Both Enzo and Laura are portrayed as steely, single-minded individuals with a fierce determination to have their own way on or off the race track. Lina, by contrast, presents herself as a younger, somewhat na\u00efve character, but one who is equally determined to assert herself as the mother of Piero, the love child she conceived with Enzo.<\/p>\n
![\"Penelope](\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2023\/12\/Ferrari2-1.jpg\")
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@Penelope Cruz as Laura Ferrari, Photo Credit Lorenzo Sisti<\/p>\n
Most of the film is set in May 1957 during the Mille Miglia auto race, a thousand-mile competition that turned many public roads in southern Italy into a speedway. Here\u2019s a capsule summary of what happened: Not far from the finish line near Brescia, the Ferrari driver, Alfonso de Portago, blew a tire, causing his car to catapult out of control, killing himself, his navigator, and ten spectators, five of whom were children. Both Ferrari and the tire manufacturer were charged with manslaughter but the case was finally dismissed four years later.<\/p>\n
But the bloody aftermath of this accident is not the focus of Ferrari<\/i><\/b> <\/i>the film, which instead trains its lens on the deeply personal lives of Ferrari and the women in his life. By juxtaposing heart-stopping scenes from the racetrack with equally intense scenes from the bedroom and kitchen, Mann creates an atmosphere of tension and mayhem that keeps viewers on the edge of their cockpits, deeply engaged in the action. Since Ferrari<\/i><\/b>\u2019s cameras have been installed within the race cars themselves, the viewers become surrogate co-pilots, experiencing every turn, skid, and collision as from the driver\u2019s seat.<\/p>\n
By contrast, the domestic scenes are shot in conventional mid-range or close-up style, allowing viewers to reflect on the action with just the right level of intensity\u2014close enough to be engaged but far enough to be objective though never disinterested.<\/p>\n
![\"Ferrari,](\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2023\/12\/Ferrari-2.jpg\")
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@Shailene Woodley as Lina Lardi, Photo credit Lorenzo Sisti<\/p>\n
Kudos to Mann and his colleagues for this exquisitely wrought film, with high-caliber production values that keep viewers focused ultimately on the inner conflicts being experienced by his characters. Mann\u2019s earlier work had been described by one critic as \u201cabundantly energetic in its precision and variety\u201d and \u201cpsychologically layered\u201d\u2014qualities that “Ferrari” <\/i><\/b>here <\/i>displays in abundance.<\/p>\n
Mann was quoted in an Inside Total Film<\/i><\/span><\/a> podcast that he instinctively knew Adam Driver was the right choice for the lead role as Enzo Ferrari. \u201cThere was something about how he\u2019s lived life,\u201d he said. \u201cHe has a raw ambition, an artistic ambition, and real ferocity behind that drive to really do this work, do it really well, and really get it. You see it all over, it\u2019s a transformational performance in how he moves, how he walks, the weight, how he breathes.”<\/p>\n Penelope Cruz should likewise be lauded for the almost instinctual way she embodies the character of Laura Ferrari, a woman Cruz understood to be \u201cdifficult and crazy and scary\u201d and suffering from deep depression. Cruz was quoted in USA Today<\/i><\/span><\/a> as saying\u2019 \u201cI went to the market Laura shopped at for food, I saw the financial books she kept for the company, and I went to her apartment. That place gave me so much information about the sadness she lived with,\u201d a reference to her husband\u2019s infidelity and to the death of their son Dino.<\/p>\n On the surface, it would seem that the real action of this film is on the race track, culminating with the gory and graphic scenes of the Mille Miglia disaster. But thanks to the stellar performances here, it is abundantly clear that the race track is but a metaphor for the tumultuous strivings of the speed demons within us all.<\/p>\n @Patrick Dempsey as Piero Taruffi Photo Credit Lorenzo Sisti<\/p>\n Rating: A+<\/p>\n![\"Patrick](\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2023\/12\/Ferrari4.jpg\")
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