{"id":4833,"date":"2021-09-03T16:40:39","date_gmt":"2021-09-03T20:40:39","guid":{"rendered":"https:\/\/cinemadailyus.com\/?p=4833"},"modified":"2021-09-03T16:42:44","modified_gmt":"2021-09-03T20:42:44","slug":"becoming-cousteau-official-trailer-national-geographic-documentary-films","status":"publish","type":"post","link":"https:\/\/cinemadailyus.com\/?p=4833","title":{"rendered":"Becoming Cousteau |Official Trailer | National Geographic Documentary Films"},"content":{"rendered":"

\"\"BECOMING COUSTEAU\u00a0<\/span><\/b><\/p>\n

SYNOPSIS\u00a0:\u00a0<\/span><\/b>Capt. Jacques-Yves Cousteau was one of the 20th century\u2019s great explorers, a filmmaker and beloved\u00a0<\/span>adventurer who documented the exotic wonders below the ocean with pioneering equipment that\u00a0 <\/span>yielded a Cannes Film Festival-winning film, two Academy Awards , and a pair of iconic and long-running\u00a0\u00a0<\/span>television shows, \u201cThe Undersea World of Jacques Cousteau\u201d and \u201cThe Cousteau Odyssey.\u201d His work became synonymous with life on the sea and on his famous boat, the Calypso. He authored over 50 books on his aquatic life and invented the Aqua-Lung, advancing the boundaries of scuba diving. Yet, it was as an environmentalist that Cousteau would have his most lasting impacts, alerting the world about the warming oceans decades before the climate crisis made headlines. Instrumental in protecting Antarctica and taking part in the first Earth Summit, Cousteau\u2019s insight into what needs to be done for the planet continues to inspire generations.\u00a0<\/span><\/p>\n

In BECOMING COUSTEAU<\/b>, from National Geographic Documentary Films, two-time Academy Award- nominated filmmaker LIZ GARBUS (\u201cAll In: The Fight for Democracy,\u201d \u201cWhat Happened, Miss Simone?\u201d) poured through 550 hours of archival material and rarely-seen footage to let Cousteau\u2019s films, words and recollections tell his own story. BECOMING COUSTEAU <\/b>shines a spotlight on the man many of us grew up worshipping yet knew very little about while introducing him to a new generation. After prospecting for oil companies to support his globe-trotting adventuring, he had a late-in-life awakening and became the first great advocate for ocean preservation.<\/p>\n

Cousteau led a somewhat fractured family life, checkered with great loss, but he remained true to his one great love \u2014 the sea. Over 100 hours of audio journal entries, interviews and observations from collaborators and crew members add to this inside look at Cousteau. The documentary also chronicles his first wife and collaborator Simone Melchior (known aboard the Calypso as \u201cThe Shepherdess\u201d), his family experiences, his second wife Francine Triplet, the creation of The Cousteau Society and the crucial work they do, and his evolution into one of the most important environmental voices of the 20th century, whose words and images are more vital today than ever.<\/p>\n

\"\"<\/p>\n

CRUSADING FOR THE PLANET\u00a0<\/span><\/b><\/p>\n

Since early in his career, Cousteau sounded alarm bells for world leaders and humanity as a whole to address the planetary crisis he saw on the horizon, and he and Philippe often noted how warning signs were all around them in the water. In November 1971, Cousteau published an op-ed in The New York Times headlined \u201cOur Oceans are Dying.\u201d That same year he went to Washington, D.C., to testify about the sea in distress, saying, \u201cIn the past 30 years, I have been disturbed to find the original fauna of the continental shelf has been destroyed. We are facing the destruction of the ocean.\u201d\u00a0<\/span><\/p>\n

In his 1975 film \u201cVoyage to the Edge of the World,\u201d chronicling The Cousteau Society\u2019s four-month expedition to Antarctica in 1972, Cousteau described gaps in the ice and the sound of glaciers breaking from warm temperatures. \u201cCousteau was a huge part of the creation of the environmental movement of the 1960s and \u201870s,\u201d says Garbus. \u201cThe myth of Cassandra is one we evoked many times as we made the film. Jacques-Yves and Philippe literally felt the waters in the Antarctic being hotter from when they were there previously. They could feel it on their bodies before anyone used the term global warming. They truly were the canary in the coal mine, telling the world, \u2018We are not properly addressing this problem.\u2019 That became such a large part of the work of The Cousteau Society, and what Jacques-Yves dedicated the rest of his life to.\u201d\u00a0<\/span><\/p>\n

Tragically, Philippe Cousteau wouldn\u2019t be part of that. In 1979, at age 38, Philippe was killed when a plane he was piloting crashed in the Tagus River near Lisbon, Portugal. As young boys, Philippe and his older brother, Jean-Michel, learned to dive, and Philippe studied to be a cinematographer like his father. Grief over his younger son spurred Jacques-Yves Cousteau to champion even more for environmental causes, which were so important to Philippe.\u00a0<\/span><\/p>\n

\u201cI think Philippe\u2019s death recentered that message for Cousteau,\u201d says Garbus. \u201cPhilippe was very passionate about environmental protection, as was his father. But the loss of a child will, of course, change anyone profoundly, and you can see it in Jacques-Yves\u2019 work and how devoted he became to this mission, pouring all of his heart into The Cousteau Society and its work.\u201d\u00a0<\/span><\/p>\n

Cousteau also had to come to terms at that time with the way diving expeditions were funded in the 1950s and early \u201860s \u2014 including by British Petroleum, which used expeditions to seek locations to drill for oil on the seafloor \u2014 and the way his crew, at times, dealt with the natural world.\u00a0<\/span><\/p>\n

\u201cIn some of the early films, the cavalier attitude with which the Calypso sailors approached the undersea life and architecture haunted Cousteau later on,\u201d says Garbus. \u201cIn BECOMING COUSTEAU<\/b>, we have a clip of him speaking about watching a scene in \u2018The Silent World\u2019 in which the crew quite brutally kill a shark that had been attacking a pod of dolphins, and regretting how areas of the Red Sea were blown up to see what kinds of sea life would rise to the surface. He wouldn\u2019t re-edit the film because it was a testament to the time, but he wanted to get the message across that he now deeply regretted those scenes.\u201d\u00a0<\/span><\/p>\n

\u201cCousteau opened up this wonderful world to us, but paradoxically it became a Pandora\u2019s box of exploration and exploitation,\u201d continues Garbus. \u201cIn the 1950s, there just wasn\u2019t a full understanding of environmental sciences the way there is in 2021, and there certainly wasn\u2019t the same understanding of the effects of drilling on the ocean floor. But Cousteau did realize at a certain point that he had to stop taking that money, which is when he focused on getting money from TV to fund his explorations.\u201d\u00a0<\/span><\/p>\n

The film also details how late in life Cousteau addressed personal issues, including Simone\u2019s death from cancer at age 71 in 1990, and his second marriage to Francine Triplet, shortly afterward, in 1991. (Prior to getting married, Cousteau and Francine had two children, Diane and Pierre-Yves. Francine has continued to guide The Cousteau Society.)\u00a0<\/span><\/p>\n

Most affectingly, Cousteau wrestled with growing pessimism about humanity\u2019s ability to act in time to save the environment, which existed in tandem with his hopefulness. \u201cFrom the accounts of several of his friends, co-authors and crew members, there was definitely a sense of despair in Cousteau about not enough being done, but he was also encouraged because an environmental movement was born \u2014 the beginning of a climate consciousness \u2014 and he was a huge part of it,\u201d says Garbus. \u201cWhat he hoped for most was that the next generation would pick up the baton.\u201d\u00a0<\/span><\/p>\n

In 1991, Cousteau\u2019s tireless efforts to preserve the Antarctic resulted in a historic agreement by the United States and 26 other nations to leave that continent untouched for 50 years and prohibit mineral resource activities. In Rio de Janeiro in 1992, Cousteau and The Cousteau Society helped make possible the first United Nations Conference on Environment and Development \u2014 also known as the Earth Summit \u2014 which brought together 170 nations6 and was called \u201cThe most important conference ever on the environment.\u201d In the official photograph from that event, seen in BECOMING COUSTEAU<\/b>, the indefatigable explorer is the only person in the picture who was not a head of state.\u00a0<\/span><\/p>\n

\u201cJacques Cousteau was, at the time of the first Earth Summit, one of the most recognizable faces on the planet \u2014 the person Americans said they would most want to meet besides the President \u2014 and because of his influence and celebrity, he was able to bring world leaders together,\u201d says Garbus. \u201cAn explorer who wasn\u2019t <\/i>also a TV star could not have made that happen. And Cousteau was quite aware of that; he\u2019d get pushback for not being a \u2018proper scientist.\u2019 But he would say, \u2018I\u2019m not a \u2018proper scientist\u2019 \u2014 I\u2019m a filmmaker, a storyteller and an innovator.\u2019 His celebrity and popularity enabled a growing global awareness of the preciousness and precariousness of the undersea world.\u201d\u00a0<\/span><\/p>\n

At the time of his death, on June 25, 1997, at age 87 at his home in Paris, Cousteau occupied a rare spot in the world\u2019s consciousness. The Cousteau Society continues his mission to save aquatic life, to fight for the planet, and endeavor to protect the oceans that Cousteau loved and which he inspired others to love.\u00a0<\/span><\/p>\n

\"\"<\/p>\n

Liz Garbus, Director, Producer\u00a0<\/span><\/b><\/p>\n

Two-time Academy Award\u00ae nominee (\u201cThe Farm: Angola, USA,\u201d \u201cWhat Happened, Miss Simone?\u201d), two-time Emmy\u00ae winner (Directing, Drama Series, and Directing, Nonfiction Programming), Peabody winner (\u201cA Dangerous Son\u201d)<\/i>, GRAMMY\u00ae nominee (\u201cWhat Happened, Miss Simone?\u201d), DGA nominee (\u201cWhat Happened, Miss Simone?\u201d) and BAFTA- nominated (\u201cReporting Trump\u2019s First Year: The Fourth Estate\u201d), director Liz Garbus is one of America\u2019s most celebrated filmmakers, renowned for her documentary work and also for her breakthrough scripted debut. Her work has been featured in film festivals from Sundance to Telluride to Toronto to the New York Film festival and has appeared in theaters and across streaming platforms, as well as premium cable television. She is known for her propulsive, socially incisive storytelling across genres. From \u201cThe Farm: Angola, USA\u201d to \u201cWhat Happened, Miss Simone?\u201d to \u201cI\u2019ll Be Gone In The Dark,\u201d Garbus has created some of the most important documentaries of our time.\u00a0<\/span><\/p>\n

Her series \u201cI\u2019ll Be Gone in the Dark\u201d premiered on HBO in June 2020. Garbus\u2019 recent film \u201cAll In: The Fight for Democracy\u201d premiered at the New York Film Festival, Telluride Film Festival, drive-in screenings, theaters and digitally on Amazon Prime Video in September 2020. Her narrative feature debut, \u201cLost Girls,\u201d premiered at Sundance Film Festival in 2020 and was released on Netflix and in theaters in March 2020. \u201cThe Fourth Estate,\u201d for Showtime, was nominated for a 2018 Emmy for Outstanding Documentary or Nonfiction Series. Her 2015 feature, Sundance opener, \u201cWhat Happened, Miss Simone?,\u201d a Netflix original, was nominated for a 2016 Oscar\u00ae for Best Documentary Feature and took home the Emmy Award for Best Documentary or Nonfiction Special.\u00a0<\/span><\/p>\n

Other credits include \u201cThe Innocence Files\u201d (Netflix, 2020), \u201cWho Killed Garrett Phillips?\u201d (HBO, 2019), \u201cThere\u2019s Something Wrong with Aunt Diane\u201d (HBO, 2011), \u201cThe Farm: Angola, USA\u201d (AA nominee, 1998) and many others.\u00a0<\/span><\/p>\n

\"\"<\/p>\n

Dan Cogan, Producer\u00a0<\/span><\/b><\/p>\n

Dan Cogan is one of the most prominent non-fiction producers working today. Both an Academy Award\u00ae (Icarus) and Emmy\u00ae Award (\u201cThe Apollo\u201d) winner, Cogan founded Story Syndicate with Liz Garbus in 2019. Previously, he was the founding executive director of Impact Partners. He has produced more than 100 films and series, including \u201cIcarus,\u201d which won the 2018 Academy Award for Best Documentary Feature; \u201cWon\u2019t You Be My Neighbor?,\u201d which won the 2019 Independent Spirit Award for Best Documentary; \u201cThe Cove,\u201d which won the 2010 Academy Award for Best Documentary Feature; and \u201cThe Apollo,\u201d which won the 2020 Emmy for Outstanding Documentary.\u00a0<\/span><\/p>\n

\"\"<\/p>\n

Mridu Chandra, Producer\u00a0<\/span><\/b><\/p>\n

Mridu Chandra is a New York-based filmmaker and veteran producer of award-winning documentaries and narrative films that have premiered at the Sundance, SXSW and Hot Docs film festivals; aired on PBS, HBO, Hulu and Netflix; screened for members of U.S. Congress and the United Nations; and showcased at museums and film festivals worldwide. Her documentaries explore topics of civil rights and peace, gender and sexuality, environmental justice, and the law. Her credits include producing \u201cAsk the Sexpert,\u201d \u201cOut in the Night\u201d (selected to launch the U.N.\u2019s Free & Equal Global Film Series), \u201cCURED\u201d (for PBS in fall 2020), \u201cBrother Outsider: The Life of Bayard Rustin\u201d (winner of over 20 international awards including the GLAAD Media Award), and \u201cElectoral Dysfunction\u201d (featured in a four-part The New York Times op-docs series and\u00a0<\/span>recipient of the American Bar Association\u2019s Silver Gavel Award).\u00a0<\/span><\/p>\n

Her expertise as an archival media researcher and clearance specialist has additionally served numerous documentaries, narrative films, and Broadway productions, including \u201cWhose Streets?,\u201d \u201cShadow World,\u201d \u201cSteve Jobs\u201d (directed by Danny Boyle), \u201cBetrayal\u201d (directed by Mike Nichols), \u201cThis Changes Everything\u201d (based on the book by Naomi Klein) and \u201cRegarding Susan Sontag\u201d (recipient of the 2015 FOCAL International Award for Best Use of Archival Footage in an Arts Program). Prior to producing BECOMING COUSTEAU<\/b>, she was the founding director (2016-2019) of IF\/Then Shorts at Tribeca Film Institute, where she designed, launched and managed a new film fund and distribution initiative to support the professional development and increased visibility of filmmakers working regionally across the U.S. and around the world.\u00a0<\/span><\/p>\n

\"\"<\/p>\n

Evan Hayes, Producer\u00a0<\/span><\/b><\/p>\n

Evan Hayes is an Academy Award\u00ae, BAFTA and Emmy\u00ae Award- winning producer and a partner at ACE Content, based in Los Angeles. He has worked on over 30 films or series across a range of budgets and genres throughout his career. Hayes is currently in post-production on \u201cThe Yin & Yang of Gerry Lopez,\u201d about the legendary surfer and directed by Stacy Peralta. He is also in production on the scripted series \u201cMaggie\u201d for ABC and 20th Television and two as-yet-unannounced feature documentaries. Previously, Hayes produced Dawn Porter\u2019s award-winning documentary \u201cThe Way I See It\u201d about President Obama\u2019s chief official White House photographer Pete Souza, co-produced by Laura Dern, for Focus Features and NBC News Studios.\u00a0<\/span><\/p>\n

In 2019, Hayes won an Academy Award for Best Documentary Feature for producing \u201cFree Solo,\u201d directed by E. Chai Vasarhelyi and Jimmy Chin for National Geographic Films. In addition to winning an Oscar\u00ae, the film also won a BAFTA Award, four Critics Choice Awards, three Cinema Eye Honors awards, the TIFF People\u2019s Choice Award and seven Primetime Emmy Awards, among others. Before joining ACE, Hayes served as president of Production at Parkes+MacDonald\/Image Nation. The company made five feature films and a number of television projects during his tenure, including the documentary \u201cHe Named Me Malala,\u201d directed by Academy Award-winner Davis Guggenheim about Nobel Peace Prize-winner Malala Yousafzai, and \u201cThe Circle,\u201d starring Tom Hanks, Emma Watson and John Boyega.\u00a0<\/span><\/p>\n

Prior to joining Parkes+MacDonald, Hayes served as president of Production at Story Mining & Supply Co., where he oversaw the Starz original series \u201cOutlander\u201d as well as the feature film \u201cThe Yellow Birds.\u201d Hayes also spent eleven years at Working Title Films, where he worked as a producer or executive on such films as \u201cEverest,\u201d \u201cLes Miserables,\u201d \u201cContraband,\u201d \u201cTinker Tailor Soldier Spy,\u201d \u201cState of Play,\u201d \u201cFrost\/Nixon,\u201d \u201cA Serious Man,\u201d \u201cBurn After Reading,\u201d \u201cHot Fuzz,\u201d \u201cAtonement,\u201d \u201cUnited 93\u201d and \u201cSenna.\u201d Before joining Working Title, Hayes worked for producer Philip Steuer and Paramount Pictures\u2019 Financial Planning and Creative Affairs departments. Born and raised in Massachusetts, Hayes is a graduate of Phillips Exeter Academy and the University of Southern California\u2019s School of Cinematic Arts. He is a member of the British Academy of Film and Television Arts, the Producer\u2019s Guild of America and the Academy of Television Arts & Sciences.\u00a0<\/span><\/p>\n

CREDITS\u00a0<\/span><\/b><\/p>\n

National Geographic Documentary Films Presents\u00a0<\/span><\/p>\n

A Story Syndicate Production<\/p>\n

In Association with The Cousteau Society\u00a0<\/span><\/p>\n

& Ace Content\u00a0<\/span><\/p>\n

In Association with Diamond Docs\u00a0<\/span><\/p>\n

A Film by Liz Garbus\u00a0<\/span><\/p>\n

BECOMING COUSTEAU\u00a0<\/span><\/b><\/p>\n

Directed and Produced By LIZ GARBUS\u00a0<\/span><\/p>\n

Written By MARK MONROE & PAX WASSERMANN\u00a0<\/span><\/p>\n

Produced By\u00a0 <\/span>DAN COGAN MRIDU CHANDRA EVAN HAYES\u00a0<\/span><\/p>\n

Edited By PAX WASSERMANN\u00a0<\/span><\/p>\n

Executive Producer JULIE GAITHER\u00a0<\/span><\/p>\n

Executive Producers CAROLYN BERNSTEIN RYAN HARRINGTON\u00a0<\/span><\/p>\n

Co-Producers FRANCINE COUSTEAU PIERRE-YVES COUSTEAU DIANE COUSTEAU\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

BECOMING COUSTEAU\u00a0 SYNOPSIS\u00a0:\u00a0Capt. Jacques-Yves Cousteau was one of the 20th century\u2019s great explorers, a filmmaker and beloved\u00a0adventurer who documented the exotic wonders below the ocean with pioneering equipment that\u00a0 yielded a Cannes Film Festival-winning film, two Academy Awards , and a pair of iconic and long-running\u00a0\u00a0television shows, \u201cThe Undersea World of Jacques Cousteau\u201d and \u201cThe…<\/p>\n","protected":false},"author":2,"featured_media":4840,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_acf_changed":false,"footnotes":""},"categories":[30],"tags":[3848,3852,3849,3851,3846,3843,3844,3847,2593,3845,3850,3853],"acf":[],"yoast_head":"\nBecoming Cousteau |Official Trailer | National Geographic Documentary Films | Cinema Daily US<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinemadailyus.com\/?p=4833\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Becoming Cousteau |Official Trailer | National Geographic Documentary Films | Cinema Daily US\" \/>\n<meta property=\"og:description\" content=\"BECOMING COUSTEAU\u00a0 SYNOPSIS\u00a0:\u00a0Capt. Jacques-Yves Cousteau was one of the 20th century\u2019s great explorers, a filmmaker and beloved\u00a0adventurer who documented the exotic wonders below the ocean with pioneering equipment that\u00a0 yielded a Cannes Film Festival-winning film, two Academy Awards , and a pair of iconic and long-running\u00a0\u00a0television shows, \u201cThe Undersea World of Jacques Cousteau\u201d and \u201cThe...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cinemadailyus.com\/?p=4833\" \/>\n<meta property=\"og:site_name\" content=\"Cinema Daily US\" \/>\n<meta property=\"article:published_time\" content=\"2021-09-03T20:40:39+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-09-03T20:42:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/09\/Becoming-Cousteau-poster.png\" \/>\n\t<meta property=\"og:image:width\" content=\"930\" \/>\n\t<meta property=\"og:image:height\" content=\"1404\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Nobuhiro Hosoki\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nobuhiro Hosoki\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"13 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cinemadailyus.com\/?p=4833\",\"url\":\"https:\/\/cinemadailyus.com\/?p=4833\",\"name\":\"Becoming Cousteau |Official Trailer | National Geographic Documentary Films | Cinema Daily US\",\"isPartOf\":{\"@id\":\"https:\/\/cinemadailyus.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/cinemadailyus.com\/?p=4833#primaryimage\"},\"image\":{\"@id\":\"https:\/\/cinemadailyus.com\/?p=4833#primaryimage\"},\"thumbnailUrl\":\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/09\/Becoming-Cousteau-poster.png\",\"datePublished\":\"2021-09-03T20:40:39+00:00\",\"dateModified\":\"2021-09-03T20:42:44+00:00\",\"author\":{\"@id\":\"https:\/\/cinemadailyus.com\/#\/schema\/person\/a39aff30168e5736b19e3486a7747bd3\"},\"breadcrumb\":{\"@id\":\"https:\/\/cinemadailyus.com\/?p=4833#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/cinemadailyus.com\/?p=4833\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/cinemadailyus.com\/?p=4833#primaryimage\",\"url\":\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/09\/Becoming-Cousteau-poster.png\",\"contentUrl\":\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/09\/Becoming-Cousteau-poster.png\",\"width\":930,\"height\":1404},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/cinemadailyus.com\/?p=4833#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/cinemadailyus.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Becoming Cousteau |Official Trailer | National Geographic Documentary Films\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/cinemadailyus.com\/#website\",\"url\":\"https:\/\/cinemadailyus.com\/\",\"name\":\"Cinema Daily US\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/cinemadailyus.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/cinemadailyus.com\/#\/schema\/person\/a39aff30168e5736b19e3486a7747bd3\",\"name\":\"Nobuhiro Hosoki\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/cinemadailyus.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/02\/Nobuhiro-Hosoki-150x150.jpg\",\"contentUrl\":\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/02\/Nobuhiro-Hosoki-150x150.jpg\",\"caption\":\"Nobuhiro Hosoki\"},\"description\":\"Nobuhiro Hosoki grew up watching American films since he was a kid; he decided to go to the United States thanks to seeing the artistry of Stanley Kubrick's \\\"A Clockwork Orange.\u201d After graduating from film school, he worked as an assistant director on TV Tokyo\u2019s program called \\\"Morning Satellite\\\" at the New York branch office but he didn\u2019t give up on his interest in cinema. He became a film reporter for via Yahoo Japan News. In that role, he writes news articles, picks out headliners for Yahoo News, as well as interviewing Hollywood film directors, actors, and producers working in the domestic circuit in the USA. He also does production interviews for Japanese distributors of American films and for in-theater on-sale programs. 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Jacques-Yves Cousteau was one of the 20th century\u2019s great explorers, a filmmaker and beloved\u00a0adventurer who documented the exotic wonders below the ocean with pioneering equipment that\u00a0 yielded a Cannes Film Festival-winning film, two Academy Awards , and a pair of iconic and long-running\u00a0\u00a0television shows, \u201cThe Undersea World of Jacques Cousteau\u201d and \u201cThe...","og_url":"https:\/\/cinemadailyus.com\/?p=4833","og_site_name":"Cinema Daily US","article_published_time":"2021-09-03T20:40:39+00:00","article_modified_time":"2021-09-03T20:42:44+00:00","og_image":[{"width":930,"height":1404,"url":"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/09\/Becoming-Cousteau-poster.png","type":"image\/png"}],"author":"Nobuhiro Hosoki","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Nobuhiro Hosoki","Est. reading time":"13 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/cinemadailyus.com\/?p=4833","url":"https:\/\/cinemadailyus.com\/?p=4833","name":"Becoming Cousteau |Official Trailer | National Geographic Documentary Films | Cinema Daily US","isPartOf":{"@id":"https:\/\/cinemadailyus.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/cinemadailyus.com\/?p=4833#primaryimage"},"image":{"@id":"https:\/\/cinemadailyus.com\/?p=4833#primaryimage"},"thumbnailUrl":"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/09\/Becoming-Cousteau-poster.png","datePublished":"2021-09-03T20:40:39+00:00","dateModified":"2021-09-03T20:42:44+00:00","author":{"@id":"https:\/\/cinemadailyus.com\/#\/schema\/person\/a39aff30168e5736b19e3486a7747bd3"},"breadcrumb":{"@id":"https:\/\/cinemadailyus.com\/?p=4833#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/cinemadailyus.com\/?p=4833"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/cinemadailyus.com\/?p=4833#primaryimage","url":"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/09\/Becoming-Cousteau-poster.png","contentUrl":"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/09\/Becoming-Cousteau-poster.png","width":930,"height":1404},{"@type":"BreadcrumbList","@id":"https:\/\/cinemadailyus.com\/?p=4833#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/cinemadailyus.com\/"},{"@type":"ListItem","position":2,"name":"Becoming Cousteau |Official Trailer | National Geographic Documentary Films"}]},{"@type":"WebSite","@id":"https:\/\/cinemadailyus.com\/#website","url":"https:\/\/cinemadailyus.com\/","name":"Cinema Daily US","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/cinemadailyus.com\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/cinemadailyus.com\/#\/schema\/person\/a39aff30168e5736b19e3486a7747bd3","name":"Nobuhiro Hosoki","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/cinemadailyus.com\/#\/schema\/person\/image\/","url":"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/02\/Nobuhiro-Hosoki-150x150.jpg","contentUrl":"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/02\/Nobuhiro-Hosoki-150x150.jpg","caption":"Nobuhiro Hosoki"},"description":"Nobuhiro Hosoki grew up watching American films since he was a kid; he decided to go to the United States thanks to seeing the artistry of Stanley Kubrick's \"A Clockwork Orange.\u201d After graduating from film school, he worked as an assistant director on TV Tokyo\u2019s program called \"Morning Satellite\" at the New York branch office but he didn\u2019t give up on his interest in cinema. 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