{"id":2212,"date":"2021-05-22T15:43:59","date_gmt":"2021-05-22T19:43:59","guid":{"rendered":"https:\/\/cinemadailyus.com\/?p=2212"},"modified":"2021-05-22T15:43:59","modified_gmt":"2021-05-22T19:43:59","slug":"the-fantasia-international-film-festival-announces-first-wave-of-titles-for-25th-edtion","status":"publish","type":"post","link":"https:\/\/cinemadailyus.com\/?p=2212","title":{"rendered":"The Fantasia International Film Festival Announces First Wave of Titles for 25th Edtion"},"content":{"rendered":"<p dir=\"ltr\">FANTASIA\u2019S 25TH EDITION ANNOUNCES FIRST WAVE OF PROGRAMMING FOR UPCOMING VIRTUAL <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">FILM<\/span> <span class=\"markt8wh44o23\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">FESTIVAL<\/span><\/p>\n<p dir=\"ltr\">Richard Bates Jr.\u2019s KING KNIGHT, Tsutomu Hanabusa\u2019s KAKEGURUI 2: ULTIMATE RUSSIAN ROULETTE, Mark O&#8217;Brien\u2019s THE RIGHTEOUS, Daigo Matsui\u2019s REMAIN IN TWILIGHT, Edoardo Vitaletti\u2019s THE LAST THING MARY SAW, and Shunji Iwai\u2019s THE 12 DAY TALE OF THE MONSTER THAT DIED IN 8 among the first titles announced for the <span class=\"markt8wh44o23\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">festival<\/span>\u2019s 25th edition taking place August 5 &#8211; 25, 2021<\/p>\n<p dir=\"ltr\">Wednesday, May 19, 2021 \/\/ Montreal, Quebec &#8212; The <span class=\"mark2ah4mfmr2\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Fantasia<\/span> International <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Film<\/span> <span class=\"markt8wh44o23\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Festival<\/span> is proud to announce the first wave of programming for its upcoming 25th edition, set again to take place as a virtual event accessible to audiences across Canada. The <span class=\"markt8wh44o23\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">festival<\/span> will run from August 5 &#8211; 25, 2021 and will include scheduled screenings and premieres, panels, and workshops, with <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span>s once again hosted on the leading-edge platform created by <span class=\"markt8wh44o23\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Festival<\/span> Scope and Shift72. As the summer approaches, <span class=\"mark2ah4mfmr2\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Fantasia<\/span> organizers will be following advice from local health authorities in Montreal with respect to the possibility of adding a limited range of physical events as well. In celebration of the key role that Japan\u2019s culture has played across <span class=\"mark2ah4mfmr2\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Fantasia<\/span>\u2019s history, the <span class=\"markt8wh44o23\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">festival<\/span>\u2019s 25th edition will be featuring an enhanced focus on Japanese cinema.<\/p>\n<p dir=\"ltr\">Following the earlier news of the <span class=\"markt8wh44o23\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">festival<\/span>\u2019s opening <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span>, the world premiere of Julien Knafo\u2019s Quebec-set zomcom BRAIN FREEZE starring Roy Dupuis and Iani B\u00e9dard, details on the first wave of feature <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span>s are revealed today, with the full lineup to be announced in late July.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh3.googleusercontent.com\/J7Fkhubh6-xpY3hxjDC3hv39lNw42ZG7AqZl-us15HrRJOw_xLzyhZF8ZvJeKKDd3FRO2F-tmWXaZjVohhtpcufREp2sCta3jPeZ9mOAg4_TS3wW8sToWbmJcHmRoA\" width=\"550\" height=\"272\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\"><strong>STEADY YOUR GAZE FOR THE LAST THING MARY SAW<\/strong><\/p>\n<p dir=\"ltr\">Brace yourself for THE LAST THING MARY SAW, a breathtaking period occult drama set\u00a0in an isolated farmhouse in the winter of 1843, where a young woman is under investigation following the mysterious death of her family\u2019s matriarch. It soon becomes apparent that ageless forces are at play, from within and without. An eerie and hypnotic nightmare vision from debuting writer\/director Edoardo Vitaletti, starring Stefanie Scott (INSIDIOUS: CHAPTER 3), Isabelle Fuhrman (ORPHAN), Judith Roberts (YOU WERE NEVER REALLY HERE), and Rory Culkin (LORDS OF CHAOS). WORLD PREMIERE.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh6.googleusercontent.com\/yPHuZOec8F7IPruLAsGHkNrjxlNoS38VTxiVo4O0gjWpKTsxJz8asyS769n6T2ASSOVFpy_uGGNZtESEHIXOB-FrAHffJaVRSDanXzF6pxSDsoaV4hrlOj1wy-aa0Q\" width=\"550\" height=\"309\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\"><strong>GO ALL-IN WITH KAKEGURUI 2: ULTIMATE RUSSIAN ROULETTE<\/strong><\/p>\n<p dir=\"ltr\">Welcome back to Hyakkaoh Academy, where the students engage in compulsive gambling to climb the social ladder, but this time around the return of a demented alumni will wreak a new kind of havoc on the school. KAKEGURUI 2: ULTIMATE RUSSIAN ROULETTE, written and directed by Tsutomu Hanabusa (PROJECT DREAMS), raises the stakes beyond money and clout to a game of life and death. This highly creative, colorful, and thrilling manga adaptation makes a reinvented poker game as engaging as a championship match. NORTH AMERICAN PREMIERE.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh6.googleusercontent.com\/mTLUGpM35VXcUC39JoW6YuVUA4JpR7dMgtncpICJnMf84NIxDcnjzT6fBX9xH5JVJ4f5RehLc7-BkA0meleESQ6CtJ4sM2ob4ZwEYHNMJyQG6etItriyh6nBuV99zg\" width=\"550\" height=\"310\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\"><strong>RICHARD BATES JR. INVITES YOU ON A GONZO SPIRITUAL QUEST<\/strong><\/p>\n<p dir=\"ltr\">Richard Bates Jr. has been a longstanding member of the <span class=\"mark2ah4mfmr2\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Fantasia<\/span> Family with fest favourites EXCISION, TRASH FIRE, TONE-DEAF, and SUBURBAN GOTHIC. We\u2019re thrilled to announce his return with the outlandish KING KNIGHT, an outsider\u2019s outsider comedy starring Matthew Gray Gubler and Angela Sarafyan as Thorn and Willow, husband-and-wife high priest and priestess of a coven of witches in a small California community. When Willow unearths a secret from Thorn\u2019s past, their lives are thrown into turmoil in this kooky, clever treat, decked with a wild cast that includes Nelson Franklin, Johnny Pemberton, Barbara Crampton, Ray Wise, Andy Milonakis, and the voices of Aubrey Plaza and AnnaLynne McCord. WORLD PREMIERE.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh4.googleusercontent.com\/iad2z7kuahx6yoUZgswQkAduiAlD15MBN1vfuVuIDwc5WwB8UTPt1wYtTb4Srne8qzb17JGL2umjdT9fvY2VNMdUqlYOspQSe1NxNn5cz0o0UGsk4I-93zZWH0i9Lg\" width=\"550\" height=\"330\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\"><strong>DAIGO MATSUI REACHES INTO THE AFTERLIFE FOR REMAIN IN TWILIGHT\u00a0<\/strong><\/p>\n<p dir=\"ltr\">Six high school friends reunite for a wedding ceremony in the newest feature from <span class=\"mark2ah4mfmr2\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Fantasia<\/span> favourite Daigo Matsui. They reconnect as if no time has passed, but there\u2019s an unspoken question lingering in the air, as one of them should not be there. Adapted from a stage play inspired by the death of a real-life friend, REMAIN IN TWILIGHT takes audiences on a bittersweet, grief-stricken journey at the crossroads between a buddy comedy and supernatural drama. NORTH AMERICAN PREMIERE.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh3.googleusercontent.com\/TapoREkMDjFh3PgZB4FPoxsPuA-WapV3Mn0maE3TaVap2YQvx0z-8Tj0HWMBQjDi3OivAsmYFu4gN2voZIOWpRE54o7F-3AAGoUobtkCv3fJRlGIifBovtpr6UHYAQ\" width=\"550\" height=\"230\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\"><strong>SOUTH AFRICAN GENRE CINEMA EXCELS IN INDEMNITY\u00a0<\/strong><\/p>\n<p dir=\"ltr\">The new wave of South African genre cinema continues to astonish in INDEMNITY, the feature directorial debut of Gambit <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Film<\/span>s\u2019 Travis Taute, co-writer and executive producer of Nosipho Dumisa\u2019s <span class=\"mark2ah4mfmr2\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Fantasia<\/span>-award-winner NUMBER 37 (and director of the originating short) and a writer and director on the hit Netflix series BLOOD &amp; WATER. A subversive, high-tension action thriller that follows a fireman (Jarrid Geduld) with an anguished past who finds himself on the run for a crime he has no memory of, the knockout feature speaks to the horrors of the international arms trade and the use of trauma itself as a weapon. Co-starring Gail Mabalane (BLOOD &amp; WATER), Andre Jacobs (BLACK VENUS), Nicole Fortuin (FLATLAND), and Tshamano Sebe (8, a <span class=\"mark2ah4mfmr2\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Fantasia<\/span> 2019 breakout premiere). WORLD PREMIERE.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh6.googleusercontent.com\/ZjgFjD4T0QbVIUTnw81Ia69tfZOKKCZqMF9z0570wfY161BMAlWSbkGDf4kz0z0OCmAkYaNxAYW5r9QTZKshKp6zpwl95L2Xk7TVGX3lexlGToIl2kBqBG1SfYMqZg\" width=\"550\" height=\"322\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\"><strong>MASASHI YAMAMOTO THROWS THE PARTY OF THE SUMMER IN WONDERFUL PARADISE<\/strong><\/p>\n<p dir=\"ltr\">Punk iconoclast Masashi Yamamoto is back with WONDERFUL PARADISE, a demented spin on the unwanted-guest scenario that builds and builds until all notions of cinematic realism are thrown out the window and social constructs \u2013 of family, class, and Japanese decorum &#8211;\u00a0 are skewered by mayhem. Moving out of their house in the wealthy suburbs of Tokyo, the Sasayas find the transition made all the more complicated after their daughter posts an open party invite online for anyone to join, inviting a parade of estranged family, jilted lovers, and supernatural surprises into their lives. NORTH AMERICAN PREMIERE.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh3.googleusercontent.com\/l0xAPYjMPB5QuuDmqbh_9DxJMgkZM6sh5nYtbQAzjycKQgx94_EBvVja91jnFFcP-5hEsZMOj-GY_sgf09SKVmET4UQLxZS2lwJUHZ9D0zIaP3xWyLCvJAHSMFO3HA\" width=\"550\" height=\"288\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\"><strong>A SPANISH-BASQUE MASTERPIECE TAKES VAMPIRE CINEMA TO POIGNANT NEW HEIGHTS \u2013 STARE INTO ALL THE MOONS<\/strong><\/p>\n<p dir=\"ltr\">Spain. 1876. A young girl (Haizea Carneros) is severely injured when a religious orphanage is bombed during the third Carlist war. On the verge of death, she is healed by a mysterious woman (Itziar Itu\u00f1o) whom she perceives to be an angel. They are soon separated, the child left to fend for herself &#8211; for decades upon decades. With ALL THE MOONS, director Igor Legarreta masterfully employs the tenets of vampire lore as the basis for an intimate epic dealing with themes of life and death, love and loneliness, devotion and intolerance. Impeccably crafted, it ranks among the best of vampire cinema. INTERNATIONAL PREMIERE.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh4.googleusercontent.com\/vEUTn3dDlMLX0t7TgnjgE46C4qRXL0XJl6BMN6rwS6zPoC-qj2XK2bo37UZ5KewMLExcRYJUQrKE1XJDtz_QdnT98hHcvJR3BySzIR_gekCnHWAi2lvTc40ibs-v_g\" width=\"550\" height=\"281\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\"><strong>APPEARANCES CAN BE MISLEADING IN THE ACTION-PACKED CAUTION, HAZARDOUS WIFE<\/strong><\/p>\n<p dir=\"ltr\">Based on the beloved TV series by the same name, Toya Sato\u2019s CAUTION, HAZARDOUS WIFE stars Haruka Ayase (REAL) as an amnesiac housewife living a quiet life with her perfect husband (Hidetoshi Nishijima, CREEPY). As her memories begin to return, she discovers an unexpected and dangerous side to herself she never predicted. Combining first-rate fight choreography with a winning comedic charisma from Ayase, CAUTION, HAZARDOUS WIFE is an absolute must-see for any action fan. NORTH AMERICAN PREMIERE.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh4.googleusercontent.com\/0u5lQ7UQrPQO2Sc7q_0vTeQtoS3DdRCGrPo-YnUo5o5Xx-HazQ7V6CfbSNyUjql8gPMmA2U4KveVBGNMFVUeHsvmeiBWkmWaDUr3rtnE-DUoZU4ATmPaEy5HByYMmg\" width=\"550\" height=\"320\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\"><strong>A NEW CANADIAN HORROR CLASSIC IS BORN \u2013 THE RIGHTEOUS<\/strong><\/p>\n<p dir=\"ltr\">Actor turned director Mark O&#8217;Brien (READY OR NOT, ARRIVAL) makes his feature debut with the slow-burn, character-driven occult chiller THE RIGHTEOUS, one of the year&#8217;s most thrilling genre discoveries that takes full advantage of Newfoundland&#8217;s maritime otherworldliness while blending timeless themes with an inventive and exciting <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span>making approach. A former priest who left the church to start a family is gripped by tragedy after his child&#8217;s death, and the life of him and his wife are thrown into further chaos upon the arrival of a mysterious young stranger. The <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span> is written and directed by O&#8217;Brien, who also co-stars in the <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span> alongside his READY OR NOT castmate Henry Czerny and a terrific Mimi Kuzyk (LOST AND DELIRIOUS). WORLD PREMIERE.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh5.googleusercontent.com\/h1V3IZT27wqFBQupfrgWh7kgGF03n7sclaYZwZpgDpwOMt1mnKaIireI5HLCitLv88u150u7gOTiqTWULoFecjaa8lsNk92RvL8-cSFN5B12jEgkWTIYJGQsvgoxQA\" width=\"550\" height=\"367\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\"><strong>NOT QUITE DEAD YET BRINGS A WHOLE NEW LOOK AT THE AFTERLIFE<\/strong><\/p>\n<p dir=\"ltr\">A death metal singer must team up with the ghost of her recently deceased father to uncover a scheme underway at the company he left behind\u2026 and miraculously save his life! A punchy, playful, and pleasingly morbid comedy romp, NOT QUITE DEAD YET mixes up a quick-paced concoction of corporate intrigue, family melodrama, and supernatural silliness. With deft timing, first-time director Shinji Hamasaki orchestrates an outstanding cast of sympathetic characters interpreted by stars Suzu Hirose (CHIHAYAFURU), Ryo Yoshizawa (BLEACH), and Shinichi Tsutsumi (THE MOLE SONG). NORTH AMERICAN PREMIERE.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh4.googleusercontent.com\/wmZ-_7gb1eExQRYUMuHXojtHOebcjkr63ZNftTHUjeawFJSmoh83zkMKhJpUvtZ05iqJh9Y_O87tIxyP9Z7YLf7VW-mGJRKEuIZNw0KT7s7B8FJ5KUVkdD6GmH5_jw\" width=\"550\" height=\"230\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\"><strong>BABY MONEY WILL MURDER YOU WITH TENSION\u00a0<\/strong><\/p>\n<p dir=\"ltr\">After a botched burglary, a pair of criminals take refuge in the house of a single mother as they wait on their getaway driver to hash an escape plan in Mikhael Bassilli and Luc Walpoth\u2019s phenomenal BABY MONEY. Mounting suspense, textured characters, and jolting storytelling come together in this powerhouse, pulse-racing crime thriller. Led by a remarkable cast that includes Danay Garcia (FEAR THE WALKING DEAD), Taja V. Simpson (THE OVAL), Michael Drayer (MR. ROBOT), and Joey Kern (GOOD BEHAVIOR) alongside newcomer Vernon Taylor III, an exceptional special-needs talent. WORLD PREMIERE.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh6.googleusercontent.com\/NwVgH-sI4xQL_kUw8gZzPUKLQ3J1S3cIaGXR8tDKeBYc4aGOYyVjk-cxzBNT8hla5j7vcgubThMUfS34kMtY_u8RGHh31Lwk1A4eSvfzuOcE4EDZ75el4moH4aFV9A\" width=\"550\" height=\"325\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\"><strong>A DOSE OF ART KABUKI TO HEAL OUR SOULS<\/strong><\/p>\n<p dir=\"ltr\">While theatres were shut down due to COVID-19, young Kabuki-actor Kazutaro Nakamura decided to unite with many unique artists to create ART KABUKI, a compelling <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span>ed performance under the subject of \u2018Play, Beauty and Life\u2019. A visually stunning modern take on a centuries-old, traditional art form, Nakamura succeeds exceptionally at inspiring hope and joy through creativity in these difficult times. NORTH AMERICAN PREMIERE.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh6.googleusercontent.com\/1ZvxoDRq_-5D4g9d1tfHoHEo1bGKkDJypmXigGmuFzMN0uHCmrLL2v82Tmlz5P2rnfCVFKbvITFwrau-EdhzsTzOPsZmO4F4QyubsuaWfWgVn4DT6vgrqzIHf7F1Yg\" width=\"550\" height=\"290\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\"><strong>HELLBENDER IS AN OCCULT INSPIRATION<\/strong><\/p>\n<p dir=\"ltr\">An occult, coming-of-age <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span> unlike any you\u2019ve seen, HELLBENDER is the extraordinary new creation from the Adams Family (John Adams, Toby Poser, Zelda Adams), the gifted <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span>making family behind 2019\u2019s indie sensation THE DEEPER YOU DIG. It further affirms their stature as singular poets of the genre, making soulful and wholly original works with a one-of-a-kind look and feel, this time in the dreamy story of a lonely teenage girl (Zelda Adams) who finds guidance in her family\u2019s suppressed supernatural lineage. HELLBENDER imaginatively explores questions of identity, instinct, and power roles in youth and parenthood alike. An uncanny <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span> that\u2019s all at once haunting, heartfelt, freakish, and fun. WORLD PREMIERE.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lh6.googleusercontent.com\/HU4QS2BxB-3pwyt8oJZEjlNNk5_TP1xcJD-7kfM1E6mDWU-ryaHEjq7TzB4jTZN3Qz7CeheB83cQcu05yWUV1xZ9eOZjo6VNNfgu6HAIN3QEBfVo0yQ5QnHyPfrLNw\" width=\"550\" height=\"280\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\"><strong>ESTONIA BRINGS THE STRANGENESS \u2013 KRATT IS HERE!<\/strong><\/p>\n<p dir=\"ltr\">12 years after BURATINO, SON OF PINOCCHIO, Rasmus Merivoo has returned to <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span>making with KRATT. In a small Estonian village, two kids (Nora and Harri Merivoo, the director&#8217;s own children), hoping to get out of farm work, bring the local legend of The Kratt &#8211; a Terminator-like demonic spirit that must always be fed work, or else &#8211; to life so they can escape their chores, but in doing so they may bring about the destruction of all human life on earth! It&#8217;s pretty safe to say that no other movie at <span class=\"mark2ah4mfmr2\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Fantasia<\/span> 2021 will reach KRATT&#8217;s delightful preposterousness\u2014 unless another Estonian dry comedy\/fantasy\/political commentary comes along to outplace it. NORTH AMERICAN PREMIERE.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lh4.googleusercontent.com\/5UaoEUUc4uHIGa_OFwzY8pe1v1HsUjL_RfdlfIeX_n270VClmYd9x8AzJSqK6f5bFvp7wEQmcejYNN_n3tKrQRAwiAtExnDYeVMYn58FiwJ4fXuSXqT3Wj1pu2BoZA\" width=\"550\" height=\"297\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\"><strong>A TWISTING AND TRANSFIXING JOURNEY INTO ULTRASOUND<\/strong><\/p>\n<p dir=\"ltr\">After his car breaks down, Glen (Vincent Kartheiser, MAD MEN) spends one hell of an odd night with a married couple, setting into motion a chain of events that alter their lives plus those of several random strangers. That\u2019s the official synopsis of Rob Schroeder\u2019s ingenious ULTRASOUND and it\u2019s best we don\u2019t say a word more without running the risk of ruining the <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span>\u2019s endlessly twisty surprises that easily make it one of the most engrossing and unexpected genre creations of the year. Co-starring Breeda Wool (MR. MERCEDES), Chelsea Lopez (ARE WE NOT CATS), Tunde Adebimpe (RACHEL GETTING MARRIED), Rainey Qualley (OCEAN\u2019S 8), and Bob Stephenson (LADY BIRD). INTERNATIONAL PREMIERE.<\/p>\n<hr \/>\n<p dir=\"ltr\"><span class=\"mark2ah4mfmr2\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">FANTASIA<\/span> UNDERGROUND UNLEASHES AN AWARD-WINNING, iPHONE-SHOT SCI-FI COMEDY<\/p>\n<p dir=\"ltr\">First title revealed for the 2021 <span class=\"mark2ah4mfmr2\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Fantasia<\/span> Underground section<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh4.googleusercontent.com\/76EefiFvP6uleO7xBtGF_bNitME3zM8Bpnyxf5x2X1YiK7V1uNcrx0zXl5dStgbLPgVzHYKXWwvoLCQSjQlSjTSSrUbm_ZBwjHpjyhz8nWKyOskGUHUhZE6V8IrASA\" width=\"550\" height=\"309\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\">Born out of an acting workshop and shot on an iPhone, the charmingly inventive <strong>BEYOND THE INFINITE TWO MINUTES<\/strong> focuses on a small group of friends trying to make sense of a time loop that gives them a two-minute insight into the immediate future. A directorial debut from newcomer Junta Yamaguchi, the <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span> plays like ONE CUT FROM THE DEAD meets TENET and uses meager resources to create a hilarious and crowd-pleasing <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span> that\u2019s already wowed audiences and won awards at BIFFF and Fantaspoa. NORTH AMERICAN PREMIERE.<\/p>\n<p dir=\"ltr\">FIRST TITLE REVEALED FOR THE <span class=\"mark2ah4mfmr2\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">FANTASIA<\/span>\u2019S DOCS FROM THE EDGE SECTION<\/p>\n<p dir=\"ltr\">INLAND EMPIRE meets EVIL DEAD in bizarre VHS documentary<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh6.googleusercontent.com\/vWKGGZxfbnt993adpMqtKUk5RnRVwLuUtEGkcJHK2LkwVqrei16-j4iZxOAFv0lr1VH-73XNl-IjbaM8dlyTeVwdrElZZVngYaHTE4IFfMaeuHK_bze498jpETQd7w\" width=\"550\" height=\"252\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\">The 80s were the most fruitful years for direct-to-video oddities and in Uruguay, <strong>ACT OF VIOLENCE IN A YOUNG JOURNALIST,<\/strong> by Manuel Lamas, is the strangest of them all. Never seen outside of its country of origin, the <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span> has been celebrated as a cult <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span> (\u00e0 la THE ROOM) by homegrown cinephiles and camp aficionados, while its origins have remained shrouded in mystery for decades\u2026 Until now! The behind-the-scenes mystery thickens in Emilio Silva Torres&#8217; feature debut STRAIGHT TO VHS as we tag along on a quest with eccentric characters and through creepy locations to find the man behind one the oddest VHSes ever made. INTERNATIONAL PREMIERE.<\/p>\n<p dir=\"ltr\"><span class=\"mark2ah4mfmr2\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">FANTASIA<\/span>\u2019S CAMERA LUCIDA SECTION UNVEILS FIRST TITLES<\/p>\n<p dir=\"ltr\">Isolation, global crises, and shifting belief systems are at the heart of the Camera Lucida section this year, <span class=\"mark2ah4mfmr2\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Fantasia<\/span>\u2019s sidebar dedicated to showcasing boundary-pushing, auteur-driven works at the intersection of genre and arthouse cinema<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh4.googleusercontent.com\/Ejes6t6LZujkDezQciD0fDWe1vFAEO2-V1rwu_Xt0LCJ9Z0jPV5XJdSij4l1qJHCBAufwK2WG3kpxFUjbfCI3V42zSVrvuiRBvEl5pPy3RfunS0FvnU4HLPiNSqbiA\" width=\"550\" height=\"309\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\">Like so many actors, Takumi Saitoh (playing a version of himself) is out of work due to COVID-19. He sits at home, and wonders what to do. Until kaiju expert Shinji Higuchi (ATTACK ON TITAN, SHIN GODZILLA) smartly suggests he buy capsule monsters online to defeat the virus. As <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span> productions shut down across Japan, maestro Shunji Iwai turned to Zoom, the online lingua franca of these pandemic times, for <strong>THE 12 DAY TALE OF THE MONSTER THAT DIED IN 8<\/strong>. An ambitious slice of lockdown-life where fact, fiction, and inner worlds blend together. NORTH AMERICAN PREMIERE.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh3.googleusercontent.com\/sxM3x2909vIOxl-0iDtjNva29OoPWY5N9ZSxusrP2c9CdFewoZvHMvOdChZDnnInZBJXjr2AnyGwShhl5TwRiMFQB_ChDs8TQwapLRjr05RYu62AOvTEQvofcHwJVg\" width=\"550\" height=\"230\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\">Since birth, Uno (Luciano Pedro Jr.) \u2013 son of a taxi man \u2013 has had the peculiar ability of talking to cars. Together with his unhinged uncle he sets out to modernize his father\u2019s fleet for a new conscientious age. Enter Carro Rei, the sentient car of the future\u2026. and an apt emblem for its undoing. Casting a critical light on Brazil\u2019s ongoing populist nightmare and the limits of progressivism in a machine-driven, late-capitalist framework, Renata Pinheiro\u2019s<strong> KING CAR<\/strong> takes place in an ominous junkyard universe. A <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span> of the moment, wherein our machine fetish becomes a self-fulfilling tragedy. NORTH AMERICAN PREMIERE.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh5.googleusercontent.com\/_TX8g0w3G7riaZCjV_JDbGSAcE5Jg-JLYxbhBDsPPO8EwH0fh8OGwbYdI7K6aY7fEb5IAB-vytJY74-XZSEaIsU2LFbGctY-E1FV6pkwSf-YQnUcJQtgrafLr0CjRw\" width=\"550\" height=\"318\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\">Canadian genre experimentalist Seth A. Smith (LOWLIFE, THE CRESCENT) returns to the section with <strong>TIN CAN<\/strong>, a timely, yet thoroughly unpredictable science-fiction-cum-survival-thriller and a marvel of Sci-Fi design. In a world being ravaged by a mysterious fungal infection, Fret is the leading parasitologist studying to control it &#8211; until she\u2019s kidnapped and wakes up in a human-sized tin can. NORTH AMERICAN PREMIERE.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh6.googleusercontent.com\/KrYhVC5mncLaT7Y-V9Ic3BU0NhhHHj5AO9y2wmwISqBFtDUdnIy3Wm3dChe9LmHPuHS3OPKG_M2s4HnfzuBrfXsi5jmIVjfBed86EpGUW8P6S1vpaeL4UxTcFArPFw\" width=\"550\" height=\"367\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\"><strong>In AGNES<\/strong>, the latest from prolific <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span>maker Mickey Reece (CLIMATE OF THE HUNTER), a dissident priest and a bright-eyed neophyte are sent to investigate rumours of demonic possession at a convent. Both will be met with temptation as the strange goings-on test their faith, as well as that of one specific nun in residence. This structurally daring <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span> tests the narrow-minded restrictions of (self) narrative and memory, as well as those of institutional religion. Starring Hayley McFarland (THE CONJURING), Jake Horowitz (THE VAST OF NIGHT), and Ben Hall (MINARI), and featuring Sean Gunn, Rachel True, Chris Browning, and Molly C. Quinn. INTERNATIONAL PREMIERE.<\/p>\n<p dir=\"ltr\">All titles will compete for the AQCC-Camera Lucida prize, awarded by a jury of critics from the Qu\u00e9bec\u2019s Critics Association (AQCC), member of the FIPRESCI.<\/p>\n<p dir=\"ltr\">AXIS REVEALS A DUO OF ANIMATED DELIGHTS!<\/p>\n<p dir=\"ltr\">Axis, <span class=\"mark2ah4mfmr2\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Fantasia<\/span>\u2019s animation section, announces first two titles hailing from opposite ends of the globe that prove animation is for the young and the old<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh3.googleusercontent.com\/gPZQ2aINKT41T0ytiFO13JSD2wTG5fWhWu-AGvQBw4UAUMtSaNc0mjb4JPy2SRGEQES7Yw1xMewLaTKE3lxcrw_v-NJeNxVjyayDRoWkHaNRexgcIfeuQtiMJYM2Lg\" width=\"550\" height=\"268\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\">Beastly behaviour abounds in Avid Liongoren\u2019s <strong>HAYOP KA! THE NIMFA DIMAANO STORY<\/strong>, a steamy soap opera satire from the Philippines. The decidedly adult-oriented animation, which boasts a fully Filipino cast and crew, follows Nimfa the cat as she searches for true love and happiness and must decide between the two dogs in her life. NORTH AMERICAN PREMIERE.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/lh6.googleusercontent.com\/OwmprlRA5BYzjyrT6OUKnum4Z680d70WyXVPKiCuo6P6AFuZ4YJ604mez3i7VKDZo3sOKVZs2FVk_zOOX4GoE8BuR81GlGg7X15nVoyKVkFBXZZ1jUxERL4_mBkliw\" width=\"549\" height=\"276\" data-imagetype=\"External\" \/><\/p>\n<p dir=\"ltr\">Midnight mischief is afoot in <strong>LITTLE VAMPIRE<\/strong>, the latest <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">film<\/span> adaptation from France\u2019s Joann Sfar (THE RABBI\u2019S CAT), who both created the original children\u2019s comic and helm\u2019s the magically monstrous and endearingly morbid feature about the unlikely friendship between a never-aging vampire and a human boy. NORTH AMERICAN PREMIERE.<\/p>\n<p dir=\"ltr\">The 25th edition of the <span class=\"mark2ah4mfmr2\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Fantasia<\/span> International <span class=\"markgq28nyoat\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Film<\/span> <span class=\"markt8wh44o23\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Festival<\/span> will be presented by Videotron in collaboration with Desjardins, and will be made possible thanks to the financial assistance of the Government of Quebec, SODEC, Telefilm Canada, the City of Montreal, the Conseil des arts of Montreal and Tourisme Montr\u00e9al.<\/p>\n<p dir=\"ltr\">A second wave of <span class=\"mark2ah4mfmr2\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Fantasia<\/span> 2021 titles will be announced in June with the full lineup to be revealed in late July, with ticket sales commencing shortly afterwards.<\/p>\n<p dir=\"ltr\">For more information, visit us on the web at <a href=\"https:\/\/fantasiafestival.com\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"0\">www.<span class=\"mark2ah4mfmr2\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">fantasia<\/span>festival.com<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FANTASIA\u2019S 25TH EDITION ANNOUNCES FIRST WAVE OF PROGRAMMING FOR UPCOMING VIRTUAL FILM FESTIVAL Richard Bates Jr.\u2019s KING KNIGHT, Tsutomu Hanabusa\u2019s KAKEGURUI 2: ULTIMATE RUSSIAN ROULETTE, Mark O&#8217;Brien\u2019s THE RIGHTEOUS, Daigo Matsui\u2019s REMAIN IN TWILIGHT, Edoardo Vitaletti\u2019s THE LAST THING MARY SAW, and Shunji Iwai\u2019s THE 12 DAY TALE OF THE MONSTER THAT DIED IN 8&#8230;<\/p>\n","protected":false},"author":2,"featured_media":2215,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[34],"tags":[1356,1353,1355,1357,1352,1358,1354],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Fantasia International Film Festival Announces First Wave of Titles for 25th Edtion | Cinema Daily US<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinemadailyus.com\/?p=2212\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Fantasia International Film Festival Announces First Wave of Titles for 25th Edtion | Cinema Daily US\" \/>\n<meta property=\"og:description\" content=\"FANTASIA\u2019S 25TH EDITION ANNOUNCES FIRST WAVE OF PROGRAMMING FOR UPCOMING VIRTUAL FILM FESTIVAL Richard Bates Jr.\u2019s KING KNIGHT, Tsutomu Hanabusa\u2019s KAKEGURUI 2: ULTIMATE RUSSIAN ROULETTE, Mark O&#8217;Brien\u2019s THE RIGHTEOUS, Daigo Matsui\u2019s REMAIN IN TWILIGHT, Edoardo Vitaletti\u2019s THE LAST THING MARY SAW, and Shunji Iwai\u2019s THE 12 DAY TALE OF THE MONSTER THAT DIED IN 8...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cinemadailyus.com\/?p=2212\" \/>\n<meta property=\"og:site_name\" content=\"Cinema Daily US\" \/>\n<meta property=\"article:published_time\" content=\"2021-05-22T19:43:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/05\/Fantasia-Film-Festival.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1984\" \/>\n\t<meta property=\"og:image:height\" content=\"1494\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta 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Fantasia International Film Festival Announces First Wave of Titles for 25th Edtion\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/cinemadailyus.com\/#website\",\"url\":\"https:\/\/cinemadailyus.com\/\",\"name\":\"Cinema Daily US\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/cinemadailyus.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/cinemadailyus.com\/#\/schema\/person\/a39aff30168e5736b19e3486a7747bd3\",\"name\":\"Nobuhiro Hosoki\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/cinemadailyus.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/02\/Nobuhiro-Hosoki-150x150.jpg\",\"contentUrl\":\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/02\/Nobuhiro-Hosoki-150x150.jpg\",\"caption\":\"Nobuhiro 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He became a film reporter for via Yahoo Japan News. In that role, he writes news articles, picks out headliners for Yahoo News, as well as interviewing Hollywood film directors, actors, and producers working in the domestic circuit in the USA. He also does production interviews for Japanese distributors of American films and for in-theater on-sale programs. 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