Whilst Maurice (Jonas Bloquet) is living a quiet but busy life as the handyman at a French boarding school. But the calm and peaceful lives they have been living for the past few years are coming to an end.<\/p>\n

Photo by Courtesy of Warner Bros. – \u00a9\u00a0Warner BRos.<\/p>\n

A horrible force is creating havoc across the country. Much like the pattern in the first film, the strange and awful deaths started in Romania and have traveled across Europe and France is the new home of this evil. Knowing Sister Irene is the only one left that has seen such horrors before, the church tasks her with finding out why such a powerful evil is back again.<\/p>\n

Whether a film succeeds at frightening its audience, be it from jump scares or just a generally creepy atmosphere; it is hard for a horror film to be bland. The Nun II<\/strong> is exactly that–a flimsy snooze fest that fails to hit any of its intended goals. Somewhat cleverly placed images of the Valak itself can only attest to a certain level of entertainment. But the majority of the film places all its goodwill on those not-so-hidden images.<\/p>\n

You’re likely to find a new video on YouTube every day that wants to tell you how they hid Valak’s name all over The Conjuring II<\/strong> before its name was officially revealed. The Nun II takes that idea and instead of being trick or even clever with it, it posts it on the background like an ad for an upcoming concert. It’s handled as subtlety as bear turd in a confessional booth. No one is fooled and you need to know who is responsible.<\/p>\n

Photo by Courtesy of Warner Bros. – \u00a9\u00a0Warner BRos<\/p>\n

Even if the film finds a way to dig its way into your mind and plant seeds of terror and shock, it’s all delivered through the saddest, shoe string plot known to man. A frayed knot of poorly conceived storylines are held together by a stale pubic hair that would break under the simplest inquiry.<\/p>\n