{"id":30132,"date":"2025-06-06T20:44:27","date_gmt":"2025-06-07T00:44:27","guid":{"rendered":"https:\/\/cinemadailyus.com\/?p=30132"},"modified":"2025-06-07T00:43:00","modified_gmt":"2025-06-07T04:43:00","slug":"ballerina-the-john-wick-franchise-shows-what-it-means-to-fight-like-a-girl","status":"publish","type":"post","link":"https:\/\/cinemadailyus.com\/?p=30132","title":{"rendered":"\u2018Ballerina&#8217; :  The John Wick Franchise Shows What It Means To \u201cFight Like A Girl\u201d"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\">The fifth film in the <i>John Wick<\/i> franchise newly unites Ana de Armas with Keanu Reeves, since the two had worked in the 2015 thriller <b><i>Knock Knock<\/i><\/b> and the 2016 drama <b><i>Exposed<\/i><\/b>. After a decade, we see them together again in <b><i>Ballerina<\/i><\/b>, that serves as a <a href=\"https:\/\/en.wikipedia.org\/wiki\/Spinoff_(media)\">spin-off<\/a> set between the events of<b> <i>John Wick: Chapter 3 \u2013 Parabellum<\/i><\/b> and <b><i>John Wick: Chapter 4<\/i><\/b>. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">The film directed by Len Wiseman and written by Shay Hatten revolves around the figure of Eve Macarro (Ana de Armas), a dancer and assassin who grew up in Ruska Roma. As a child, she witnessed the murder of her father and was eventually saved by Winston (Ian McShane), who entrusted her to the organisation that would train orphans to become killers, under the guidance of the Director (Anjelica Huston). As an adult Eve becomes the best of assassins, imperturbable and focused. Yet, things change when she sees on the wrist of a man she killed on commission, the identical scar of the murderer of her father. This discovery initiates her manhunt to track down those who killed her father. She will find the cult who was responsible, and more revelations will emerge. During this plight John Wick will enter the scene, determining the final twist of events.<\/span><\/p>\n<ins class=\"adsbygoogle\" style=\"display:block\" data-ad-client=\"ca-pub-1774669342741533\" data-ad-slot=\"1211148813\" data-ad-format=\"auto\" data-full-width-responsive=\"true\"><\/ins>\n<p class=\"p1\"><span class=\"s1\">The film flaunts a talented cast, that besides the aforementioned actors, includes Gabriel Byrne, Catalina Sandino Moreno, Norman Reedus and Lance Reddick in his final screen appearance. The cinematography by Romain Lacourbas glorifies the elegance of ballet, as much as the dauntlessness of the kick-ass fight sequences. This alternation of situations, allows the ethereal to coalesce with darkness in a spectacular way, through some effective directorial choices made by Len Wiseman. Close-ups, wide shots, the dynamic camera angles keep spectators constantly on the edge of their seats. The pirouettes of the camera dance to the rhythm of Klaus Badelt\u2019s haunting music score, that stirs emotional resonance. Ultimately, Jason Ballantine\u2019s editing is determining in giving rhythm and balance to the entire storytelling, ensuring a polished and immersive viewing experience.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-30139 aligncenter\" src=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/06\/Ballerina4.png\" alt=\"Ballerina \" width=\"640\" height=\"271\" srcset=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/06\/Ballerina4.png 640w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/06\/Ballerina4-300x127.png 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<p class=\"p1\"><span class=\"s1\"><b><i>Ballerina<\/i><\/b> channels in the John Wick realm \u2014<span class=\"Apple-converted-space\">\u00a0 <\/span>traditionally dominated by male figures and rigidly codified rituals \u2014 a female perspective that is multifaceted. The fair sex can be vengeful, empathetic, surprising and full of resources. To \u201cfight like a girl\u201d finally gets a whole new meaning, characterised by fearless inventiveness.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Although the genre remains a blockbuster guilty pleasure, the creative team has<span class=\"Apple-converted-space\">\u00a0 <\/span>succeeded in crafting a picture that is more than mere entertainment. The story highlights the protagonist\u2019s struggle to fulfill her mission while navigating her vulnerabilities and friendships. It could almost be seen as a coming-of-age neo-noir action thriller, that ventures in the field of philosophy.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">In fact, the film develops a phenomenological discourse on the body. If existentialist philosopher Maurice Merleau-Ponty said \u201cI don&#8217;t merely have a body, I am my body,\u201d <b><i>Ballerina<\/i><\/b> fully demonstrates this concept through the way the film\u2019s characters behave and think. This is epitomised by Eve, since ballet is not just a training tool, it becomes a language and a way of being the world, to carry out her assignments as an assassin. But it also becomes the tangible memoir that never leaves her. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Every injury that has been inflicted on her body, has shaped her consciousness. Memory and resilience are archived in every cell of her physique and psyche. Thus, choreographies leave the stage to be used to dance around Eve\u2019s opponents as she expresses her pain and desire for justice.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-30140 aligncenter\" src=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/06\/Ballerina3.png\" alt=\"Ballerina \" width=\"640\" height=\"390\" srcset=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/06\/Ballerina3.png 640w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/06\/Ballerina3-300x183.png 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<p class=\"p5\"><span class=\"s1\">Final Grade: B<\/span><\/p>\n<p><strong>If you like the review, share your thoughts below!<\/strong><\/p>\n<p class=\"p1\"><span class=\"s2\"><a href=\"https:\/\/cinemadailyus.com\/author\/chiara-spagnoli-gabardi\/\">Check out more of Chiara\u2019s articles<\/a><\/span><span class=\"s1\">.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><i>Photo Credits: Lionsgate\u00a0<\/i><\/span><\/p>\n<p><strong>Here&#8217;s the trailer of the film.\u00a0<\/strong><\/p>\n<div class=\"youtube-embed\" data-video_id=\"0FSwsrFpkbw\"><iframe loading=\"lazy\" title=\"From the World of John Wick: Ballerina (2025) Official Trailer - Ana de Armas\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/0FSwsrFpkbw?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The fifth film in the John Wick franchise newly unites Ana de Armas with Keanu Reeves, since the two had worked in the 2015 thriller Knock Knock and the 2016 drama Exposed. After a decade, we see them together again in Ballerina, that serves as a spin-off set between the events of John Wick: Chapter&#8230;<\/p>\n","protected":false},"author":6,"featured_media":30133,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20471,19],"tags":[3703,3543,24371,1547,19518,27224,12616,11182,27228,1543,1544,27225,651,27227,350,10538,27229,27226,10537,817],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u2018Ballerina&#039; : The John Wick Franchise Shows What It Means To \u201cFight Like A Girl\u201d | Cinema Daily US<\/title>\n<meta name=\"description\" content=\"The film channels in the John Wick realm \u2014 traditionally dominated by male figures and rigidly codified rituals \u2014 a female perspective.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinemadailyus.com\/?p=30132\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Ballerina&#039; 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With a degree in Political Sciences, a Master\u2019s in Screenwriting &amp; Film Production, and studies at the Lee Strasberg Theatre &amp; Film Institute, Chiara has been working in the press since 2003. Italian by blood, British by upbringing, fond of Japanese culture since the age of 7, once a New Yorker always a New Yorker, and an avid traveller, Chiara collaborates with international magazines and radio-television networks. She is also a visual artist, whose eco-works connect to her use of language: the title of each painting is inspired by the materials she upcycles on canvas. Her \u2018Material Puns\u2019 have so far been exhibited in four continents, across ten countries. 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With a degree in Political Sciences, a Master\u2019s in Screenwriting &amp; Film Production, and studies at the Lee Strasberg Theatre &amp; Film Institute, Chiara has been working in the press since 2003. Italian by blood, British by upbringing, fond of Japanese culture since the age of 7, once a New Yorker always a New Yorker, and an avid traveller, Chiara collaborates with international magazines and radio-television networks. She is also a visual artist, whose eco-works connect to her use of language: the title of each painting is inspired by the materials she upcycles on canvas. Her \u2018Material Puns\u2019 have so far been exhibited in four continents, across ten countries. She is a dedicated ARTivist, donating her works to the causes and humanitarians she supports, and is Professor of Phenomenology of Contemporary Arts at Istituto Europeo di Design in Milan.","sameAs":["https:\/\/www.cinemadailyus.com"],"url":"https:\/\/cinemadailyus.com\/?author=6"}]}},"_links":{"self":[{"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/posts\/30132"}],"collection":[{"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=30132"}],"version-history":[{"count":0,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/posts\/30132\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/media\/30133"}],"wp:attachment":[{"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=30132"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=30132"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=30132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}