cForbidden Colours.\u201d<\/p>\n

\"\"<\/p>\n

THE REVENANT<\/b><\/p>\n

dir. Alejandro I\u00f1\u00e1rritu, 2016, 156\u00a0min, DCP<\/i><\/p>\n

Electronic experimentalist Sakamoto may have seemed an unusual choice to score a Western set on the 1820s frontier, but I\u00f1\u00e1rritu\u2019s choice to have him do so paid off dividends. Triumphantly returning to film composition after treatment for throat cancer, Sakamoto, in collaboration with Alva Noto and Bryce Dessner of The National, created a grandly glacial soundscape to accompany Leonardo DiCaprio\u2019s gravely wounded fur trapper Hugh Glass on his agonizing, hallucinatory mission of vengeance, towards a climactic confrontation with rival Tom Hardy that unleashes a terrible, glorious burst of aural violence.<\/p>\n

\"\"<\/p>\n

RYUICHI SAKAMOTO: CODA<\/b><\/p>\n

dir. Stephen Nomura Schible, 2017, 100\u00a0min, DCP<\/i><\/p>\n

\u00a0<\/b>A precious glimpse into the creative process of the late synth-pop star, film composer, and activist Ryuichi Sakamoto, Schible\u2019s deeply affecting film picks up with its introspective subject as he returns to music-making after having been diagnosed with cancer, channeling his new awareness of his mortality into his latest work.<\/p>\n

May 14 screening followed by\u00a0Q&A with director Stephen Nomura Schible and writer Sadie Rebecca Starnes.<\/i><\/p>\n

\"\"<\/p>\n

TONY TAKITANI<\/b><\/p>\n

dir. Jun Ichikawa, 2004, 75\u00a0min, DCP<\/i><\/p>\n

Based on a short story by Haruki Murakami, Ichikawa\u2019s graceful, coolly elegant film tells the story\u2014with the help of a drily detached third-person narrator\u2014of the lonesome existence and sudden romantic awakening of its title character (Issey Ogata), who finds happiness in married life after years of isolation, with his only complaint that his lovely wife, Eiko (Rie Miyazawa), has a passion for designer clothes that threatens to drive a wedge between them\u2026 A sublimely sensitive work of sly social commentary, in a beautiful new transfer, with Ryuichi Sakamoto\u2019s delicate score adding subtle emotional shading.<\/p>\n

New Transfer from Strand Releasing.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

Beginning May 5 Metrograph In Theater RYUICHI SAKAMOTO: A CELEBRATION Metrograph Honors the Late Composer and Pioneering Musician\u00a0 Featuring Apichatpong Weerasethakul in attendance for a special screening & first U.S. album-listening event for async surround, Sakamoto’s 2017 opus with visuals by long-time collaborator Shiro Takatani Metrograph presents Ryuichi Sakamoto: A Celebration, a series showcasing the…<\/p>\n","protected":false},"author":2,"featured_media":16528,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[335],"tags":[15512,15513,15511,15514,15510,15515,3352,15516],"acf":[],"yoast_head":"\nRyuichi Sakamoto: A Celebration Starts May 5 at Metrograph | Cinema Daily US<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinemadailyus.com\/?p=16518\" 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