{"id":29162,"date":"2025-03-24T22:50:26","date_gmt":"2025-03-25T02:50:26","guid":{"rendered":"https:\/\/cinemadailyus.com\/?p=29162"},"modified":"2025-03-24T22:54:17","modified_gmt":"2025-03-25T02:54:17","slug":"long-bright-river-review-amanda-seyfried-shines-in-the-solid-peacock-series","status":"publish","type":"post","link":"https:\/\/cinemadailyus.com\/?p=29162","title":{"rendered":"&#8216;Long Bright River&#8217; Review: Amanda Seyfried Shines in the Solid Peacock Series"},"content":{"rendered":"<p><span style=\"font-weight: 500;\">@Courtesy of Peacock<\/span><\/p>\n<p><span style=\"font-weight: 500;\">The new Peacock <\/span><span style=\"font-weight: 500;\">original series based on the best-seller written by <\/span><a href=\"https:\/\/www.imdb.com\/name\/nm5221169\/?ref_=ttfc_wr_5\">Liz Moore<\/a><span style=\"font-weight: 500;\"> is set in the suburbs of Philadelphia, where the opioid crisis is pushing too many women on the street. In one of the poorest neighborhoods of the city the police officer Mickey Fitzpatrick (<\/span><a href=\"https:\/\/cinemadailyus.com\/?s=Amanda+Seyfried\"><b>Amanda Seyfried<\/b><\/a><span style=\"font-weight: 500;\">) is trying to overcome her personal issues and at the same time find the truth about some mysterious deaths that she doesn\u2019t believe are caused by overdose. When her estranged and drug addicted sister Kacey (Ashleigh Cummings) disappears again, Mickey is forced to face her traumas from the past in order to rescue her.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 500;\">The pilot of <\/span><a href=\"https:\/\/www.imdb.com\/title\/tt8332798\/reference\/\"><b>Long Bright River<\/b><\/a><span style=\"font-weight: 500;\"> is one of the best television episodes I have seen in months. First of all the setting is precise and realistic in showing the degradation and the misery in which the victims of opioid addiction end up living. Even if the street scenes were shot in Brooklyn on the Broadway splitting Bushwick from Bedford Stuyvesant &#8211; I lived there for about ten years, it was way too easy for me to recognize the neighborhood &#8211; nonetheless the fictional environment is able to recreate that sense of desperation necessary for the atmosphere to work. The episode doesn\u2019t try to make the reality of that dramatic situation more suitable for the audience, actually quite the other way around: watching <\/span><b>Long Bright River <\/b><span style=\"font-weight: 500;\">you can fully experience such a social, economic and most importantly human struggle.\u00a0<\/span><\/p>\n<ins class=\"adsbygoogle\" style=\"display:block\" data-ad-client=\"ca-pub-1774669342741533\" data-ad-slot=\"1211148813\" data-ad-format=\"auto\" data-full-width-responsive=\"true\"><\/ins>\n<p><span style=\"font-weight: 500;\">It is always a pleasure to watch an actor being capable of completely understanding a character, and that\u2019s what happens with <\/span>Amanda Seyfried<span style=\"font-weight: 500;\">. The ability to portray Mickey\u2019s inner life just using a very controlled body language, knowing that the woman needs to hold her feelings in order to contain all the psychological and physical burden she\u2019s carrying on, is something that makes her performance absolutely remarkable. In the first episodes of <\/span><b>Long Bright River<\/b><span style=\"font-weight: 500;\"> the protagonist is by far the reason this series is highly effective, because as a viewer you can experience all Mickey is going through, and you want to know more about the pain she suffered in the past.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-29182 aligncenter\" src=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/03\/Long-Bright-River4.png\" alt=\"Long Bright River \" width=\"640\" height=\"479\" srcset=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/03\/Long-Bright-River4.png 640w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/03\/Long-Bright-River4-300x225.png 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<p><span style=\"font-weight: 500;\">@Courtesy of Peacock<\/span><\/p>\n<p><span style=\"font-weight: 500;\">The first episode doesn\u2019t reveal too much, on the contrary leaves the audience with the necessity of knowing more, understanding more about her. This is why, starting with the second episode, the huge amount of flashbacks beginning to tell us about her backstory is in the end quite unnecessary, if not counterproductive. They actually explain too much about a character that was so powerful because one could actually be empathic with her and keep guessing about her past. The choice to reveal little by little all that Mickey went through slows down the rhythm of the storytelling and, even worse, deprives Seyfried of the chance to work at her best to that slight sense of uncertainty about her role. <\/span><\/p>\n<p><span style=\"font-weight: 500;\">This doesn\u2019t affect in the end the strength of her performance &#8211; deeply moving especially when she doesn\u2019t talk too much or uses normal chatting in order to conceal what\u2019s going on with her &#8211; but definitely makes <\/span><b>Long Bright River<\/b><span style=\"font-weight: 500;\"> less effective than it could have been. But when the psychological drama becomes more rhetoric, the detection plot starts actually building up, making the series still quite intriguing. The whole result about this <\/span>Peacock<span style=\"font-weight: 500;\"> original show is definitely worth watching, and it made me want to read the novel it&#8217;s based on in order to discover the similarities and the differences in this television adaptation.<\/span><\/p>\n<p>Amanda Seyfried <span style=\"font-weight: 500;\">is an actor that in the last few years has shown remarkable acting skills when playing complex and layered characters. I am thinking about <\/span><b>Mank<\/b><span style=\"font-weight: 500;\"> by <\/span><a href=\"https:\/\/cinemadailyus.com\/?s=David+Fincher\">David Fincher<\/a> <span style=\"font-weight: 500;\">(for which she gained an Academy Award nomination as best supporting actress) but also <\/span><b>First Reformed<\/b><span style=\"font-weight: 500;\"> by <\/span>Paul Schrader<span style=\"font-weight: 500;\"> and the <\/span>Hulu<span style=\"font-weight: 500;\"> original series <\/span><b>The Dropout<\/b><span style=\"font-weight: 500;\">. Mickey Fitzpatrick in <\/span><b>Long Bright River <\/b><span style=\"font-weight: 500;\">can be acknowledged as his best piece of work, which talks clearly about the process of improvement she is going through. Congratulations.\u00a0<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-29183 aligncenter\" src=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/03\/Long-Bright-River1.png\" alt=\"Long Bright River\" width=\"640\" height=\"366\" srcset=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/03\/Long-Bright-River1.png 640w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/03\/Long-Bright-River1-300x172.png 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<p><span style=\"font-weight: 500;\">@Courtesy of Peacock<\/span><\/p>\n<p><strong>Rate: B-<\/strong><\/p>\n<p data-reader-unique-id=\"51\"><b data-reader-unique-id=\"52\">If you liked the review, share your thoughts below.<\/b><b data-reader-unique-id=\"53\"><\/b><\/p>\n<p data-reader-unique-id=\"54\"><span data-reader-unique-id=\"55\"><a href=\"https:\/\/cinemadailyus.com\/author\/adrianoercolani73gmail-com\/\" data-reader-unique-id=\"56\">Check out more of Adriano\u2019s articles.\u00a0<\/a><\/span><\/p>\n<p data-reader-unique-id=\"54\"><strong>Here&#8217;s the trailer for Long Bright River:<\/strong><\/p>\n<div class=\"youtube-embed\" data-video_id=\"3mu-lFJKBws\"><iframe loading=\"lazy\" title=\"Long Bright River | Official Trailer | Peacock Original\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/3mu-lFJKBws?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<ins class=\"adsbygoogle\" style=\"display:block\" data-ad-client=\"ca-pub-1774669342741533\" data-ad-slot=\"1211148813\" data-ad-format=\"auto\" data-full-width-responsive=\"true\"><\/ins>\n","protected":false},"excerpt":{"rendered":"<p>@Courtesy of Peacock The new Peacock original series based on the best-seller written by Liz Moore is set in the suburbs of Philadelphia, where the opioid crisis is pushing too many women on the street. In one of the poorest neighborhoods of the city the police officer Mickey Fitzpatrick (Amanda Seyfried) is trying to overcome&#8230;<\/p>\n","protected":false},"author":3044,"featured_media":29185,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20471,703],"tags":[881,14628,26532,26530,7218,26533,26531,26518,26517,26529,20900,397,26534],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&#039;Long Bright River&#039; Review: Amanda Seyfried Shines in the Solid Peacock Series<\/title>\n<meta name=\"description\" content=\"Long Bright River : A Philadelphia police officer searches for her sister, an addict who has gone missing.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinemadailyus.com\/?p=29162\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&#039;Long Bright River&#039; 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Critics Choice Association member. Graduated in History of Cinema in Rome, he works as a freelance correspondent for some of the most important Italian outlets like Hollywood Reporter Italy, Comingsoon.it, Cinefilos.it and Ciak Magazine. He started working as a film critic almost thirty years ago: in his career he attended the most important Film Festivals (Cannes, Venice, Berlin, Toronto, New York Film Festival, Tribeca) and conventions (San Diego Comic-Con, New York Comic-Con, Disney D23). All over the years he has interviewed some of the most important contemporary authors like Michael Mann, Martin Scorsese, Clint Eastwood, Peter Jackson, Alexander Payne, Joel and Ethan Coen, Kathryn Bigelow, Christopher Nolan, Greta Gerwig, Jane Campion). In 2009 he interviewed Christiane Kubrick and Ian Harlan inside Stanley Kubrick\u2019s private office. Other than movies he is fond of American literature and basketball. Los Angeles Lakers fanatic. 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Critics Choice Association member. Graduated in History of Cinema in Rome, he works as a freelance correspondent for some of the most important Italian outlets like Hollywood Reporter Italy, Comingsoon.it, Cinefilos.it and Ciak Magazine. He started working as a film critic almost thirty years ago: in his career he attended the most important Film Festivals (Cannes, Venice, Berlin, Toronto, New York Film Festival, Tribeca) and conventions (San Diego Comic-Con, New York Comic-Con, Disney D23). All over the years he has interviewed some of the most important contemporary authors like Michael Mann, Martin Scorsese, Clint Eastwood, Peter Jackson, Alexander Payne, Joel and Ethan Coen, Kathryn Bigelow, Christopher Nolan, Greta Gerwig, Jane Campion). In 2009 he interviewed Christiane Kubrick and Ian Harlan inside Stanley Kubrick\u2019s private office. Other than movies he is fond of American literature and basketball. Los Angeles Lakers fanatic. He lives in New York with his wife and his bossy 3-year -old daughter.","url":"https:\/\/cinemadailyus.com\/?author=3044"}]}},"_links":{"self":[{"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/posts\/29162"}],"collection":[{"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/users\/3044"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=29162"}],"version-history":[{"count":0,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/posts\/29162\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/media\/29185"}],"wp:attachment":[{"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=29162"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=29162"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=29162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}