{"id":21232,"date":"2023-12-31T01:13:29","date_gmt":"2023-12-31T06:13:29","guid":{"rendered":"https:\/\/cinemadailyus.com\/?p=21232"},"modified":"2023-12-31T01:13:29","modified_gmt":"2023-12-31T06:13:29","slug":"the-top-10-best-films-of-2023-we-picked-our-favorites","status":"publish","type":"post","link":"https:\/\/cinemadailyus.com\/?p=21232","title":{"rendered":"The Top 10 Best Films Of 2023 \/ We Picked Our Favorites!"},"content":{"rendered":"

Looking back, 2023 was a harsh year for theatrical box office, many of tentpole franchise films that didn\u2019t live up to the hype and disappointed audiences and critics alike. But like all other years, the reality is there was a lot more good than bad to be found in cinema this year, and a lot of magnificent storytelling and artistry. So, it’s time for us to reflect on the top 10 films of 2023 in our film industry. We have selected our favorites, so please check out what we chose. (Here’s our selections on year 2021<\/a>, 2022<\/a>)<\/p>\n

\"Karen<\/p>\n

Karen<\/b><\/p>\n

American Fiction<\/p>\n

Anatomy of a Fall<\/p>\n

A Taste of Things<\/p>\n

A Thousand and One<\/p>\n

Eileen<\/p>\n

The Holdovers<\/p>\n

The Iron Claw<\/p>\n

Killers of the Flower Moon<\/p>\n

Past Lives<\/p>\n

Saltburn<\/p>\n

The most compelling films of 2023 feature complex protagonists who finally find their place in society. American Fictions<\/i><\/b> invigorated the simple premise of a frustrated novelist receiving widespread acclaim after writing a satirical book out of spite. Anatomy of a Fall<\/i><\/b> fleshed out the shifting power dynamics between spouses that increase women\u2019s equality. A Taste of Things<\/i><\/b> layered subtle building of social status and romance over a couple\u2019s shared love of cooking. A Thousand and One<\/i><\/b> cultivated maternal perseverance within the foster care system. Eileen<\/i><\/b> chronicled the titular protagonist seeking validation from a seemingly independent, but overall toxic, female colleague in the 1960s. The Holdovers<\/i><\/b> humanized a bad-tempered high school teacher who bonds with students over Christmas. The Iron Claw<\/i><\/b>\u2019s <\/b>compassionately exploration of family bonds is just as gripping as its action in the wrestling ring. Killers of the Flower Moon<\/i><\/b> testified to the power of courageous Indigenous women in the face of brutal racism. Past Lives<\/i><\/b> used the bonds between its main characters to support incisive observations on the human condition. Saltburn<\/i><\/b> wickedly chronicled how students\u2019 obsession with their classmates can become deadly.<\/p>\n

\"Chiara\"<\/p>\n

Chiara Spagnoli Gabardi\u00a0<\/span><\/b><\/p>\n

Maestro<\/p>\n

Me Captain (Io capitano)<\/p>\n

Killers Of The Flower Moon<\/p>\n

Anatomy Of A Fall<\/p>\n

El Conde<\/p>\n

Fallen Leaves<\/p>\n

Priscilla<\/p>\n

Barbie<\/p>\n

Coup de Chance<\/p>\n

Suzume<\/p>\n

Those who love music and film history will be dazzled by what Bradley Cooper managed to achieve as a director and actor in Maestro<\/i><\/b>. Meanwhile, Matteo Garrone, with Me Captain<\/i><\/b> (Io Capitano<\/i><\/b>), demonstrates utmost sensitivity in showing the version of immigrants leaving their country of origin to reach a nation where they expect a better life. This is attested by the final credits, where you can see the names of the script consultants who helped shape the story in an authentic way. Martin Scorsese in Killers Of The Flower Moon <\/i><\/b>not only conveys the native perspective on screen, but he mesmerizes audiences at the very end with a narrative device that is a true stroke of genius! Anatomy of a Fall <\/i><\/b>dwells in ambiguity from beginning to end, which makes it more than a courtroom drama and murder mystery. Justine Triet provides a complex character study. Pablo Larrain finds an ingenious and artistic way to make his political statement and philosophical reflection on the nature of evil in his sublime El Conde<\/i><\/b>. <\/i>In Fallen Leaves<\/i><\/b>, Aki Kaurism\u00e4ki delivers social criticism with his hallmark humour and lackadaisical pace. Sofia Coppola returns to her delicate exploration of femininity with Priscilla<\/i><\/b>, that proves to be very much in line with the ongoing gender politics debate. Equally spot-on in matters of feminism \u2014 with a more pop approach to female empowerment \u2014 is Greta Gerwig\u2019s Barbie<\/i><\/b>. Woody Allen, with the brilliant Coup de Chance<\/i><\/b>, proves to be a remarkable filmmaker even when shooting in a language that is not his native one. Last, but not in terms of preference, Suzume<\/i><\/b> is an extraordinary anime: the visuals are chimerical and the themes are exceptionally current and timely.<\/p>\n

\"Adriano\"<\/p>\n

Adriano Ercolani\u00a0<\/span><\/b><\/p>\n

Asteroid City<\/p>\n

All of Us Strangers<\/p>\n

Fair Play<\/p>\n

Ferrari<\/p>\n

The Holdovers<\/p>\n

The Iron Claw<\/p>\n

The Master Gardener<\/p>\n

Origin<\/p>\n

Past Lives<\/p>\n

Showing Up<\/p>\n

The theme uniting\u00a0my favorite movies of 2023 is that they all explore human relationships with depth, truth and lack of judgment. In a time in which American cinema, especially mainstream productions, is excessively exploiting genres and metaphors in order to gain a broader audience, the movies selected above go straight to the point of how difficult, complex and contradictory human beings can be. Fair Play<\/strong> by Chloe Domont — possibly my favorite of 2023 — dares to explain in the most realistic terms the \u201cbattle of sexes\u201d when a challenging environment can play a cruel role to weak psychologies. The main characters of those movies are flawed, wounded, and selfish. This is why they represent in a stunning way who we are, exposing our personal challenges. They are a realistic mirror of our contemporaneity, something we desperately need rather than shallow entertainment telling us exactly what we want to hear. Cinema doesn\u2019t necessarily have to be entertaining: nowadays it has to be necessary.<\/p>\n

\"Abe<\/p>\n

Abe Friedtanzer\u00a0<\/span><\/b><\/p>\n

Poor Things<\/p>\n

Spider-Man: Across the Spider-Verse<\/p>\n

The Holdovers<\/p>\n

Flora and Son<\/p>\n

Scrapper<\/p>\n

Past Lives<\/p>\n

American Fiction<\/p>\n

Maestro<\/p>\n

All of Us Strangers<\/p>\n

Space Oddity<\/p>\n

Even with two strikes happening, 2023 still produced some fantastic films. Poor Things<\/i><\/b><\/span><\/a> was Yorgos Lanthimos\u2019 most creative work yet, blending mesmerizing imagery, a twisted premise, and phenomenal performances from Emma Stone, Mark Ruffalo, and the rest of the ensemble. Spider-Man: Across the Spider-Verse<\/i><\/b> improved upon an already terrific original, testing and breaking the limits of animation in the best possible way. The Holdovers<\/i><\/b> was a wondrously welcome reunion between Alexander Payne and Paul Giamatti featuring superb turns from Da\u2019Vine Joy Randolph and newcomer Dominic Sessa. John Carney delivered another musical sensation with the help of Eve Hewson and breakout star Or\u00e9n Kinlan in Flora and Son<\/i><\/b>. Lola Campbell astounded in her acting debut opposite a playful Harris Dickinson in Charlotte Regan\u2019s very entertaining and surprisingly heartfelt Scrapper<\/i><\/b><\/span><\/a>. Past Lives<\/i><\/b><\/span><\/a> explored the possibilities of relationship in an entrancing and unforgettable way. American Fiction<\/i><\/b><\/span><\/a> smartly skewered cultural expectations and political correctness with a winning script and top-tier cast. Maestro<\/i><\/b><\/span><\/a> <\/i><\/b>represented a bold step forward for director Bradley Cooper, who also delivered a tremendously memorable interpretation of famed conductor Leonard Bernstein opposite an equally stellar Carey Mulligan. All of Us Strangers<\/i><\/b> probed the pain of loss and the promise of connection with a marvelous quartet of actors and just the right amount of fantastical flair. Space Oddity<\/i><\/b> provided a refreshing dose of futuristic optimism and a bright perspective about what people can achieve.<\/p>\n

\"Niclas\"<\/p>\n

Niclas Goldberg\u00a0<\/span><\/b><\/p>\n

Fallen Leaves\u00a0<\/span><\/p>\n

The Zone of Interest\u00a0<\/span><\/p>\n

Anatomy of a Fall\u00a0<\/span><\/p>\n

Perfect Days\u00a0<\/span><\/p>\n

The Taste of Things\u00a0<\/span><\/p>\n

All of Us Strangers<\/p>\n

La Chimera\u00a0<\/span><\/p>\n

Great Absence\u00a0<\/span><\/p>\n

Dream Scenario\u00a0<\/span><\/p>\n

Fremont\u00a0<\/span><\/p>\n

Both veterans and newcomers nailed it this year with mesmerizing films. In Fallen Leaves<\/strong> Finnish deadpan master Aki Kaurism\u00e4ki goes utterly romantic while paying tribute to cinema and Alice Rohrwacher lets Josh O\u2019Connor plunder ancient Italian graves with her strong La Chimera. A Zen-like Wim Wenders travels to Tokyo in his best film in ages with a happy K\u00f4ji Yakusho, and Vietnamese Anh Hung Tran tickles the gourmet glands in French 1800-century countryside house in the beautiful The Taste of Things<\/strong>. Andrew Haigh returns with a powerful take on love and loss in All of Us Strangers<\/strong> while Babak Jalali channels Jim Jarmusch in his wry, understated Fremont, <\/strong>\u00a0A brilliant Sandra H\u00fcller stuns in both Justine Triet\u2019s sharp courtroom drama Anatomy of a Fall and in Jonathan Glazer\u2019s profoundly chilling Holocaust drama The Zone of Interest<\/strong>. Besides Raven Jackson\u2019s, Celine Song\u2019s and Monica Sorelle\u2019s impressive debut features, Norwegian newcomer Kristoffer Borgli made the clever Charlie Kaufmanesqe satire Dream Scenario<\/strong> with neurotic Nicolas Cage entering people\u2019s dreams and a new Japanese talent, Kei Chika-ura, who gently penetrates the bone marrow with his pearl of a film Great Absence. \u00a0<\/span><\/p>\n

\"Serena<\/p>\n

Serena Davanzo\u00a0<\/span><\/b><\/p>\n

Elemental<\/p>\n

Sound of Freedom<\/p>\n

UnBroken<\/p>\n

David Holmes: The Boy who Lived<\/p>\n

Five Nights at Freddy\u2019s<\/p>\n

Oppenheimer<\/p>\n

Firebrand<\/p>\n

Red, White, and Royal Blue<\/p>\n

Haunted Mansion<\/p>\n

Dungeons and Dragons: Honor Among Thieves<\/p>\n

2023 has been a great year in film, especially for those who are the nostalgic type! The movies Five Nights at Freddy\u2019s<\/strong>, Haunted Mansion<\/strong>, and Dungeons and Dragons<\/strong>: Honor Among Thieves all brought great memories for me from my childhood all the way till now. Even Red, White, and Royal Blue<\/strong> and David Holmes: The Boy who Lived<\/strong> gave me nostalgic feelings. The lore and special guest appearances in Five Nights at Freddy\u2019s<\/strong> really touched my childhood as I was in my formative middle school years when the FNAF game came out. Haunted Mansion<\/strong> also had many references to the ride not just in Disneyland, but it had references from each Haunted Mansion from all Disney Parks! I loved every reference that I found! Dungeons and Dragons<\/strong>: Honor Among Thieves touched my young adult life as many of my college memories was playing DnD with my best friends and the actors really made it feel like it was a real dnd session. Red, White, and Royal Blue<\/strong> gave us a new modern spin on the Hallmark Girl\u00a0 from the US meets and falls in love with a prince. I will admit I love those types of movies, this one was no exception. The actors were able to really show us a connection between the characters even though they were \u201cacross the pond\u201d from each other. Elemental<\/strong> is a beautifully animated love story about learning to work with your differences for those you love and how to have the courage to get out of your comfort zone. David Holmes: The Boy who Lived<\/strong> gives us great insight into how action and fantasy films are made behind the scenes and shows us the dedication and guts that these performers have to give us high quality movies! Firebrand<\/strong> is a historical drama about the last wife of King Henry VIII and their marriage. I enjoy historical pieces such as this and Oppenheimer<\/strong>. Oppenheimer<\/strong> shows us the life of the father of the atomic bomb and how society put him and others up to the task but also blame him for the destruction the bomb had caused to generations of people. UnBroken<\/strong> on the other hand is a story of how one person could affect generations of people by simply helping those in need. It is so fascinating about how one decision could lead to the events of Oppenheimer<\/strong> or UnBroken<\/strong>. Sound of Freedom<\/strong> showed us the horrors of modern day slavery and how the fight is not over to end it.<\/p>\n

\"Matthew<\/p>\n

Matthew Schuchman\u00a0<\/span><\/b><\/p>\n

Beau is Afraid<\/p>\n

Maestro<\/p>\n

Anatomy of a Fall<\/p>\n

Past Lives<\/p>\n

The Zone of Interest<\/p>\n

Blackberry<\/p>\n

Poor Things<\/p>\n

The Holdovers<\/p>\n

Oppenheimer<\/p>\n

Godzilla: Minus One<\/p>\n

While 2023 has been filled with some top quality fare, one of its most controversial films is the best thing I\u2019ve seen all year. I\u2019m no Ari Aster obsessive, and the film could have done with a small bit of trimming in the middle, Beau is Afraid<\/strong> is simply unbeatable. I may be the only person with it on the top of my list, but that is where it belongs. I didn\u2019t expect to like Maestro<\/strong> as much as I did, either. While the story might be a slice of life of a real person, it isn\u2019t the most original tale, but the film making behind the piece is as masterful as it gets. It\u2019s a drop dead gorgeous movie and people should see it in a theater if they can.<\/p>\n

As much as Anatomy of a Fall<\/strong> has gotten its praises since it first screened, like many of my picks, I think people are still missing the larger point that makes it such a stunner. Sure, you can enjoy the dramatic tension of the mystery\/thriller, but this is a look at the fall of a relationship and it is just perfect in what it investigates. Though Air is getting more love from most as the top company biopic, Blackberry<\/strong> still takes the cake as it explores a side of a story that you\u2019re used to as the small guy wins. All of these films I\u2019ve chosen have great upsides, but the more niche titles still resign supreme.<\/p>\n

\"Edward<\/p>\n

Edward Moran<\/b><\/p>\n

Fellow Travelers<\/p>\n

Archie<\/p>\n

Ferrari<\/p>\n

Oppenheimer<\/p>\n

May December<\/p>\n

The Boy and the Heron<\/p>\n

Poor Things<\/p>\n

\u00a0<\/span>Killers of the Flower Moon<\/p>\n

Quiz Lady<\/p>\n

Miracle Club<\/p>\n

The first four entries on my Top Ten list this year are films anchored in the 1950s and 1960s. Fellow Travelers<\/i><\/b> is a searing drama about closeted gay men caught up in the “Lavender Scare” during the McCarthy Era; Ferrari <\/i><\/b>is a high-octane biopic about the life and loves of race-car magnate Enzo Ferrari; Archie <\/i><\/b>focuses on the troubled\u00a0 psyche of actor Cary Grant as he confronts demons from his troubled past; while Oppenheimer <\/i><\/b>is a morality tale about a scientist who helped create the first atomic bombs. Based on a true story of a female teacher and the boy she loves, May December<\/b> explores the taboo subject of intergenerational sexual relationships. Set in WWII Japan, The Boy and the Heron<\/i><\/b> is a charming anime about a boy grieving the loss of his mother. Poor Things<\/i><\/b> is a black comedy about\u00a0 a Victorian-era woman brought back to life by a mad scientist. Killers of the Flower Moon <\/i><\/b>describes the ills wrought upon the Osage community in Oklahoma when oil is discovered on\u00a0 their native lands in the 1920s. Finally, two comedies with women as protagonists round out the list: Quiz Lady<\/b> is a rollicking story about two Korean American sisters who scheme to pay off their mother’s gambling debts to a band of sleazy dognappers, while Miracle Club<\/i><\/b> is a heartwarming tale of the resilience experienced by a group of Irish women on their pilgrimage to Lourdes.<\/p>\n

\"Luis<\/p>\n

Luis Pedron\u00a0<\/span><\/b><\/p>\n

Silent Night\u00a0<\/span><\/p>\n

A Very Good Girl<\/p>\n

Raging Grace<\/p>\n

12 Weeks<\/p>\n

Theater Camp<\/p>\n

Elemental<\/p>\n

Polite Society<\/p>\n

A Tourist Guide To Love<\/p>\n

One True Loves<\/p>\n

May Decembe<\/p>\n

I\u2019m excited this year that there were a lot of Asian Directors and Actors starring in films shown in America. I call this the \u201cAsian Wave is On.\u201d I wonder if the award nominations this year at Awards Ceremonies will be filled with Asian Artists again ? Let\u2019s see meanwhile\u2026 My top 10 list might not be award nominees but they were all meaningful films for me. Silent Night,<\/b> I have not seen a more entertaining film even though it did not have dialogue it was still complete and meaningful to me. Did I say it had all the action packed car chase scenes, martial arts stunts – hey it’s a John Woo Film after all. A Very Good Girl<\/strong>, A very dark film, entertaining and worth watching International Actresses Dolly de Leon and Kathryn Bernardo duke it out! Raging Grace<\/strong>, Subdued Horror, Classy and Fun. Again another Max Eigenmann film is certainly worth watching. 12 Weeks<\/strong>, Watch the Award Winning Performance of Max Eigenmann. Controversial topic. Theater Camp<\/strong>, For the die hard creatives and remembering their days of their youth in the theater camp (or any camp at that ). Coming of Age. Elemental<\/strong>: Love conquers all, that dreams do come true and that hey in the midst of all the uncertainty and long journey in this world that is filmmaking. Polite Society<\/strong>, Watch for the exciting Catfight and Martial Arts. Colorful Film. A Tourist Guide To Love<\/strong>, Worth Watching to learn more about Vietnam – Priceless. One True Loves<\/strong>, Watch Philippa Soo and Simu Liu in a Romantic Comedy Role. May December<\/strong>, Controversial Topic. The main actors acting award worthy performances.<\/p>\n

\"Nobuhiro<\/p>\n

Nobuhiro Hosoki<\/b><\/p>\n

The Eternal Memory<\/p>\n

Monster\u00a0<\/span><\/p>\n

Perfect Days\u00a0<\/span><\/p>\n

The boys and the heron<\/p>\n

Fallen leaves\u00a0<\/span><\/p>\n

Blue Giant\u00a0<\/span><\/p>\n

Killers of the flower moon\u00a0<\/span><\/p>\n

The holdovers\u00a0<\/span><\/p>\n

Godzilla minus one\u00a0<\/span><\/p>\n

Mediha\u00a0<\/span><\/p>\n

My Top 10 films of this year probably don’t include what critics call Oscar contenders\u2026Those movies opened up new perspectives and helped me view life differently, which led to my personal growth. Watching The Eternal Memory<\/strong> at Sundance, I felt a strong connection to how a couple shared their past and lived in a moment at the same time can be so beautiful. I felt that profound moments can last forever, even though one of the loved ones was suffering from Alzheimer’s disease. Hirokazu Koreeda’s film Monster<\/strong> captures the events of the same time frame and displays them in three distinct storylines. The characters’ point-of-view changes in each chapter, revealing areas that were blind spots in the previous chapter, and eventually revealing the truth about the events at the end. It reveals how a one-sided perspective can be both deceiving and dangerous. Perfect Days<\/strong>, Hirayama (played by Kouji Yakusho) is a taciturn man filled with daily routine, as he waters his plants every morning, goes to the public bath after work, drinks sake at an Izakaya, and falls asleep in his room while reading an old book, but his expression of his face brights up as he leaves his apartment each morning and looks up at the sky shows how he welcomes each day not as “the same” but as a “new day\u201d even people see it as daily routine life from outside.<\/p>\n

The Boy and the Heron<\/strong> marks Hayao Miyazaki’s departure from the loss of Isao Takahata, his longtime colleague, rival, and mentor. His creative approach to questioning both the audience and himself, referred to as ‘How Do We Live’ (the Japanese title), continued even after retirement in 2013, He kept his old body going. Fallen Leaves<\/strong> is a slice of adult love romance that strips away unnecessary moments. No matter what age, it could be magical if you have the courage to love. The combination of live recordings and strong characters in Blue Giant<\/strong> creates something unique that resonates in our hearts after leaving the theater. The main character of Killers of the Flower Moon<\/strong> is depraved but captivating to watch, and Leonardo DiCaprio is the only one who can bring it to life. Martin Scorsese’s direction is admirable, and Lily Gladstone’s performance was outstanding. Three individuals’ flaws and failings are explored in The Holdovers<\/strong>, which can awaken new perceptions and alter one’s outlook on life. Godzilla Minus One<\/strong> depicted what the original Godzilla film\u00a0made\u00a0in 1954, to represent Godzilla as a nuclear weapon, showing the aftermath of World War II in Japan, without being\u00a0preachy, but\u00a0wrapped up in the form of entertainment, let that be a life lesson to Disney, if the 15 million dollar budget film can make. Mediha<\/strong>, the images captured by a teenage girl in Iraq after returning from ISIS captivity are vivid and very dramatic, captured primarily through her handheld camera lens which are so real that they pierce your eyes and remind you that we live on Earth.<\/p>\n","protected":false},"excerpt":{"rendered":"

Looking back, 2023 was a harsh year for theatrical box office, many of tentpole franchise films that didn\u2019t live up to the hype and disappointed audiences and critics alike. But like all other years, the reality is there was a lot more good than bad to be found in cinema this year, and a lot…<\/p>\n","protected":false},"author":2,"featured_media":21256,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32],"tags":[19234,19682,17527,15457,19683,19684,15916,19685,19686,19688,19687,19689],"acf":[],"yoast_head":"\nThe Top 10 Best Films Of 2023 \/ We Picked Our Favorites!<\/title>\n<meta name=\"description\" content=\"The Top 10 Films of 2023 : It's time for us to reflect on the top 10 films of 2023 in our film industry, we have selected our favorites.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinemadailyus.com\/?p=21232\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta 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He became a film reporter for via Yahoo Japan News. In that role, he writes news articles, picks out headliners for Yahoo News, as well as interviewing Hollywood film directors, actors, and producers working in the domestic circuit in the USA. He also does production interviews for Japanese distributors of American films and for in-theater on-sale programs. 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