{"id":29855,"date":"2025-05-15T23:12:04","date_gmt":"2025-05-16T03:12:04","guid":{"rendered":"https:\/\/cinemadailyus.com\/?p=29855"},"modified":"2025-05-15T23:30:34","modified_gmt":"2025-05-16T03:30:34","slug":"the-road-to-sydney-will-be-participating-at-the-marche-du-film-at-the-cannes-film-festival-2025","status":"publish","type":"post","link":"https:\/\/cinemadailyus.com\/?p=29855","title":{"rendered":"The Road to Sydney Will be Participating at the Marche\u2019 du Film at the Cannes Film Festival 2025"},"content":{"rendered":"<p>\u00a9Courtesy of OneUp Film Studios<\/p>\n<p class=\"p1\">OneUp Film Studios announcing our feature documentary&#8217;s participation at the upcoming Marche&#8217; du Film at the Cannes Film Festival this week, our writer and a founder of International Film Festival Manhattan, Luis Pedron credited as an associate producer of this film.<\/p>\n<p class=\"p1\"><strong>In summary:<\/strong><\/p>\n<ul class=\"ul1\">\n<li class=\"li1\">Sydney Loyola, a trans woman and acclaimed Philippine dance master and choreographer, shares a deeply personal journey in the documentary film,\u00a0<i>The Road to Sydney<\/i>.<\/li>\n<li class=\"li1\">Helmed by Benito Bautista (<i>HARANA: The Search for the Lost Art of Serenade<\/i>)\u00a0<i>The Road to Sydney<\/i>\u00a0is scheduled to screen at this year\u2019s Marche\u2019 du Film at the Cannes Film Festival on\u00a0May 17, 9:00 AM at Palais D, and on May 21 at 9:30 AM at Palais C.<\/li>\n<li class=\"li1\">OneUp Film Studios, the producers of the film, seeks to\u00a0connect with film programmers, sales representatives, and distributors attending the film market to explore potential collaborations and partnerships.<\/li>\n<li class=\"li1\"><i>The Road to Sydney<\/i>\u00a0began production in 2017 and was completed in March 2025. Initially intended to document Sydney\u2019s gender affirmation journey, the film evolved over eight years as unexpected events unfolded. During the course of filming, Sydney was dismissed and evicted by the same company that had originally employed her\u2014bringing new depth and urgency to the story.<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-29856 aligncenter\" src=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/05\/The-Road-to-Sydney2.png\" alt=\"The Road to Sydney\" width=\"640\" height=\"323\" srcset=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/05\/The-Road-to-Sydney2.png 640w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/05\/The-Road-to-Sydney2-300x151.png 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<p>\u00a9Courtesy of OneUp Film Studios<\/p>\n<p class=\"p4\"><b>FOR IMMEDIATE RELEASE:\u00a0<\/b><b><\/b><\/p>\n<p class=\"p5\"><b>OneUp Film Studios\u2019\u00a0<\/b><i>The Road to Sydney<\/i><b>\u00a0by Benito Bautista will be participating at the Marche\u2019 du Film at the Cannes Film Festival 2025<\/b><b><\/b><\/p>\n<p class=\"p1\">Sydney Loyola, a trans woman and acclaimed Philippine dance master and choreographer, shares a deeply personal journey in the documentary film,\u00a0<i>The Road to Sydney<\/i>. Helmed by Benito Bautista (<i>HARANA: The Search for the Lost Art of Serenade<\/i>)\u00a0<i>The Road to Sydney<\/i>\u00a0is scheduled to screen at this year\u2019s Marche\u2019 du Film at the Cannes Film Festival on\u00a0<b>May 17, 9:00 AM at Palais D, and on May 21 at 9:30 AM at Palais C<\/b>. The screening is exclusive to the film market\u2019s industry badge holders. OneUp Film Studios, the producers of the film, seeks to\u00a0connect with film programmers, sales representatives, and distributors attending the film market to explore potential collaborations and partnerships.<\/p>\n<p class=\"p1\">Born and raised in Puerto Princesa, Palawan, Philippines, Sydney Loyola found solace in dance while enduring bullying during her childhood. Her passion led her to perform with the world-renowned Bayanihan Dance Company and later established herself as a premier choreographer of Philippine folk dance in the San Francisco Bay Area. Now facing the challenges of job loss and the threat of eviction following her gender affirmation and transition, Sydney begins a transformative path toward healing.\u00a0<i>The Road to Sydney<\/i>\u00a0follows Sydney\u2019s journey as she embraces life as a woman\u2014reconnecting with her cultural roots, reclaiming her artistry, and seeking reconciliation with her estranged father.<\/p>\n<ins class=\"adsbygoogle\" style=\"display:block\" data-ad-client=\"ca-pub-1774669342741533\" data-ad-slot=\"1211148813\" data-ad-format=\"auto\" data-full-width-responsive=\"true\"><\/ins>\n<p class=\"p1\">\u201cThis film is a tribute to Sydney\u2019s resilience and a call for greater empathy toward the transgender community,\u201d says director Bautista. \u201cI want this film to highlight the struggles faced by the transgender community and tell a powerful human story that fosters empathy and respect. My hope is that it inspires audiences to become allies and helps reduce the tragic challenges faced by the transgender youth.\u201d<\/p>\n<p class=\"p1\">From a young age, Sydney endured emotional and physical abuse\u2014not just from the local kids and townsfolk, but also from her father. To shield herself, she concealed her deep desire to embrace her true identity. Encouraged by her mother, she discovered dance, which became her refuge from the discrimination and pain she experienced. With dedication, she honed her skills as a choreographer and ultimately moved to America, seeking a more compassionate and accepting society.<\/p>\n<p class=\"p1\"><i>The Road to Sydney<\/i>\u00a0began production in 2017 and was completed in March 2025. Initially intended to document Sydney\u2019s gender affirmation journey, the film evolved over eight years as unexpected events unfolded. During the course of filming, Sydney was dismissed and evicted by the same company that had originally employed her\u2014bringing new depth and urgency to the story.<\/p>\n<p class=\"p1\">The film weaves together the stories of Sydney\u2019s friends, each grappling with discrimination, labeling, transition, struggle, physical abuse, and eventual triumph. It\u2019s a compelling testament to resilience in the face of discrimination, offering a nuanced exploration of dance as a form of self-expression that rises above gender and societal bias.<\/p>\n<p class=\"p1\">\u201cAt OneUp Film Studios, we are committed to amplifying LGBTQ+ voices through powerful storytelling.\u00a0<i>The Road to Sydney<\/i>\u00a0shines a light on the lived experience of a trans woman of color, and we\u2019re proud to support a film that challenges prejudice, fosters understanding, and celebrates authenticity. Sydney\u2019s journey is not just inspiring\u2014it\u2019s necessary,\u201d says Sonia Delen, an executive producer of the film.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-29857 aligncenter\" src=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/05\/Tne-Road-to-Sydney1.png\" alt=\"The Road to Sydney \" width=\"640\" height=\"294\" srcset=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/05\/Tne-Road-to-Sydney1.png 640w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/05\/Tne-Road-to-Sydney1-300x138.png 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<p>\u00a9Courtesy of OneUp Film Studios<\/p>\n<p class=\"p1\"><b>Meet the Team:<\/b><b><\/b><\/p>\n<p class=\"p1\"><b>Benito Bautista &#8211; Writer\/Director\/Producer<\/b><b><\/b><\/p>\n<p class=\"p1\">Benito Bautista is a Filipino American filmmaker who tells stories close to his heart\u2014often rooted in social justice and told from the perspectives of underrepresented communities. His critically acclaimed films include\u00a0<i>Harana: The Search for the Lost Art of Serenade<\/i>\u00a0(recipient of the Gawad Urian Best Documentary Award, the Asian Network of Documentary Award at the Busan International Film Festival, and multiple Audience Awards recipient including from the CAAMFest and from the Hawaii International Film Festival);\u00a0<i>The Gift of Barong: a Journey from Within<\/i>\u00a0(distributed by Stanford University\u2019s program for international and cross-cultural education); and\u00a0<i>BOUNDARY<\/i>\u00a0(NETPAC Award winner at the Cinemalaya Independent Film Festival). Benito also worked on two feature documentaries\u2014serving as producer on\u00a0<i>A Long March<\/i>\u00a0by T.S. Botkin and as co-producer on\u00a0<i>A is for Agustin<\/i>\u00a0by Grace Simbulan.<\/p>\n<p class=\"p1\">Benito co-founded the non-profit organization San Diego Filipino Cinema, presenter of the San Diego Filipino Film Festival. SDFFF is home of the largest curation of global Filipino cinema in Northern America.IMDb:<a href=\"https:\/\/www.imdb.com\/name\/nm3480671\/\">\u00a0https:\/\/www.imdb.com\/name\/nm3480671\/<\/a><\/p>\n<p class=\"p1\"><b>Emma Francisco &#8211; Producer<\/b><b><\/b><\/p>\n<p class=\"p1\">Emma Francisco believes in cinema\u2019s power to inspire positive change in communities. Her first feature film BOUNDARY by Benito Bautista, received the NETPAC Best Film Award at the 2011 Cinemalaya Independent Film Festival and received the National Commission for Culture &amp; the Arts award. Emma served on two feature documentaries as a Co-Producer on\u00a0<i>A is for Agustin<\/i>\u00a0by Grace Simbulan and as an Associate Producer for A Long March by T.S. Botkin. In 2024, the short film \u201cAmazing Grace\u201d she produced with director Aiden Keltner received the NATAS PSW Emmy Awards for Best Arts\/Entertainment Program, Best Director, and Best Performer.<\/p>\n<p class=\"p4\">Emma is the Managing Partner at Wanderlustproject Films. She co-founded the non-profit organization San Diego Filipino Cinema and serves as its Programming Director. San Diego Filipino Film Festival, presented by SDFC is home to the largest curation and exhibition of independent Filipino films in North America. IMDb<a href=\"https:\/\/www.imdb.com\/name\/nm4550324\/\">\u00a0<span class=\"s2\">https:\/\/www.imdb.com\/name\/nm4550324\/<\/span><\/a><\/p>\n<p class=\"p1\"><span class=\"s2\"><a href=\"http:\/\/www.oneupfilmstudios.com\/\">OneUp Film Studios Producers\/Executive Producers<\/a><\/span>:<\/p>\n<p class=\"p1\"><b>Sonia Delen, Wendy Pascual, Conrad (Radi) Calalang<\/b><b><\/b><\/p>\n<p class=\"p4\"><span class=\"s2\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Dadap\">Music Composer<\/a><\/span>\u00a0&#8211;\u00a0<b>Michael Dadap<\/b><b><\/b><\/p>\n<p class=\"p4\">Editor &#8211;\u00a0<b>Cheryl Centeno<\/b><b><\/b><\/p>\n<p class=\"p4\">Director of Photography &#8211;\u00a0<b>Vuong Tran<\/b><b><\/b><\/p>\n<p class=\"p4\">Sound Design &#8211;\u00a0<b>John Michael Perez &amp; Mikko Quizon<\/b><b><\/b><\/p>\n<p>Associate Producer &#8211; <strong>Luis Pedron\u00a0<\/strong><\/p>\n<p class=\"p4\"><b>Contact Us:<\/b><b><\/b><\/p>\n<ul class=\"ul1\">\n<li class=\"li1\">Emma Francisco, Producer:\u00a0<a href=\"mailto:emma.wpfilms@gmail.com\"><span class=\"s2\">emma.wpfilms@gmail.com<\/span><\/a>\u00a0\/ +1(619) 653-0475 \/\u00a0<a href=\"http:\/\/wanderlustprojectfilms.com\/\"><span class=\"s2\">wanderlustprojectfilms.com<\/span><\/a><\/li>\n<li class=\"li1\">OneUp Film Studios:\u00a0<a href=\"mailto:trts@oneupfilmstudios.com\"><span class=\"s2\">trts@oneupfilmstudios.com<\/span><\/a><\/li>\n<li class=\"li1\">Benito Bautista, Writer\/Director\/Producer:\u00a0<a href=\"mailto:wanderlustprojectfilms2001@gmail.com\"><span class=\"s2\">wanderlustprojectfilms2001@gmail.com<\/span><\/a><\/li>\n<\/ul>\n<p class=\"p1\"><b>Emma Francisco<\/b><b><\/b><\/p>\n<p class=\"p1\"><i>Producer &amp; Managing Partner<\/i><i><\/i><\/p>\n<p class=\"p1\"><span class=\"s2\"><a href=\"http:\/\/wanderlustprojectfilms.com\/\"><b>wanderlustprojectfilms.com<\/b><b><\/b><\/a><\/span><\/p>\n<p class=\"p1\"><span class=\"s2\"><a href=\"http:\/\/sdfilipinocinema.org\/\"><b>sdfilipinocinema.org<\/b><\/a><\/span><b>\u00a0<\/b>|<b>\u00a0<\/b><a href=\"http:\/\/sdfff.org\/\"><span class=\"s2\"><b>sdfff.org<\/b><b><\/b><\/span><\/a><\/p>\n<ins class=\"adsbygoogle\" style=\"display:block\" data-ad-client=\"ca-pub-1774669342741533\" data-ad-slot=\"1211148813\" data-ad-format=\"auto\" data-full-width-responsive=\"true\"><\/ins>\n","protected":false},"excerpt":{"rendered":"<p>\u00a9Courtesy of OneUp Film Studios OneUp Film Studios announcing our feature documentary&#8217;s participation at the upcoming Marche&#8217; du Film at the Cannes Film Festival this week, our writer and a founder of International Film Festival Manhattan, Luis Pedron credited as an associate producer of this film. In summary: Sydney Loyola, a trans woman and acclaimed&#8230;<\/p>\n","protected":false},"author":2,"featured_media":29858,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_acf_changed":false,"footnotes":""},"categories":[32,20471],"tags":[27056,27055,27057,27058,27060,27053,27059,27054],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Road to Sydney will be participating at the Marche\u2019 du Film at the Cannes Film Festival 2025<\/title>\n<meta name=\"description\" content=\"OneUp Film Studios announcing our feature documentary&#039;s participation at the upcoming Marche&#039; du Film at the Cannes Film Festival this week.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinemadailyus.com\/?p=29855\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Road to Sydney will be participating at the Marche\u2019 du Film at the Cannes Film Festival 2025\" \/>\n<meta property=\"og:description\" content=\"OneUp Film Studios announcing our feature documentary&#039;s participation at the upcoming Marche&#039; 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He became a film reporter for via Yahoo Japan News. In that role, he writes news articles, picks out headliners for Yahoo News, as well as interviewing Hollywood film directors, actors, and producers working in the domestic circuit in the USA. He also does production interviews for Japanese distributors of American films and for in-theater on-sale programs. 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