{"id":32186,"date":"2025-11-09T04:55:30","date_gmt":"2025-11-09T09:55:30","guid":{"rendered":"https:\/\/cinemadailyus.com\/?p=32186"},"modified":"2025-11-09T04:55:30","modified_gmt":"2025-11-09T09:55:30","slug":"die-my-love-review-jennifer-lawrence-delivers-lynne-ramsay-doesnt","status":"publish","type":"post","link":"https:\/\/cinemadailyus.com\/?p=32186","title":{"rendered":"&#8216;Die My Love&#8217; Review: Jennifer Lawrence Delivers, Lynne Ramsay Doesn&#8217;t&#8230;"},"content":{"rendered":"<p>@Courtesy of MUBI<\/p>\n<p><span style=\"font-weight: 400;\">Among the several masterpieces that Gena Rowlands and John Cassavetes realized together, <strong>A Woman Under the Influence<\/strong> (1974) set the bar about portraying the psychological and emotional difficulties of a woman confined in often suffocating social roles of wife, mother or housewife. The truth and intensity which that movie was able to convey to the audience has been unmatched by any other since then. <a href=\"https:\/\/www.imdb.com\/title\/tt9362736\/reference\/?ref_=nv_sr_srsg_0_tt_6_nm_2_in_0_q_die%2520my%2520love\"><strong>Die My Love<\/strong><\/a> included.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This premise was necessary to explain why the new feature film directed by <a href=\"https:\/\/www.imdb.com\/name\/nm0708903\/?ref_=ttrv_fcr_1_1\">Lynne Ramsay<\/a><\/span><span style=\"font-weight: 400;\">\u00a0hasn\u2019t been as effective as the previous <strong>We Need to Talk about Kevin<\/strong> and <strong>You Were Never Really Here<\/strong>. The probably unnecessary but (for me) unavoidable comparison with <strong>A Woman Under the Influence<\/strong> penalizes <strong>Die My Love<\/strong> even more than its obvious problems.\u00a0<\/span><\/p>\n<ins class=\"adsbygoogle\" style=\"display:block\" data-ad-client=\"ca-pub-1774669342741533\" data-ad-slot=\"1211148813\" data-ad-format=\"auto\" data-full-width-responsive=\"true\"><\/ins>\n<p><span style=\"font-weight: 400;\">After a beautiful long shot that opens to the audience the main setting, the screenplay written by Ramsay, Alice Birch and Enda Walsh &#8211; and mashed on the novel by Ariana Harwicz &#8211; slowly develops a story and at least a character that in the end result as quite conventional. The classic house in the middle of nowhere in rural Montana is exactly what you would expect as the worst possible environment to take care and raise a newborn baby. Why has the protagonist Grace (<a href=\"https:\/\/www.imdb.com\/name\/nm2225369\/?ref_=ttrv_fcr_3_1\">Jennifer Lawrence<\/a>) ever accepted to move from New York City and settle there with her son? The answer brings in the biggest flaw in the movie, meaning Jackson\u2019s character played by <a href=\"https:\/\/www.imdb.com\/name\/nm2225369\/?ref_=ttrv_fcr_3_1\">Robert Pattinson<\/a>.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-32211 aligncenter\" src=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/11\/Die-My-Love3-1.png\" alt=\"Die My love\" width=\"640\" height=\"371\" srcset=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/11\/Die-My-Love3-1.png 640w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/11\/Die-My-Love3-1-300x174.png 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<p>@Courtesy of MUBI<\/p>\n<p><span style=\"font-weight: 400;\">Distant father, lousy husband, failing caretaker, this man seems to be extracted directly from some melodramas from decades ago, lacking any possible complexity. His completely not understanding what&#8217;s going on with his wife until her mental breakdown is even too obvious, makes this psychology extremely mono-dimensional. Despite Pattinson\u2019s effective performance, Jackson is unbelievable even when he starts showing some kind of empathy with Grace. Another problem with the screenplay is in the progression of the events, which isn\u2019t always logically clear. For example the wedding sequence doesn\u2019t really work at that time of the story, it seems more like a flashback, making the audience guess what\u2019s going on and why it is happening right there.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Jennifer Lawrence is one of the best actors the last ten, fifteen years, no double about that, and she confirms it with her bold performance in <strong>Die My Love<\/strong>. Her embracing Grace\u2019s character is poignant, painful, full of little nuances that make the viewer feel deep empathy for her personal struggle. Unfortunately she isn\u2019t supported by Lynne Ramsay\u2019s vision: the director in fact tends to suggest too much when she should instead explain, and vice versa.<\/span><\/p>\n<ins class=\"adsbygoogle\" style=\"display:block\" data-ad-client=\"ca-pub-1774669342741533\" data-ad-slot=\"1211148813\" data-ad-format=\"auto\" data-full-width-responsive=\"true\"><\/ins>\n<p><span style=\"font-weight: 400;\">This way<strong> Die My Love<\/strong> becomes a movie based more on fascinations on atmospheres than a believable psychological progression about Grace\u2019s struggling with depression. Until a final sequence that is beautiful to watch, full of metaphors and so on, but in the end almost inconsequential with what was previously going on. We agree that you don\u2019t need necessarily to explain with words and dialogues Grace\u2019s condition, but nonetheless you need to make it understandable using fundamental tools like screenplay, cast, editing etc. <strong>Die My Love<\/strong> accomplishes that only in certain moments, while missing a comprehensible narrative structure that could have helped both the characters\u2019 arc and the audience to go through this complicated movie.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The cinema of Lynne Ramsay is not or has never been subtle. And that id great, because it brought us at least a great, disturbing movie like <strong>We Need To Talk About Kevin<\/strong>. In the case of <strong>Die My Love<\/strong> the director relates too much on her capacity of building strong atmospheres and characters, failing to support them with a story crafted in the right way. The screenplay is not the only problem this movie has, but it would have certainly helped it a lot having a solid narrative platform to work with.\u00a0<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-32212 aligncenter\" src=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/11\/Die-My-Love2-1.png\" alt=\"Die My Love \" width=\"640\" height=\"404\" srcset=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/11\/Die-My-Love2-1.png 640w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2025\/11\/Die-My-Love2-1-300x189.png 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<p><strong>@Courtesy of MUBI<\/strong><\/p>\n<p><strong>Rate: C+<\/strong><\/p>\n<p><strong>If you like the review, share your thoughts below!<\/strong><\/p>\n<p><a href=\"https:\/\/cinemadailyus.com\/author\/adrianoercolani73gmail-com\/\">Check out more of Adriano&#8217;s articles.\u00a0<\/a><\/p>\n<p><strong>Here&#8217;s the trailer of the film.<\/strong><\/p>\n<div class=\"youtube-embed\" data-video_id=\"2jzXHW6Qe70\"><iframe loading=\"lazy\" title=\"DIE MY LOVE | Official Trailer | In Theaters November | With Jennifer Lawrence &amp; Robert Pattinson\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/2jzXHW6Qe70?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<ins class=\"adsbygoogle\" style=\"display:block\" data-ad-client=\"ca-pub-1774669342741533\" data-ad-slot=\"1211148813\" data-ad-format=\"auto\" data-full-width-responsive=\"true\"><\/ins>\n","protected":false},"excerpt":{"rendered":"<p>@Courtesy of MUBI Among the several masterpieces that Gena Rowlands and John Cassavetes realized together, A Woman Under the Influence (1974) set the bar about portraying the psychological and emotional difficulties of a woman confined in often suffocating social roles of wife, mother or housewife. The truth and intensity which that movie was able to&#8230;<\/p>\n","protected":false},"author":3044,"featured_media":32213,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20471,19],"tags":[28795,3189,28796,11057,1204,4115],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&#039;Die My Love&#039; Review: Jennifer Lawrence Delivers, Lynne Ramsay Doesn&#039;t... | Cinema Daily US<\/title>\n<meta name=\"description\" content=\"Die My Love : Grace, a writer and young mother, is slowly slipping into madness. 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Critics Choice Association member. Graduated in History of Cinema in Rome, he works as a freelance correspondent for some of the most important Italian outlets like Hollywood Reporter Italy, Comingsoon.it, Cinefilos.it and Ciak Magazine. He started working as a film critic almost thirty years ago: in his career he attended the most important Film Festivals (Cannes, Venice, Berlin, Toronto, New York Film Festival, Tribeca) and conventions (San Diego Comic-Con, New York Comic-Con, Disney D23). All over the years he has interviewed some of the most important contemporary authors like Michael Mann, Martin Scorsese, Clint Eastwood, Peter Jackson, Alexander Payne, Joel and Ethan Coen, Kathryn Bigelow, Christopher Nolan, Greta Gerwig, Jane Campion). In 2009 he interviewed Christiane Kubrick and Ian Harlan inside Stanley Kubrick\u2019s private office. Other than movies he is fond of American literature and basketball. Los Angeles Lakers fanatic. He lives in New York with his wife and his bossy 3-year -old daughter.","url":"https:\/\/cinemadailyus.com\/?author=3044"}]}},"_links":{"self":[{"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/posts\/32186"}],"collection":[{"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/users\/3044"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=32186"}],"version-history":[{"count":0,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/posts\/32186\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/media\/32213"}],"wp:attachment":[{"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=32186"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=32186"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=32186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}