{"id":31930,"date":"2025-10-20T22:46:53","date_gmt":"2025-10-21T02:46:53","guid":{"rendered":"https:\/\/cinemadailyus.com\/?p=31930"},"modified":"2025-11-02T19:12:14","modified_gmt":"2025-11-03T00:12:14","slug":"nyff-late-fame-is-a-poignant-commentary-on-the-fleeting-nature-of-success-in-new-yorks-art-scene","status":"publish","type":"post","link":"https:\/\/cinemadailyus.com\/?p=31930","title":{"rendered":"NYFF: Late Fame is a Poignant Commentary on the Fleeting Nature of Success in New York&#8217;s Art Scene"},"content":{"rendered":"<div class=\"container px-default-x xl:px-10 mx-auto absolute inset-0 flex items-end py-section dark\" data-component=\"container\">\n<div class=\"text-white flex flex-col md:flex-row justify-between gap-y-10 w-full\">\n<div class=\"flex flex-col gap-y-6 md:gap-y-8 md:flex-1 md:max-w-[60%]\">\n<div class=\"flex flex-wrap gap-2\">\n<div class=\"inline-flex items-center gap-[6px] rounded-sm border transition-colors focus:outline-none focus:ring-2 focus:ring-ring focus:ring-offset-2 !font-normal px-1.5 py-0.25 text-xs md:px-2 md:py-1 md:text-sm uppercase text-white border-white\">\n<p data-typography-mobile=\"h2-heading\" data-typography-desktop=\"h1-heading\" data-typography-heading=\"true\">Receiving a resurgence in attention for their long-lost work can create a wistful melancholy for many creatives. That&#8217;s certainly true for poets in a culture like downtown New York City that values independent art. <a href=\"https:\/\/cinemadailyus.com\/interviews\/nosferatu-press-conference-with-cast-director\/\">Willem Dafoe<\/a>&#8216;s protagonist, former poet Ed Saxberger, must do just that amongst a newfound circle of literary aspirants. The up-and-coming writers embrace his decades-forgotten work in the new drama, <strong><em>Late Fame<\/em><\/strong>.<\/p>\n<p data-typography-mobile=\"h2-heading\" data-typography-desktop=\"h1-heading\" data-typography-heading=\"true\">Kent Jones helmed the upcoming movie, after he made his narrative directorial debut on the 2018 drama, <em><strong>Diane<\/strong><\/em>. <em><strong>Late Fame<\/strong><\/em>, which is the filmmaker&#8217;s second feature, adapts author Arthur Schnitzler&#8217;s recently rediscovered novella of the same name.<\/p>\n<p data-typography-mobile=\"h2-heading\" data-typography-desktop=\"h1-heading\" data-typography-heading=\"true\">Oscar-nominated <strong><i>May December<\/i><\/strong> scribe Sam Burch penned the script for <em><strong>Late Fame<\/strong><\/em>. The screenwriter updated the Austrian author&#8217;s take on art in turn-of-the-century Vienna for contemporary downtown New York.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<section class=\"pt-section pb-section light bg-background text-foreground relative\" data-theme=\"white\">\n<div class=\"container px-default-x xl:px-10 mx-auto flex flex-col gap-y-default md:gap-y-default\" data-component=\"container\">\n<div class=\"grid grid-cols-1 md:grid-cols-12 gap-8 mb-8\">\n<div class=\"md:col-span-8 gap-y-8\">\n<div class=\"typography prose dark:prose-invert text-foreground max-w-none prose-md lg:prose-2xl\">\n<p><em><strong>Late Fame<\/strong><\/em> follows <span class=\"sc-10bde568-4 jwxYun\">Ed<\/span>, a once-thriving New York poet who has stepped back from public life. He instead turned to working at a post office for nearly four decades. The public has largely forgotten his literary work.<\/p>\n<p>But Ed begins to believe in himself again when a young fan, <span class=\"sc-10bde568-4 jwxYun\">Meyers<\/span> (Edmund Donovan), shows up on his doorstep. A group of twenty-something aspiring creatives have welcomed the former poet into their new circle, The Enthusiasm Society. His admirers hope to make him the central figure in an emerging literary salon.<\/p>\n<ins class=\"adsbygoogle\" style=\"display:block\" data-ad-client=\"ca-pub-1774669342741533\" data-ad-slot=\"1211148813\" data-ad-format=\"auto\" data-full-width-responsive=\"true\"><\/ins>\n<p>Ed becomes engrossed by the attention, as well as the presence of aspiring tragedienne Gloria (Greta Lee). However, he soon begins to question the authenticity of his newfound circle of admirers, and must again reconsider his life choices and plans.<\/p>\n<\/div>\n<\/div>\n<p data-typography-mobile=\"h2-heading\" data-typography-desktop=\"h1-heading\" data-typography-heading=\"true\">Jones made a marvelously witty second feature with <em><strong>Late Fame<\/strong><\/em>. The filmmaker emphasizes the fact that whatever glory the aging poet once had has long since faded.<\/p>\n<p data-subtree=\"aimfl,mfl\" data-processed=\"true\"><span class=\"T286Pc\" data-sfc-cp=\"\" data-processed=\"true\">Ed is fully aware that he may never again find anyone who will value and support his work during his life. <\/span> So he thoroughly appreciates his new admirers&#8217; support. But he also senses that the group of his new followers don&#8217;t necessarily understand what they&#8217;re trying to re-create.<\/p>\n<\/div>\n<div class=\"grid grid-cols-1 md:grid-cols-12 gap-8\">\n<div class=\"md:col-span-7 md:col-start-6\">\n<div class=\"typography prose dark:prose-invert text-foreground max-w-none prose-sm lg:prose-xl\">\n<p>Dafoe infuses his delicate poise and dignity into the role of Ed. The protagonist realizes that his poems resonated most in an era where the downtown art scene thrived on its scrappier means.<\/p>\n<p>The Oscar-nominated actor truly connects to such complex but equally subdued characters as Ed, due to his own experience in the downtown arts scene. Dafoe effortlessly translates Burch&#8217;s exploration of how notoriety and identity interchangeably influence each other.<\/p>\n<div id=\"adm-inline-article-ad-2\" class=\"admz \">\n<div class=\"adma boomerang \" data-device=\"Desktop\" data-width=\"300\">\n<div class=\"pmc-adm-boomerang-pub-div ad-text\" data-priority=\"10\">\n<div id=\"gpt-dsk-tab-mid-article2-uid1\" class=\" adw-300 adh-250\" data-is-adhesion-ad=\"\" data-google-query-id=\"CMLBj7KJrJADFUmOWgUdcZUWcA\">\n<p class=\"paragraph larva \/\/ a-font-body-m \">Donovan&#8217;s portrayal of Wilson helps fuel Ed&#8217;s hope that his work deserves to have a revival later in his life. Meyers admires Ed&#8217;s obscure work so much that the latter becomes grounded and gracious.<\/p>\n<p>While Meyers is sincere in his amorphous yearning for cultural importance, he&#8217;s also a desperate poser in New York&#8217;s literary scene. Meyers and his fellow members in The Enthusiasm Society claim to reject the technology that can help them advance their career out of moral principle.<\/p>\n<p>However, Wilson and his peers are still easily able to achieve the success that Ed so desperately seeks. The young men were raised by wealthy families. Their financial security is evident in the spacious apartment Meyers&#8217; parents bought for him.<span class=\"uJ19be notranslate\" data-wiz-uids=\"sVU98c_b,sVU98c_c\"><span class=\"vKEkVd\" data-animation-atomic=\"\">\u00a0<\/span><\/span><\/p>\n<\/div>\n<p>One of the old-school values The Enthusiasm Society also still holds dear is male chauvinism. As a result, Gloria, who&#8217;s a bit older than her male counterparts, is at times neglected by Meyers and the group&#8217;s other members. Lee plays the character in a burst of energy and glamour in order to not only be seen and heard, but also valued.<\/p>\n<ins class=\"adsbygoogle\" style=\"display:block\" data-ad-client=\"ca-pub-1774669342741533\" data-ad-slot=\"1211148813\" data-ad-format=\"auto\" data-full-width-responsive=\"true\"><\/ins>\n<p>Ed therefore begins to think of Gloria as a kindred spirit. He senses that her over-the-top public personality masks genuine dedication that her male peers don&#8217;t need. Lee refuses to conceal her character&#8217;s knowledge, as well as the despair that goes along with it. Like Ed, Gloria is chasing a dream while running away from the darker moments of her past.<\/p>\n<div id=\"gpt-dsk-tab-mid-article2-uid1\" class=\" adw-300 adh-250\" data-is-adhesion-ad=\"\" data-google-query-id=\"CMLBj7KJrJADFUmOWgUdcZUWcA\">\n<p class=\"paragraph larva \/\/ a-font-body-m \">The overall drama is attuned to the class differences between Ed and his new young admirers. Its production designer, Tommaso Ortinos, emphasizes Ed&#8217;s relaxed personality and views on life throughout his apartment&#8217;s setup. <span class=\"T286Pc\" data-sfc-cp=\"\" data-processed=\"true\">Dark, warm furniture and bookshelves filled with well-worn paperbacks fueled the atmosphere of the protagonist&#8217;s living space<\/span><\/p>\n<div id=\"browsi_adWrapper_ai_1_ati_1_rc_0\">\n<div id=\"browsi_adv_1\" class=\"browsi_adv_1\">\n<div id=\"adm-inline-article-ad-x-5\" class=\"admz \">\n<div class=\"adma boomerang \" data-device=\"Desktop\" data-width=\"300\">\n<div class=\" adw-300 adh-250\" data-is-adhesion-ad=\"\" data-google-query-id=\"CObovNyJrJADFVkAEgAdBuk0Ng\">\n<div class=\"ob-smartfeed-wrapper feedIdx-0\">\n<div id=\"outbrain_widget_0\" class=\"OUTBRAIN\" data-src=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-reviews\/late-fame-review-willem-dafoe-greta-lee-1236350399\/\" data-widget-id=\"AR_1\" data-ob-mark=\"true\" data-browser=\"firefox\" data-os=\"win32\" data-dynload=\"\" data-idx=\"0\">\n<div class=\"ob-widget ob-feed-layout AR_1\">\n<div class=\"ob-widget-header\">\n<div class=\"ob_what ob_what_resp\">\n<p>The movie&#8217;s c<span id=\"amzn1.imdb.concept.name_credit_category.e2bf7217-c947-461b-aa58-47e27da1c78e\">inematographer, <\/span>Wyatt Garfield, helped tell the story in a very naturalistic way. The camera effortlessly tracked Dafoe, Donovan and their co-stars in every location, particularly in intimate close-ups that highlight their physical movements and emotional decisions.<\/p>\n<\/div>\n<\/div>\n<div>\n<div class=\"_inner_1njrp_1 _inner_7czbr_1 \" data-alias=\"gutenberg-content__content\">\n<p>Jones once again proves that he sees the humanity, maturity and longing of every character be translates to the screen.\u00a0<strong><em>Late Fame<\/em><\/strong> accentuates the triumphs and faults of Ed and his new admirers, led by Wilson, in modern, evolving city like Manhattan with a casual dignity.<\/p>\n<p><strong><em>Late Fame<\/em><\/strong> is a engaging satire of artistic pretensions, and a tantalizing character study of Ed, Meyers and Gloria. But there&#8217;s also a satisfying depth to the characters&#8217; developments, including Ed&#8217;s playful banter with Gloria.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto lrv-a-font-body-m \">Jones continues his filmmaking endeavors to explore deeply curious characters like Ed. Like in <strong><em>Diane<\/em><\/strong>, <strong><em>Late Fame<\/em><\/strong> has a fascinating protagonist who resides in a supportive community that doesn&#8217;t have insidious illusions. As a result, the drama questions whether who he once was can still exist in the present.<\/p>\n<\/div>\n<div id=\"browsi_adWrapper_ai_2_ati_1_rc_0\">\n<p id=\"browsi_adv_2\" class=\"browsi_adv_2\"><em><strong>Late Fame<\/strong><\/em> had its North American Premiere in the <a href=\"https:\/\/www.filmlinc.org\/nyff2025\/films\/late-fame\/\">Mainslate section<\/a> <span class=\"sd_textuppercase sd_film_desc_label\">at this year&#8217;s New York Film Festival.<\/span><\/p>\n<\/div>\n<p><strong>If you liked the review, share your thoughts below.<\/strong><\/p>\n<\/div>\n<div><a href=\"https:\/\/cinemadailyus.com\/author\/karen-benardello\/\">Check out more of Karen&#8217;s articles\u00a0<\/a><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"ob-widget ob-feed-layout AR_1\">\n<div>\n<div id=\"browsi_adWrapper_ai_2_ati_1_rc_0\">\n<div><ins class=\"adsbygoogle\" style=\"display:block\" data-ad-client=\"ca-pub-1774669342741533\" data-ad-slot=\"1211148813\" data-ad-format=\"auto\" data-full-width-responsive=\"true\"><\/ins><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>Receiving a resurgence in attention for their long-lost work can create a wistful melancholy for many creatives. That&#8217;s certainly true for poets in a culture like downtown New York City that values independent art. Willem Dafoe&#8216;s protagonist, former poet Ed Saxberger, must do just that amongst a newfound circle of literary aspirants. The up-and-coming writers&#8230;<\/p>\n","protected":false},"author":9,"featured_media":31954,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19],"tags":[24843,13906,19843,28641,2908,28530,28518,3491],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>NYFF: Late Fame is a Poignant Commentary on the Fleeting Nature of Success in New York&#039;s Art Scene | Cinema Daily US<\/title>\n<meta name=\"description\" content=\"Late Fame, which screened at the 63rd NYFF, was directed by Kent Jones, and stars Willem Dafoe, is a engaging\u00a0satire of artistic pretensions.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinemadailyus.com\/?p=31930\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NYFF: Late Fame is a Poignant Commentary on the Fleeting Nature of Success in New York&#039;s Art Scene | Cinema Daily US\" \/>\n<meta property=\"og:description\" content=\"Late Fame, which screened at the 63rd NYFF, was directed by Kent Jones, and stars Willem Dafoe, is a engaging\u00a0satire of artistic pretensions.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cinemadailyus.com\/?p=31930\" \/>\n<meta property=\"og:site_name\" content=\"Cinema Daily US\" \/>\n<meta property=\"article:published_time\" content=\"2025-10-21T02:46:53+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-11-03T00:12:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/10\/Late-Fame.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1166\" \/>\n\t<meta property=\"og:image:height\" content=\"766\" \/>\n\t<meta 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She graduated from New York's LIU Post with a B.F.A in Journalism, Print and Electronic in 2008. Karen has since been working in the press in New York City, including interviewing film and television casts and crews, writing movie and television news articles and reviewing films and televisions series. Some of her highlights include attending such local events as the Tribeca Film Festival, the New York Film Festival and New York Comic-Con, as well as traveling across North America to attend such festivals as the Sundance Film Festival, SXSW and the Toronto International Film Festival. 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