{"id":17443,"date":"2023-06-20T16:49:33","date_gmt":"2023-06-20T20:49:33","guid":{"rendered":"https:\/\/cinemadailyus.com\/?p=17443"},"modified":"2023-06-20T16:49:33","modified_gmt":"2023-06-20T20:49:33","slug":"japan-society-announces-full-lineup-for-the-16th-annual-japan-cuts-festival-of-new-japanese-film","status":"publish","type":"post","link":"https:\/\/cinemadailyus.com\/?p=17443","title":{"rendered":"Japan Society Announces Full Lineup for the 16th Annual JAPAN CUTS: Festival of New Japanese Film"},"content":{"rendered":"

JAPAN SOCIETY ANNOUNCES FULL LINEUP FOR THE 16TH ANNUAL
\n<\/b>JAPAN CUTS: FESTIVAL OF NEW JAPANESE FILM<\/i><\/b><\/a><\/p>\n

North America\u2019s largest Japanese film festival presents two weeks of contemporary movies from Japan, including opening film THE FIRST SLAM DUNK directed by Takehiko Inoue, centerpiece film UNDER THE TURQUOISE SKY directed by KENTARO, closing film THE THREE SISTERS OF TENMASOU INN directed by Ryuhei Kitamura<\/b><\/p>\n

CUT ABOVE Award Honoree Yuya Yagira and a Special Tribute to Ryuichi Sakamoto<\/b><\/p>\n

Featuring 5 International Premieres, 10 North American Premieres, 7 U.S. Premieres, 3 East Coast Premieres and 3 New York Premieres.<\/b><\/p>\n

July 26\u2013August 6, 2023 \u00b7 In-Person at Japan Society \u00b7 New York, NY.<\/b><\/p>\n

New York, NY (June 20, 2023)\u2014<\/b>Japan Society announces the full lineup of the 16th annual JAPAN CUTS: Festival of New Japanese Film<\/i><\/b><\/a>, the largest festival of its kind in North America, set for July 26\u2013August 6<\/b>. This year\u2019s edition will present 29 films and mark the first fully in-person JAPAN CUTS since 2019. This year\u2019s festival spans 12 days and features 24 feature-length films and five short films across Feature Slate, Next Generation, and Short Film Spotlight sections, as well as a special tribute to Ryuichi Sakamoto<\/b>. Among the festival\u2019s lineup are five International Premieres, 10 North American Premieres, seven U.S. Premieres, three East Coast Premieres, and three New York Premieres. Additionally, JAPAN CUTS will welcome six special guests and host two parties during the course of the festivities.<\/p>\n

Kicking off this year\u2019s festival, JAPAN CUTS is excited to present the East Coast Premiere of THE FIRST SLAM DUNK<\/i><\/b> as its opening film. THE FIRST SLAM DUNK<\/i> is the number one movie at the Japanese box office this year, and it is the first new feature-length film from the SLAM DUNK<\/i> franchise in over 33 years, as well as manga creator Takehiko Inoue<\/b>‘s directorial debut. JAPAN CUTS will present this very special screening in partnership with GKIDS and Toei Animation ahead of the film\u2019s upcoming nationwide theatrical release.<\/p>\n

Leading this year\u2019s guests, JAPAN CUTS will present acclaimed actor Yuya Yagira<\/b> with this year\u2019s CUT ABOVE Award for Outstanding Achievement in Film <\/b>for his lead role in our centerpiece film, Under the Turquoise Sky<\/i><\/b> from director KENTARO<\/b>. Yagira was the youngest-ever winner of the Best Actor Award at the Cannes Film Festival for his lead in Hirokazu Kore-eda\u2019s Nobody Knows <\/i>and has since starred in over 50 films and television series ranging from commercial blockbusters to art house gems. He will receive the CUT ABOVE Award from JAPAN CUTS in honor of his diverse career and especially for his work in Under the Turquoise Sky<\/i>. A remarkable international co-production from director KENTARO, Under the Turquoise Sky <\/i>sees Yagira embark on a personal journey across the vastness of the Mongolian countryside. Both Yagira and KENTARO will make special appearances at the film\u2019s premiere screening and encore presentation.<\/p>\n

\u201cJAPAN CUTS is back in-person!\u201d says Peter Tatara<\/b>, Director of Film at Japan Society, who organized this year\u2019s festival with Japan Society Film Programmer Alexander Fee<\/b>. \u201cJAPAN CUTS is one of Japan Society\u2019s most popular events and beloved in New York\u2019s cinema scene. After a pause during the pandemic, we couldn\u2019t be more proud for JAPAN CUTS to return with two weeks of exciting, thought-provoking, and tear-jerking films. We\u2019re honored to share a captivating slice of Japan\u2019s cinematic world with New York!\u201d<\/p>\n

An additional highlight is the first in-person iteration of the festival\u2019s Next Generation<\/b> competition, which offers a hand-picked selection of six independent narrative features directed by emerging directors. The festival\u2019s only juried section, Japan Society awards the Obayashi Prize<\/b> to the most accomplished film as determined by a jury of industry professionals. This year\u2019s distinguished jurors are critic and essayist Moeko Fujii<\/b>; Dan Sullivan<\/b>, programmer at Film at Lincoln Center; and distributor Pearl Chan<\/b> (Good Move Media, Kani Releasing).<\/p>\n

Further, JAPAN CUTS offers two programs of SHORT CUTS<\/b> which explore experimental, narrative, and animated short-length films, including the directorial debut of Sogo (Gakuryu)<\/b> Ishii<\/b> composer Hiroyuki Onogawa <\/b>and Silent Movie<\/i><\/b>, a versatile assortment of benshi<\/i>-narrated silent films that includes an adaptation based on the screenplay of Sadao Yamanaka<\/b>\u2019s first film.<\/p>\n

And JAPAN CUTS is proud to present the 1985 documentary Tokyo Melody: A Film about Ryuichi Sakamoto<\/i><\/b> in tribute to the legendary musician, composer, and groundbreaking creative whose innovations in music, film, and art remain unparalleled. Widely unavailable and rarely shown, the cult film\u2014which offers an intimate snapshot of Sakamoto\u2019s genius\u2014will screen on an imported 16mm print with renowned musician Akiko Yano<\/b> and director Elizabeth Lennard<\/b> present.<\/p>\n

Described by The New York Times as \u201cmeticulously curated\u201d and \u201can annual highlight of New York\u2019s film calendar,\u201d JAPAN CUTS brings the best and hardest-to-find contemporary films from Japan to New York City. From blockbusters, independent productions and anime, to documentaries, avant-garde works and short films, JAPAN CUTS offers an impressive look at the past 12 months of Japanese cinema. Japan Society is a 116-year-old nonprofit organization focused on connecting the U.S. and Japan, and its JAPAN CUTS is one of the organization\u2019s largest and most popular programs.\u2028\u2028All films will be screened at Japan Society (333 E. 47th St., New York, NY 10017) and presented in Japanese with English subtitles unless otherwise noted.<\/p>\n

JAPAN CUTS 2023 OPENING, CENTERPIECE & CLOSING FILMS<\/b><\/p>\n

THE FIRST SLAM DUNK <\/i>(East Coast Premiere)<\/b>
\nWednesday, July 26 at 7:00 PM<\/b>
\nDir. Takehiko Inoue, 2022, 124 min., DCP, color, in Japanese with English subtitles. With Shugo Nakamura, Jun Kasama, Shinichiro Kamio, Subaru Kimura, Kenta Miyake.<\/i>
\nWinner of the Japan Academy Film Prize for Best Animation of the Year. SLAM DUNK<\/i> is a beloved manga which was serialized from 1990-1996 and has sold over 170 million copies globally. THE FIRST SLAM DUNK<\/i> marks original manga creator Takehiko Inoue\u2019s directorial debut and is the first new feature-length film from the iconic franchise in 33 years. The film follows Shohoku High School basketball team point guard Ryota Miyagi (Shugo Nakamura) as he takes the stage at the Inter-High School National Championship, and the pressure to challenge the reigning champions is on! Can Ryota and his teammates defeat the imposing Sannoh Kogyo High School? A GKIDS release. Followed by Opening Night Party.<\/b><\/p>\n

Under the Turquoise Sky<\/i> (U.S. Premiere)
\n<\/b>\u30bf\u30fc\u30b3\u30a4\u30ba\u306e\u7a7a\u306e\u4e0b\u3067<\/b>
\nFriday, August 4 at 7:00 PM – Director KENTARO and Actor Yuya Yagira Introduction and Q&A
\nSaturday, August 5 at 3:30 PM – Director KENTARO and Actor Yuya Yagira Introduction<\/b>
\nDir. KENTARO, 2021, 95 min., DCP, color, in Japanese and Mongolian with English subtitles. With Yuya Yagira, Amra Baljinnyam, Akaji Maro.<\/i>
\nWinner of the FIPRESCI International Film Critics Award. An international co-production bringing together a Japanese, Mongolian, French, Australian, and Chilean team, Under the Turquoise Sky <\/i>from director KENTARO follows the spoiled Takeshi (played by star Yuya Yagira) who is sent out to the Mongolian countryside by his wealthy grandfather (legendary actor and Butoh<\/i> master Akaji Maro). Together with his Mongolian guide (Mongolian leading man Amra Baljinnyam), Takeshi\u2019s travels lead to stunning vistas, profound mysteries, and personal growth. A lush road movie with touches of the surreal, Under the Turquoise Sky<\/i> casts a spell with humblingly beautiful directing, acting, and cinematography. August 4 screening is followed by the Centerpiece Party.<\/b><\/p>\n

The Three Sisters of Tenmasou Inn (U.S. Premiere)\u00a0\u2028\u5929\u9593\u8358\u306e\u4e09\u59c9\u59b9\u2028Sunday, August 6 at 2:30 PM\u2028Dir. Ryuhei Kitamura, 2022, 150 min., DCP, color, in Japanese with English subtitles. With Non, Mugi Kadowaki, Riku Hagiwara.\u2028In this supernatural tearjerker adapted from the manga by Tsutomu Takahashi, the waystation between life and rebirth is a traditional Japanese ryokan by the sea called Tenmasou Inn. When Tamae (Non) arrives there after a car accident leaves her body in a coma, she is greeted by Nozomi (Yuko Oshima), the inn\u2019s polite proprietress and laid-back Kanae (Mugi Kadowaki)\u2014half-sisters that Tamae never knew she had. Despite protestations from the irascible matriarch Kyoko (Shinobu Terajima), the effervescent Tamae starts working at Tenmasou, taking time to process her liminal state while discovering the history she shares with her sisters, including their absent father.<\/p>\n

Tokyo Melody: A Film about Ryuichi Sakamoto<\/i>
\nTokyo Melody: un film sur Ryuichi Sakamoto
\nSaturday, July 29 at 7:00 PM – Opening Comments and Director Q&A<\/b>
\nDir. Elizabeth Lennard, 1985, 62 min., 16mm, color; in Japanese, English and French with English subtitles. With Ryuichi Sakamoto, Akiko Yano.<\/i><\/p>\n

Imported 16mm Print.<\/b> Filmmaker and photographer Elizabeth Lennard secures unprecedented access to Ryuichi Sakamoto during the recording of his 1984 album Ongaku Zukan <\/i>in this brief-yet-insightful Franco-Japanese television co-production. A sampling of studio sessions and performances (including a piano duet with then-wife Akiko Yano), archival footage and talking head interviews, Tokyo Melody<\/i> finds the eccentric artist at his creative peak, pushing the envelope to new sonic frontiers as he reflects on modern life, shifting technologies and his own creative processes. Lennard captures an awe-inspiring portrait of the extraordinary musician\u2014one that taps into the very nature of the artist\u2019s raison d\u2019\u00eatre<\/i> and remains a testament to Sakamoto\u2019s profound brilliance. Opening comments by Akiko Yano; Screening followed by a Q&A with Director Elizabeth Lennard.<\/b><\/p>\n

FEATURE SLATE
\n<\/b>In Alphabetical Order<\/i>
\nBest Wishes to All<\/i> (North American Premiere)
\n\u306b\u5e78\u3042\u308c<\/b>
\nThursday, July 27 at 9:00 PM<\/b>
\nDir. Yuta Shimotsu, 2023, 84 min., DCP, color, in Japanese with English subtitles. With Kotone Furukawa.<\/i><\/p>\n

What would you do for happiness? Director Yuta Shimotsu answers in his feature film debut. Executive produced by Takashi Shimizu (creator of Ju On: The Grudge<\/i>) and starring Kotone Furukawa (Berlinale Silver Bear winner for Ryusuke Hamaguchi\u2019s Wheel of Fortune and Fantasy<\/i>), Best Wishes to All<\/i> follows a young woman\u2019s visit to her grandparents\u2019 home and discovery of what\u2019s brought them happiness\u2014a revelation that will lead her to question her choices, sanity and reality itself. Best Wishes to All<\/i> starts slow and builds to a frantic, manic and disturbingly satisfying end.<\/p>\n

Convenience Story<\/i> (New York Premiere)<\/b>
\n\u30b3\u30f3\u30d3\u30cb\u30a8\u30f3\u30b9<\/b> <\/b>\u30b9\u30c8\u30fc\u30ea\u30fc<\/b>
\nThursday, August 3 at 9:00 PM<\/b>
\nDir. Satoshi Miki, 2022, 97 min., DCP, color, in Japanese with English subtitles. With Ryo Narita, Atsuko Maeda.<\/i>
\nStuck in a rut as a deadbeat screenwriter with a reputation for unoriginal \u201cmale fantasy films,\u201d Kato (Ryo Narita) struggles to find inspiration for his next script. That is, however, until a supernatural occurrence at a konbini <\/i>transports him to an alternate dimension where he meets young, pretty Keiko (Atsuko Maeda) and her eccentric, classical music-obsessed husband. Will they provide the creative spark he needs? This latest offbeat fantasy from Satoshi Miki (It\u2019s Me, It\u2019s Me<\/i>, JC2013) takes a playful jab at the filmmaking industry and its surreal absurdities, co-scripted by longtime Japan Times<\/i> film critic and writer Mark Schilling.<\/p>\n

Winny<\/i> (North American Premiere)
\nWednesday, August 2 at 9:00 PM<\/b>
\nDir. Yusaku Matsumoto, 2023, 127 min., DCP, color, in Japanese with English subtitles. With Masahiro Higashide, Takahiro Miura, Hidetaka Yoshioka.<\/i><\/p>\n

In this thrilling procedural based on true events, Masahiro Higashide (Asako I & II<\/i>) plays real-life computer programmer Isamu Kaneko, inventor of the peer-to-peer (P2P) file-sharing program Winny, released in 2002. After Winny users are arrested for illegally uploading games and movies, Kaneko is apprehended by the Kyoto Prefectural Police department under dubious circumstances with the charged crime of intentionally \u201cproliferating piracy\u201d and abetting the violation of copyright laws. Recognizing the implication of Kaneko\u2019s unjust arrest on Japan\u2019s future computer engineers, Toshimitsu Dan (Takahiro Miura), a lawyer specializing in cybercrime, takes on the unprecedented case.<\/p>\n

NEXT GENERATION
\n<\/b>In Alphabetical Order<\/i><\/p>\n

This sole competitive section of the festival features a hand-picked selection of independently produced narrative feature films by emerging directors who offer a glimpse into the future of Japanese cinema. One film within the section\u2014determined as the most accomplished by a jury of film industry professionals\u2014will receive the \u201cObayashi Prize\u201d in honor of the late filmmaker Nobuhiko Obayashi (1938-2020).<\/p>\n

Amiko <\/i>(North American Premiere)<\/b>
\n\u3053\u3061\u3089\u3042\u307f\u5b50
\nTuesday, August 1 at 6:00 PM<\/b>
\nDir. Yusuke Morii, 2022, 104 min., DCP, color, in Japanese with English subtitles. With Kana Osawa, Arata Iura, Machiko Ono.<\/i>
\nThis remarkable debut from director Yusuke Morii is set in the mountainous vistas of a provincial coastal town brimming with day-to-day excitements for oddball grade-schooler Amiko, whose endless imagination fixates on insects, schoolyard crushes and even the mole on her mother\u2019s chin. Despite her good intentions, Amiko is often misunderstood, remaining at odds with family and classmates who find her strange and whimsical ways off-putting. Featuring a truly captivating breakthrough performance by newcomer Kana Osawa\u2014one that recalls the tour-de-force resilience of Tomoko Tabata in Moving<\/i>\u2014and a score by popular folk musician Ichiko Aoba, Amiko is charged with a palpable sense of childhood wonderment that consistently finds new and surprising ways of seeing the world, even in the face of tragedy and misfortune.<\/p>\n

J005311<\/i> (International Premiere)
\nThursday, July 27 at 6:00 PM<\/b>
\nDir. Hiroki Kono, 2022, 93 min., DCP, color, in Japanese with English subtitles. With Kazuaki\u00a0 Nomura, Hiroki Kono.<\/i><\/p>\n

Winner of the Grand Prize at the 2022 Pia Film Festival, this impressive bare-bones debut feature by actor-turned-director Hiroki Kono (Special Actors<\/i>, JC2020) follows 26-year-old salaryman Kanzaki (Kazuaki Nomura) as he attempts to leave Tokyo for an unidentified location hours away. Unable to go by taxi, he solicits the help of a petty thief (Kono) to drive him in exchange for \u00a51 million in cash\u2014a mysterious offer with grim implications. A deeply affecting minimalist road movie that makes daring use of long takes, handheld camera work and silence\u2014written, directed, edited and co-starring Kono\u2014J005311 <\/i>is low-budget independent filmmaking par excellence.<\/p>\n

People Who Talk to Plushies Are Kind<\/i> (U.S. Premiere)
\n<\/b>\u306c\u3044\u3050\u308b\u307f\u3068\u3057\u3083\u3079\u308b\u4eba\u306f\u3084\u3055\u3057\u3044<\/b>
\nSaturday, August 5 at 6:30 PM<\/b>
\nDir. Yurina Kaneko, 2023, 109 min., DCP, color, in Japanese with English subtitles. With Kanata Hosoda, Ren Komai, Yuzumi Shintani.<\/i><\/p>\n

An adaptation of the Ao Omae novella of the same name, People Who Talk to Plushies are Kind<\/i> is a warm and comforting alternative to the typical youth film. Concentrating on a trio of college students, Plushies tracks their extracurricular immersion into the student-run Plushies Club. A safe haven for withdrawn and sensitive youths who prefer the company of stuffed animals, the students find differing qualities in the reflective space as director Yurina Kaneko confronts issues of masculinity, gender and acceptance in contemporary society.<\/p>\n

Saga Saga<\/i> (U.S. Premiere)
\n<\/b>\u7dd1\u306e\u3056\u308f\u3081\u304d<\/b>-Saga Saga-
\nWednesday, August 2 at 6:00 PM<\/b>
\nDir. Aimi Natsuto, 2023, 114 min., DCP, color, in Japanese with English subtitles. With Rena Matsui, Sae Okazaki, Sara Kurashima.<\/i>
\nAfter a brief stint as an actress in Tokyo, 28-year-old Kyoko (Rena Matsui) returns to her hometown in Saga Prefecture, Kyushu. Before long she meets Nahoko (Sae Okazaki), an eccentric young woman who introduces herself as a fan but is secretly stalking Kyoko. She also meets Anna (Sara Kurashima), a high school student under the care of her deceased mother\u2019s best friend, whom Kyoko unwittingly learns is her half-sister. What connects these three lonely women, they soon discover, is more than just coincidence but a shared history of family trauma. An elegant, ambitious and complex sophomore feature by writer\/director Aimi Natsuto (Jeux de plage<\/i>, JC2019).<\/p>\n

Sanka: Nomads of the Mountain<\/i> (North American Premiere)
\n\u5c71\u6b4c
\nSunday, July 30 at 12:00 PM<\/b>
\nDir. Ryohei Sasatani, 2022, 77 min., DCP, color, in Japanese with English subtitles. With Kiyohiko Shibukawa, Rairu Sugata, Naru Komukai.<\/i><\/p>\n

A stirring 1960s-set coming-of-age drama that confronts societal progress and development in Japan’s mountainous regions, Sanka: Nomads of the Mountain <\/i>focuses on the life of young Norio, a Tokyo transplant who has come to live in his grandmother\u2019s village. Living under the shadow of his strict and demanding father, Norio befriends a group of Sanka, a wandering people, who reside in the foothills beyond his home. Beautifully shot and bolstered by compelling performances, Sanka<\/i>‘s human drama delivers a melancholic and moving reflection on the societal conflicts and turmoil prevalent in postwar Japan, while also depicting the struggles of a nomadic tribe when its way of life is threatened by the onset of modernity.<\/p>\n

\u2022Winner of the JAPAN CUTS Award at the 2022 Osaka Asian Film Festival<\/p>\n

When Morning Comes, I Feel Empty<\/i> (International Premiere)
\n\u671d\u304c\u304f\u308b\u3068\u3080\u306a\u3057\u304f\u306a\u308b
\nThursday, August 3 at 6:00 PM – With Director Q&A<\/b><\/p>\n

Dir. Yuho Ishibashi, 2022, 76 min., DCP, color, in Japanese with English subtitles. With Erika Karata, Haruka Imou, Kazuma Ishibashi.<\/i><\/p>\n

A delicate and gentle drama, Yuho Ishibashi\u2019s sophomore effort softly envelops the viewer into the day-to-day life of part-time konbini <\/i>worker Nozomi, charmingly played by Asako I & II<\/i>\u2019s Erika Karata. Living a simple, carefree life, Nozomi\u2019s preoccupations include tending to home repair, awkwardly chatting with younger coworkers under the humdrum of convenience store Muzak and stocking shelves\u2014as well as the occasional late shift. A chance encounter with a former junior high classmate reconnects her to the world and, through subtle intimations, Nozomi\u2019s past unfolds, detailing her professional career as an overworked corporate assistant. A sensitive exploration of vying for one’s own happiness, When Morning Comes, I Feel Empty<\/i> is a deeply humanizing affirmation that a fulfilling life can exist outside of societal pressure and expectation. Followed by a Q&A with Director Yuho Ishibashi.<\/b><\/p>\n

\u2022Winner of the JAPAN CUTS Award at the 2023 Osaka Asian Film Festival<\/p>\n

SHORT CUTS<\/b><\/p>\n

<\/b>In Chronological Order<\/i><\/p>\n

SHORT CUTS Program 1 – Thursday, July 27 at 3:30 PM<\/b>
\nFlashback Before Death<\/i> (North American Premiere)<\/b>
\nDir. Rii Ishihara and Hiroyuki Onogawa, 2022, 30 min., DCP, color, in Japanese with English subtitles. With Rii Ishihara, Masatoshi Kihara, Hanae Seike.<\/i>
\nThe directorial debut of composer Hiroyuki Onogawa\u2014best known for his collaborations with Sogo (Gakuryu) Ishii starting with August in the Water<\/i> (1995)\u2014and his wife Rii Ishihara, Flashback Before Death<\/i> is a cryptic and eerie short composed of disassociated flashbacks that follow a young man\u2019s return home in 1930s Japan.<\/p>\n

Silent Movie<\/i> (International Premiere)
\n\u30b5\u30a4\u30ec\u30f3\u30c8\u30e0\u30fc\u30d3\u30fc<\/b>
\nDir. Masamichi Kawata, Satoru Hirohara, and Hiroshi Gokan, 2022, 56 min., DCP, color, in Japanese with English subtitles.<\/i> With Ichiro Kataoka, Hiroaki Kawaguchi, Ikuhiko Aoyama.
\nNine students and three alumni from Tokyo University of the Arts’ Film Department create 11 silent films spanning samurai tales, mysteries, thrillers, animation and even giant monsters. See the next generation of filmmakers play with cinema\u2019s past. All films narrated by renowned benshi<\/i> storyteller Ichiro Kataoka.<\/p>\n

SHORT CUTS Program 2 – Friday, July 28 at 3:30 PM<\/b><\/p>\n

Detouring Blue<\/i> (New York Premiere)
\n\u9060\u307e\u308f\u308a\u3059\u308b\u9752<\/b>
\nDir. Ryo Kimura, 2023, 24 min., DCP, color, in Japanese with English subtitles. With Saori Mori, Mai Hikagedate, Ami Kamimura.<\/i>
\nIn the dark of the Tokyo night, two women talk about their past, their youth and their dreams. Beautifully shot and told with vivid colors, Detouring Blue<\/i> looks at the wistfulness of the past, the weight of the present\u2014and if who we were can ever be who we are today.<\/p>\n

Okamoto Kitchen<\/i> (East Coast Premiere)
\n\u8d85\u6642\u7a7a\u79fb\u52d5\u98df\u5802<\/b>
\nDir. Gerald Abraham, 2023, 12 min., DCP, color, in English. With Cristina Vee.<\/i>
\nA crowd-funded anime from LA\u2019s very real Japanese fusion comfort food truck Okamoto Kitchen, JAPAN CUTS is proud to present the start of this global project blending Japanese and Western talent to create a unique cross-cultural flavor. Featuring character designs by Takuya Saito, animation by anime studio Magic Bus, music by Layla Lane and starring voice actress Cristina Vee.<\/p>\n

Setagaya Game<\/i> (International Premiere)
\n<\/b>\u30bb\u30bf\u30ac\u30e4\u30b2\u30fc\u30e0<\/b>
\nDir. Go Ohara and Ken Ohara, 2022, 40 min., DCP, color, in Japanese with English subtitles. With Reiji Takahashi, Akari Natsume, Sho Iizaka.<\/i>
\nBig action on a little budget, brothers Go and Ken Ohara bring together years of stunt and action directing experience to tell the tale of Takeru (Reiji Takahashi) and the deadly game he\u2019s forced to play. The clock is ticking for him to save a life, but is the game really what it seems?<\/p>\n

TICKETING<\/b>
\n$18 Non-Members, $16 Seniors & Students & Persons with Disabilities, and $14 for Japan Society Members for general screenings. $22 Non-Members, $20 Seniors & Students & Persons with Disabilities, and $17 for Japan Society Members for Opening Night and Centerpiece Screenings and Parties. Special Offer:<\/b> $300 All-Access Pass includes one ticket to each film and is only available for Japan Society Members; Order tickets at www.japansociety.org\/film<\/a>.<\/p>\n

Tickets on sale starting at 2 PM Eastern on June 20 for Japan Society members. Tickets are on sale to the general public on June 27. For more information, please follow Japan Society Film on <\/b>Instagram<\/a>, <\/b>Twitter<\/a>, <\/b>Facebook,\u00a0<\/a>and <\/b>Letterboxd<\/a>.<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

JAPAN SOCIETY ANNOUNCES FULL LINEUP FOR THE 16TH ANNUAL JAPAN CUTS: FESTIVAL OF NEW JAPANESE FILM North America\u2019s largest Japanese film festival presents two weeks of contemporary movies from Japan, including opening film THE FIRST SLAM DUNK directed by Takehiko Inoue, centerpiece film UNDER THE TURQUOISE SKY directed by KENTARO, closing film THE THREE SISTERS…<\/p>\n","protected":false},"author":2,"featured_media":17444,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[34],"tags":[2856,2855,16433,16434,2262,15580,13324,16432,16431,6007],"acf":[],"yoast_head":"\nJapan Society Announces Full Lineup for the 16th Annual JAPAN CUTS: Festival of New Japanese Film | Cinema Daily US<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinemadailyus.com\/?p=17443\" \/>\n<meta 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