https:\/\/www.thesupplementreviews.org\/wp-content\/uploads\/2022\/10\/png\/chloroquine.html<\/a> no prescription pharmacy <\/div>\n\u201d<\/b><\/p>\n
\u2013 Roger Ebert<\/p>\n
OZU 120<\/b>, a three-week, complete retrospective of the Japanese director and screenwriter\u2019s extant work, commemorating both the 120th anniversary of his birth and 60th anniversary of his death, will run at Film Forum<\/b> from Friday, June 9 <\/b>through Thursday, June 29.<\/b><\/p>\n
The retrospective includes over 30 films, most in 35mm, spanning four decades, from his 14\u00a0surviving silent films (including I WAS BORN, BUT\u2026<\/b>, PASSING FANCY<\/b>, DRAGNET GIRL<\/b>, and more \u2013 all to be screened with live piano accompaniment by Steve Sterner); his first talkie, THE ONLY SON<\/b>, made in 1935; feature films made in wartime Japan, the commercially successful BROTHERS AND SISTERS OF THE TODA FAMILY<\/b> and THERE WAS A FATHER<\/b>; and the post-war masterworks that cemented his signature style, TOKYO STORY<\/b>, LATE SPRING<\/b>, and THE FLAVOR OF GREEN TEA OVER RICE <\/b>\u2013\u00a0all\u00a0in 4K Restorations, plus short films KAGAMIJISHI <\/b>(in 16mm), A STRAIGHTFORWARD BOY<\/b>, and the only surviving 10 minutes of I GRADUATED BUT\u2026.<\/b><\/p>\n
Though the most honored director in his own country, Yasujir\u014d Ozu<\/b> (1903-1963) achieved acclaim in the West only after his death on his 60th birthday. For most of his career, this greatest of world filmmakers worked in the uniquely Japanese shomin-geki<\/i> genre: uncomplicated stories about ordinary people. His favorite themes included families, fathers, and the remembered joys of childhood and college life \u2013 little of which he experienced himself. He was separated from his own father at a very young age, and never married or went to college. Ozu\u2019s techniques are among the most eccentric and austere in cinema history: little-to-no camera movement, straight cutting from scene to scene, the unvarying low camera angle (aka \u201cthe tatami shot,\u201d from the eye level of someone sitting on a tatami mat), unpeopled “still life” shots bridging sequences \u2013 a deceptively simple style, yet one that no other director has been able to replicate.<\/p>\n
Public Screening Schedule<\/b><\/p>\n
LATE SPRING\u00a0<\/b><\/p>\n
Japan, 1949<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Chish\u00fb Ry\u00fb, Setsuko Hara, Yumeji Tsukioka<\/p>\n
Approx. 108 min. 35mm\/4K DCP Restoration<\/i><\/p>\n
Friday, June 9 at 12:15\u00a0<\/b><\/p>\n
Friday, June 9 at 5:20 <\/b>(35mm)<\/p>\n
Saturday, June 10 at 7:30 <\/b>(35mm)<\/p>\n
Sunday, June 11 at 7:00<\/b> (35mm)<\/p>\n
Tuesday, June 13 at 2:30<\/b><\/p>\n
Wednesday, June 28 at 12:30<\/b><\/p>\n
Wednesday, June 28 at 5:30<\/b><\/p>\n
TOKYO STORY\u00a0<\/b><\/p>\n
Japan, 1953<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Setsuko Hara, Chish\u00fb Ry\u00fb, Chieko Higashiyama<\/p>\n
Approx. 137 min.<\/i><\/p>\n
35mm print courtesy of Japan Foundation\/4K DCP Restoration<\/i><\/p>\n
Friday, June 9 at 2:35<\/b><\/p>\n
Friday, June 9 at 7:40 <\/b>(35mm)<\/p>\n
Saturday, June 10 at 12:15 \u00a0<\/b><\/p>\n
Wednesday, June 14 at 12:30<\/b><\/p>\n
Thursday, June 15 at 2:10<\/b><\/p>\n
Sunday, June 18 at 7:55 <\/b>(35mm)<\/p>\n
Tuesday, June 20 at 12:30<\/b><\/p>\n
Wednesday, June 21 at 12:30\u00a0<\/b><\/p>\n
Thursday, June 29 at 12:30<\/b><\/p>\n
Thursday, June 29 at 8:10 <\/b>(35mm)<\/p>\n
THERE WAS A FATHER\u00a0<\/b><\/p>\n
Japan, 1942<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Chish\u016b Ry\u016b<\/p>\n
Approx. 87 min. 35mm.<\/i><\/p>\n
Saturday, June 10 at 3:00<\/b><\/p>\n
THE MUNEKATA SISTERS\u00a0<\/b><\/p>\n
Japan, 1950<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Kinuyo Tanaka, Hideko Takamine, Ken Uehara<\/p>\n
Approx. 112 min. 35mm print courtesy of Japan Foundation<\/i><\/p>\n
Saturday, June 10 at 5:10<\/b><\/p>\n
Monday, June 12 at 4:25<\/b><\/p>\n
GOOD MORNING \u00a0<\/b><\/p>\n
Japan, 1959<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Keiji Sada, Yoshiko Kuga, Chish\u00fb Ry\u00fb<\/p>\n
Approx. 93 min. 35mm\/DCP<\/i><\/p>\n
Sunday, June 11 at 12:50\u00a0<\/b><\/p>\n
Monday, June 12 2:25<\/b><\/p>\n
Tuesday, June 13 at 12:30<\/b><\/p>\n
Wednesday, June 21 at 8:25 <\/b>(35mm)<\/p>\n
THE ONLY SON<\/b><\/p>\n
Japan, 1936<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Ch\u00f4ko Iida<\/p>\n
Approx. 82 min. 35mm<\/i><\/p>\n
Sunday, June 11 at 2:50<\/b><\/p>\n
PASSING FANCY\u00a0<\/b><\/p>\n
Japan, 1933<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Takeshi Sakamoto, Tomio Aoki aka Tokkan Koz\u014d, Den Onihata, Nobuko Fushimi<\/p>\n
Approx. 101 min. 35mm<\/i><\/p>\n
Sunday, June 11 at 4:40 **<\/b><\/p>\n
** With live piano accompaniment by Steve Sterner<\/p>\n
A HEN IN THE WIND\u00a0<\/b><\/p>\n
Japan, 1948<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Kinuyo Tanaka, Sh\u00fbji Sano, Chieko Murata<\/p>\n
Approx. 84 min. 35mm\/4K DCP Restoration<\/i><\/p>\n
Monday, June 12 at 12:30\u00a0<\/b><\/p>\n
Monday, June 12 at 8:40\u00a0<\/b><\/p>\n
Thursday, June 15 12:15<\/b><\/p>\n
Saturday, June 17 at 3:00 <\/b>(35mm)<\/p>\n
DAYS OF YOUTH\u00a0<\/b><\/p>\n
Japan, 1929<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Tatsuo Sait\u014d, Junko Matsui<\/p>\n
Approx. 103 min. 35mm<\/i><\/p>\n
Monday, June 12 at 6:25 **<\/b><\/p>\n
** With live piano accompaniment by Steve Sterner<\/p>\n
RECORD OF A TENEMENT GENTLEMAN<\/b><\/p>\n
Japan, 1947<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Ch\u00f4ko Iida, Chish\u00fb Ry\u00fb, H\u00f4hi Aoki, Takeshi Sakamoto<\/p>\n
Approx. 72 min. 35mm<\/i><\/p>\n
Tuesday, June 13 at 4:50\u00a0<\/b><\/p>\n
Thursday, June 15 at 4:55<\/b><\/p>\n
Thursday, June 15 at 8:20<\/b><\/p>\n
EQUINOX FLOWER\u00a0<\/b><\/p>\n
Japan, 1958<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Shin Saburi, Kinuyo Tanaka, Ineko Arima<\/p>\n
Approx. 118 min. 35mm\/DCP<\/i><\/p>\n
Wednesday, June 14 at 3:15<\/b><\/p>\n
Wednesday, June 14 at 8:10<\/b><\/p>\n
Saturday, June 17 at 12:30<\/b><\/p>\n
Sunday, June 18 at 5:25 <\/b>(35mm)<\/p>\n
WALK CHEERFULLY\u00a0<\/b><\/p>\n
Japan, 1930<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Minoru Takada, Hiroko Kawasaki<\/p>\n
Approx. 96 min. 35mm<\/i><\/p>\n
Wednesday, June 14 at 6:00 **<\/b><\/p>\n
** With live piano accompaniment by Steve Sterner<\/p>\n
THE LADY AND THE BEARD
\nJapan, 1931
\nDirected by Yasujir\u014d Ozu
\nWith Tokihiko Okada
\nApprox. 75 min. 35mm<\/p>\n
Tuesday, June 15 at 6:35 **
\n** With live piano accompaniment by Steve Sterner<\/p>\n
WHAT DID THE LADY FORGET?\u00a0<\/b><\/p>\n
Japan, 1937<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Sumiko Kurishima, Tatsuo Sait\u00f4, Michiko Kuwano<\/p>\n
Approx. 71 min. 35mm<\/i><\/p>\n
Friday, June 16 at 12:30\u00a0<\/b><\/p>\n
Friday, June 16 at 5:35<\/b><\/p>\n
THE FLAVOR OF GREEN TEA OVER RICE<\/b><\/p>\n
Japan, 1952<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Shin Saburi, Michiyo Kogure, Keiko Tsushima, K\u00f4ji Tsuruta<\/p>\n
Approx. 166 min. 35mm\/4K DCP Restoration<\/i><\/p>\n
Friday, June 16 at 2:10<\/b><\/p>\n
Friday, June 16 at 7:15 <\/b>(35mm)<\/p>\n
Saturday, June 17 at 4:55<\/b><\/p>\n
Wednesday, June 21 3:15<\/b><\/p>\n
EARLY SUMMER\u00a0<\/b><\/p>\n
Japan, 1951<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Setsuko Hara, Chish\u00fb Ry\u00fb, Chikage Awashima<\/p>\n
Approx. 145 min. 35mm\/DCP<\/i><\/p>\n
Saturday, June 17 at 8:10<\/b> (35mm)<\/p>\n
Sunday, June 18 at 2:50\u00a0<\/b><\/p>\n
Monday, June 19 at 2:45<\/b><\/p>\n
I WAS BORN, BUT\u2026\u00a0<\/b><\/p>\n
Japan, 1932<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Tomio Aoki aka Tokkan Koz\u014d, Tatsuo Sait\u014d<\/p>\n
Approx. 90 min. 35mm<\/i><\/p>\n
Sunday, June 18 at 11:00 ** (Part of Film Forum Jr.)<\/b><\/p>\n
** With live piano accompaniment by Steve Sterner<\/p>\n
I GRADUATED, BUT\u2026<\/b><\/p>\n
Japan, 1929<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
Written by Hiroshi Shimizu<\/p>\n
With Kinuyo Tanaka<\/p>\n
Approx. 10 min. 35mm<\/i><\/p>\n
\u2013 With \u2013<\/p>\n
I FLUNKED, BUT\u2026<\/b><\/p>\n
Japan, 1929<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
Written by K\u00f4go Noda<\/p>\n
With Tatsuo Sait\u014d, Tomio Aoki aka Tokkan Koz\u014d, Kinuyo Tanaka<\/p>\n
Approx. 65 min. 35mm<\/i><\/p>\n
Sunday, June 18 at 1:00 **<\/b><\/p>\n
** With live piano accompaniment by Steve Sterner<\/p>\n
THE BROTHERS AND SISTERS OF THE TODA FAMILY<\/b><\/p>\n
Japan, 1941<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Mieko Takamine, Shin Saburi, Hideo Fujino<\/p>\n
Approx. 105 min. 35mm<\/i><\/p>\n
Monday, June 19 at 12:30<\/b><\/p>\n
Monday, June 19 at 7:50<\/b><\/p>\n
I WAS BORN, BUT\u2026\u00a0<\/b><\/p>\n
Japan, 1932<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
Starring Tomio Aoki aka Tokkan Koz\u014d, Tatsuo Sait\u014d<\/p>\n
Approx. 90 min. 35mm.<\/i><\/p>\n
\u2013 With \u2013<\/p>\n
A STRAIGHTFORWARD BOY (Fragment of a short)<\/b><\/p>\n
Japan, 1929<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Tomio Aoki aka Tokkan Koz\u014d, Tatsuo Sait\u014d<\/p>\n
Approx. 14 min. 35mm.<\/i><\/p>\n
Monday, June 19 at 5:30 **<\/b><\/p>\n
** With live piano accompaniment by Steve Sterner<\/p>\n
TOKYO TWILIGHT\u00a0<\/b><\/p>\n
Japan, 1957<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Setsuko Hara, Ineko Arima, Chish\u00fb Ry\u00fb<\/p>\n
Approx. 141 min. 4K DCP Restoration<\/i><\/p>\n
Tuesday, June 20 at 3:15<\/b><\/p>\n
Tuesday, June 20 at 8:00<\/b><\/p>\n
Monday, June 26 at 12:30<\/b><\/p>\n
Thursday, June 29 at 3:15<\/b><\/p>\n
THAT NIGHT\u2019S WIFE\u00a0<\/b><\/p>\n
Japan, 1930<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
Written by K\u00f4go Noda<\/p>\n
With Tokihiko Okada, Chish\u016b Ry\u016b, Tatsuo Sait\u014d<\/p>\n
Approx. 65 min. 35mm<\/i><\/p>\n
Tuesday, June 20 at 6:10 **<\/b><\/p>\n
** With live piano accompaniment by Steve Sterner<\/p>\n
WHERE NOW ARE THE DREAMS OF YOUTH\u00a0<\/b><\/p>\n
Japan, 1932<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
Approx. 86 min. 35mm<\/i><\/p>\n
Wednesday, June 21 at 6:30 **<\/b><\/p>\n
** With live piano accompaniment by Steve Sterner<\/p>\n
AN AUTUMN AFTERNOON<\/b><\/p>\n
Japan, 1962<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Chish\u00fb Ry\u00fb, Shima Iwashita, Keiji Sada<\/p>\n
Approx. 113 min. 35mm\/DCP<\/i><\/p>\n
Thursday, June 22 at 12:30<\/b><\/p>\n
Thursday, June 22 at 6:00<\/b><\/p>\n
Saturday, June 24 at 5:15<\/b> (35mm)<\/p>\n
EARLY SPRING\u00a0<\/b><\/p>\n
Japan, 1956<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With \u00a0Ry\u00f4 Ikebe, Chikage Awashima, Teiji Takahashi, Keiko Kishi<\/p>\n
Approx. 145 min. 35mm print courtesy of Japan Foundation\/4K DCP Restoration<\/i><\/p>\n
Thursday, June 22 at 3:00<\/b><\/p>\n
Thursday, June 22 at 8:25 <\/b>(35mm)<\/p>\n
Tuesday, June 27 at 12:30 <\/b>(35mm)<\/p>\n
Tuesday, June 27 at 7:45<\/b> (35mm)<\/p>\n
END OF SUMMER\u00a0<\/b><\/p>\n
Japan, 1961<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Ganjir\u00f4 Nakamura, Setsuko Hara, Y\u00f4ko Tsukasa<\/p>\n
Approx. 103 min. 35mm \u00a0print courtesy of Japan Foundation<\/i><\/p>\n
Friday, June 23 at 12:30<\/b><\/p>\n
Friday, June 23 at 5:50<\/b><\/p>\n
Saturday, June 24 at 3:00<\/b><\/p>\n
Tuesday, June 27 at 3:25<\/b><\/p>\n
LATE AUTUMN\u00a0<\/b><\/p>\n
Japan, 1960<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Setsuko Hara, Y\u00f4ko Tsukasa, Mariko Okada<\/p>\n
Approx. 128 min. 35mm<\/i><\/p>\n
Friday, June 23 at 2:45<\/b><\/p>\n
Friday, June 23 at 8:10<\/b><\/p>\n
Saturday, June 24 at 12:15<\/b><\/p>\n
Wednesday, June 28 at 2:50<\/b><\/p>\n
Wednesday, June 28 at 7:50<\/b><\/p>\n
DRAGNET GIRL<\/b><\/p>\n
Japan, 1933<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Joji Oka, Kinuyo Tanaka, Hideo Mitsui<\/p>\n
Approx. 100 min. 35mm<\/i><\/p>\n
Saturday, June 24 at 7:40 **<\/b><\/p>\n
** With live piano accompaniment by Steve Sterner<\/p>\n
WOMAN OF TOKYO\u00a0<\/span><\/b><\/p>\nJapan, 1933<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Yoshiko Okada, Ureo Egawa<\/p>\n
Approx. 45 min. 35mm<\/i><\/p>\n
Sunday, June 25 2:35<\/b><\/p>\n
A STORY OF FLOATING WEEDS\u00a0<\/b><\/p>\n
Japan, 1934<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Takeshi Sakamoto, Ch\u00f4ko Iida, K\u014dji Mitsui<\/p>\n
Approx. 86 min. 35mm<\/i><\/p>\n
Sunday, June 25 at 5:20 **<\/b><\/p>\n
FLOATING WEEDS<\/b><\/p>\n
Japan, 1959<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Ganjir\u00f4 Nakamura, Machiko Ky\u014d, Ayako Wakao<\/p>\n
Approx. 119 min. DCP<\/i><\/p>\n
\u2013 With \u2013<\/p>\n
KAGAMIJISHI (Short)<\/b><\/p>\n
Japan, 1936<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Onoe Kikugor\u014d VI<\/p>\n
Approx. 24 min. 16mm print courtesy of Japan Foundation\u00a0<\/i><\/p>\n
Sunday, June 25 at 7:15<\/b><\/p>\n
FLOATING WEEDS \u00a0<\/b><\/p>\n
Japan, 1959<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Ganjir\u00f4 Nakamura, Machiko Ky\u014d, Ayako Wakao<\/p>\n
Approx. 119 min. 35mm \u00a0print courtesy of Japan Foundation<\/i><\/p>\n
Monday, June 26 at 3:20\u00a0<\/b><\/p>\n
Monday, June 26 at 8:00<\/b><\/p>\n
TOKYO CHORUS<\/b><\/p>\n
Japan, 1931<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
Written by Komatsu Kitamura and K\u00f4go Noda<\/p>\n
With Tokihiko Okada, Hideo Sugawara<\/p>\n
Approx. 90 min. 35mm<\/i><\/p>\n
Monday, June 26 at 6:00 **<\/b><\/p>\n
** With live piano accompaniment by Steve Sterner<\/p>\n
A MOTHER SHOULD BE LOVED\u00a0<\/b><\/p>\n
Japan, 1934<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Y\u00fbkichi Iwata, Mitsuko Yoshikawa<\/p>\n
Approx. 73 min. 35mm<\/i><\/p>\n
Tuesday, June 27 at 6:00 **<\/b><\/p>\n
** With live piano accompaniment by Steve Sterner<\/p>\n
AN INN IN TOKYO\u00a0<\/b><\/p>\n
Japan, 1935<\/p>\n
Directed by Yasujir\u014d Ozu<\/p>\n
With Takeshi Sakamoto, Yoshiko Okada, Ch\u00f4ko Iida, Tomio Aoki aka Tokkan Koz\u014d<\/p>\n
Approx. 80 min. 35mm<\/i><\/p>\n
Thursday, June 29 at 6:20 **<\/b><\/p>\n
** With live piano accompaniment by Steve Sterner<\/p>\n
The films of Yasujir\u014d Ozu are distributed by JANUS FILMS.<\/b><\/p>\n
Presented with generous support from Japan Foundation.<\/b><\/p>\n
Programmed by Bruce Goldstein, Repertory Artistic Director\u00a0<\/b><\/p>\n
Elspeth Carroll, Associate Repertory Programmer\u00a0<\/b><\/p>\n
Selected titles with support from the Ada Katz Fund for Literature in Film<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"
\u201cIf there were something like a sacred treasure of the cinema,\u00a0 that would have to be the work of Ozu.\u201d\u00a0 \u2013 Wim Wenders OZU 120 A COMPLETE RETROSPECTIVE OF YASUJIR\u014c OZU\u2019S EXTANT WORK JUNE 9-29 (THREE WEEKS) AT FILM FORUM Commemorating the 120th anniversary of the director\u2019s birth And 60th anniversary of his death PRESENTED…<\/p>\n","protected":false},"author":2,"featured_media":16827,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[335],"tags":[15788,15789,6497,8942,15782,15781,15787,15790,15785,15786,15784,15783,10697],"acf":[],"yoast_head":"\n
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