{"id":34372,"date":"2026-05-20T13:56:29","date_gmt":"2026-05-20T17:56:29","guid":{"rendered":"https:\/\/cinemadailyus.com\/?p=34372"},"modified":"2026-05-22T09:36:18","modified_gmt":"2026-05-22T13:36:18","slug":"director-kimi-takesue-looks-back-on-her-career-with-criterion-channel-retrospective","status":"publish","type":"post","link":"https:\/\/cinemadailyus.com\/?p=34372","title":{"rendered":"Director Kimi Takesue Looks Back on Her Career with Criterion Channel Retrospective"},"content":{"rendered":"<p class=\"p1\"><b>\u00a9<\/b>Courtesy of Laura Bianchi<\/p>\n<p><strong>Nobuhiro Hosoki<\/strong> grew up watching American films since he was a kid; he decided to go to the United States thanks to seeing the artistry of Stanley Kubrick&#8217;s &#8220;A Clockwork Orange.\u201d After graduating from film school, he worked as an assistant director on TV Tokyo\u2019s program called &#8220;Morning Satellite&#8221; at the New York branch office but he didn\u2019t give up on his interest in cinema. He became a film reporter for via Yahoo Japan News. In that role, he writes news articles, picks out headliners for Yahoo News, as well as interviewing Hollywood film directors, actors, and producers working in the domestic circuit in the USA. He also does production interviews for Japanese distributors of American films and for in-theater on-sale programs. He is now the editor-in-chief of Cinemadailyus.com while continuing his work for Japan.<\/p>\n<ins class=\"adsbygoogle\" style=\"display:block\" data-ad-client=\"ca-pub-1774669342741533\" data-ad-slot=\"1211148813\" data-ad-format=\"auto\" data-full-width-responsive=\"true\"><\/ins>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-34373\" src=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2026\/05\/kimitakesue-1024x567.png\" alt=\"Kimi Takesue \" width=\"696\" height=\"385\" srcset=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2026\/05\/kimitakesue-1024x567.png 1024w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2026\/05\/kimitakesue-300x166.png 300w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2026\/05\/kimitakesue-768x425.png 768w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2026\/05\/kimitakesue-696x386.png 696w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2026\/05\/kimitakesue-1068x592.png 1068w, https:\/\/cinemadailyus.com\/wp-content\/uploads\/2026\/05\/kimitakesue.png 1242w\" sizes=\"(max-width: 696px) 100vw, 696px\" \/><\/p>\n<p>The visually mesmerizing and deeply reflective films of Kimi Takesue traverse genres\u2014including documentary, fiction, and experimental forms\u2014to explore the charged spaces between observer and observed. Often centered on the act of travel, Takesue\u2019s work follows tourists and locals as they navigate shared yet unequal terrain. In evocative shorts and acclaimed features like Where Are You Taking Me?, 95 and 6 to Go, and Onlookers, she turns an unblinking lens on cross-cultural encounters, revealing the subtle tensions, curiosities, and power dynamics that shape how we see and are seen across differences. Through her immersive long takes, Takesue invites audiences into moments of intimacy and unease that continually challenge our assumptions.-The Criterion Channel<\/p>\n<p>\u201cAs artists we all have our private markers for true success. Criterion is the home for so many of my cinema heroes so to screen amongst the greats is particularly meaningful. I\u2019m excited for audiences to have access to a body of work, in different genres created over the years that reflect different periods of my life. Some of the films are very intimate and handmade, while others are produced with a large crew on 35mm. I hope audiences will enjoy discovering the connective threads between films&#8211;and also the points of divergence\u2014ultimately, all of the films are in conversation with one another.\u201d-Kimi Takesue<\/p>\n<p><a href=\"https:\/\/www.criterionchannel.com\/directed-by-kimi-takesue\">Here&#8217;s the link of Kimi Takesue&#8217;s Criterion Channel<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a9Courtesy of Laura Bianchi Nobuhiro Hosoki grew up watching American films since he was a kid; he decided to go to the United States thanks to seeing the artistry of Stanley Kubrick&#8217;s &#8220;A Clockwork Orange.\u201d After graduating from film school, he worked as an assistant director on TV Tokyo\u2019s program called &#8220;Morning Satellite&#8221; at the&#8230;<\/p>\n","protected":false},"author":2,"featured_media":34374,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_acf_changed":false,"footnotes":""},"categories":[35],"tags":[30664,30663,86,196,15590,15589,30666,30665],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Director Kimi Takesue Looks Back on Her Career with Criterion Channel Retrospective<\/title>\n<meta name=\"description\" content=\"The visually mesmerizing and deeply reflective films of Kimi Takesue traverse genres\u2014including documentary, fiction, and experimental forms\u2014to explore the charged spaces between observer and observed. 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