{"id":30385,"date":"2025-06-27T22:57:21","date_gmt":"2025-06-28T02:57:21","guid":{"rendered":"https:\/\/cinemadailyus.com\/?p=30385"},"modified":"2025-06-30T13:07:08","modified_gmt":"2025-06-30T17:07:08","slug":"momo-akashis-letter-reveals-the-existential-crisis-of-a-japanese-porn-addict","status":"publish","type":"post","link":"https:\/\/cinemadailyus.com\/?p=30385","title":{"rendered":"Momo Akashi&#8217;s &#8216;Letter&#8217; Reveals the Existential Crisis of a Japanese Porn Addict"},"content":{"rendered":"\r\n<p class=\"p1\" style=\"text-align: left;\">\u00a9Courtesy of Momo Akashi\u00a0<\/p>\r\n<p style=\"text-align: left;\">Japanese-born playwright and lyricist <a href=\"https:\/\/www.momoakashi.com\/\">Momo Akash<\/a>i has recently been establishing a reputation on the New York theater scene for pieces that portray characters in the throes of existential crisis. \u00a0A devotee of the films of Hayao Miyazaki, she has said that themes like reverence for nature, the omnipresence of the supernatural, and the search for beauty.<\/p>\r\n<p style=\"text-align: left;\">Her latest offering, <a href=\"https:\/\/cinemadailyus.com\/pick-up\/duaf-downtown-urban-arts-festival-nyc-letter-playwright-momo-akashi-director-saki-kawamura-performer-viet-vo\/\"><em><strong>Letter<\/strong><\/em><\/a>, premiered on June 25 on Theatre Row as a finalist in the 23<sup>rd<\/sup> Downtown Urban Arts Festival. Letter comes just two months after the global premiere of <a href=\"https:\/\/cinemadailyus.com\/reviews\/momo-akashis-voice-a-thoughtful-parable-in-the-theatre-of-engagement-tradition\/\"><em><strong>VOICE<\/strong><\/em><\/a>, a longer piece that premiered as part of the Time Capsule project at New York\u2019s Chain Theatre. Although both pieces offer incisive portraits of people dealing with crises in their lives. <strong><em>VOICE<\/em> <\/strong>was also a more elaborate production, featuring three characters as opposed to the single character in <em><strong>Letter<\/strong><\/em>.<\/p>\r\n<p style=\"text-align: left;\">The two productions also differ markedly in tone. \u00a0<em><strong>Letter<\/strong> <\/em>is more lighthearted, even comedic, while <em>VOICE<\/em> is far more angst-ridden. Set in a hospital, the latter play focuses on a young man battling cancer and a young woman awaiting surgery after her throat was slashed in a brutal attack by the very doctor who is treating them. The solo character in Letter, by contrast, tells his story from a markedly different perspective Even though he has also suffered emotional trauma<\/p>\r\n<p style=\"text-align: left;\">. Directed by Saki Kawamura and starring Viet Vo, <em><strong>Letter<\/strong> <\/em>focuses on the struggles of a thirtysomething Japanese schoolteacher\u00a0 seeking to escape his troubled past that includes sexual assault while he was involved in Tokyo\u2019s pornographic underword. \u00a0Like Akashi\u2019s \u00a0earlier piece, <em><strong>VOICE<\/strong><\/em>, this 30-minute vignette deftly probes the raw emotions of a character trying to come to terms with uncomfortable realities as he moves forward in life.<\/p>\r\n<p style=\"text-align: left;\">According to its official synopsis, \u201d <em><strong>Letter<\/strong> <\/em>is a solo play featuring Shin, a former Japanese teacher and porn actor, who writes a letter to his mother while on a plane to Los Angeles. As he pens his thoughts, Shin reflects on his journey\u2014his struggles with meeting his mother\u2019s expectations, the conflict between his sense of duty and his own desires. Through conversations with his mother. &#8230; <em><strong>Letter<\/strong> <\/em>reveals Shin\u2019s gradual acceptance of his true identity and his complex relationship with her.\u201d<\/p>\r\n<p style=\"text-align: left;\">Viet Vo, who portrays Shin in this thoughtful dramatic monologue, describes himself as \u201can actor whose intimidating presence belies an ability to work well outside his physical type.\u201d \u00a0A balding, somewhat chubby figure at variance with the idealized image of porn stats, Vo is just right for the role of Shin, to which he brings a disarming sense of humor. He recalls, for example, confessing to his mother during a family dinner of \u201clukewarm curry\u201d that he\u2019d first kissed another man.<\/p>\r\n<p style=\"text-align: left;\">Shin continues, telling her of his growing addiction to online pornography: \u201cAs I navigated through the layers of mysterious windows,\u201d he writes, \u201ca utopian world unfolded before me. There were two white men with beautiful blue eyes. Making love naked in front of the world. Wow, they must be angels.&#8221;.'&#8221;.\u2019\u201d<\/p>\r\n<p style=\"text-align: left;\"><em><strong>Letter<\/strong> <\/em>also casts a critical eye on some of\u00a0 those all-too-familiar stereotypes that Westerners typically hold about the Japanese\u2014that they are mindless conformists who are too \u201cspiritual\u201d to engage in sexual activity. In writing Letter, Momo Akashi once again displays a keen appreciation for flesh and its discontents.<\/p>\r\n<p style=\"text-align: left;\">As Akashi earlier wrote about <em><strong>VOICE<\/strong><\/em>: \u201cEven living in a vibrant city like New York, it\u2019s not easy to live true to what we want to do. That\u2019s why I wrote a story about characters who are honest about what they want. It doesn\u2019t mean that following hearts is the greatest thing in life, but I hope that the audience will enjoy meeting characters who are very pure, innocent and true to what they want.\u201d<\/p>\r\n<p style=\"text-align: left;\">Rating: A<\/p>\r\n<p style=\"text-align: left;\">Check out other articles by Edward<\/p>\r\n<p style=\"text-align: left;\">.<\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-30462\" src=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/06\/Letter-2.png\" alt=\"Letter \" width=\"1080\" height=\"1080\" srcset=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/06\/Letter-2.png 1080w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/06\/Letter-2-300x300.png 300w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/06\/Letter-2-1024x1024.png 1024w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/06\/Letter-2-150x150.png 150w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/06\/Letter-2-768x768.png 768w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/06\/Letter-2-696x696.png 696w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/06\/Letter-2-1068x1068.png 1068w\" sizes=\"(max-width: 1080px) 100vw, 1080px\" \/><br \/><br \/>Rating: A<\/p>\r\n<p><strong>If you like the review, share your thoughts below!<\/strong><\/p>\r\n<p><a href=\"https:\/\/cinemadailyus.com\/author\/edward-moran\/\">Check out other articles by Edward.<\/a><\/p>\r\n<ins class=\"adsbygoogle\" style=\"display:block\" data-ad-client=\"ca-pub-1774669342741533\" data-ad-slot=\"1211148813\" data-ad-format=\"auto\" data-full-width-responsive=\"true\"><\/ins>\r\n","protected":false},"excerpt":{"rendered":"<p>\u00a9Courtesy of Momo Akashi\u00a0 Japanese-born playwright and lyricist Momo Akashi has recently been establishing a reputation on the New York theater scene for pieces that portray characters in the throes of existential crisis. \u00a0A devotee of the films of Hayao Miyazaki, she has said that themes like reverence for nature, the omnipresence of the supernatural,&#8230;<\/p>\n","protected":false},"author":3,"featured_media":30461,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19],"tags":[27503,2842,27287,16128,27502,15891,27288,22948],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Momo Akashi&#039;s &#039;Letter&#039; 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More recently he contributed film reviews to hosokinema.com and Movie Sleuth. His writings have appeared in publications as diverse as the Times Literary Supplement, Publishers Weekly, the Paris Review, and the Massachusetts Review. Moran also edited a memoir by Oscar-nominated documentary filmmaker Christine Choy. 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