{"id":6710,"date":"2021-12-02T13:22:14","date_gmt":"2021-12-02T18:22:14","guid":{"rendered":"https:\/\/cinemadailyus.com\/?p=6710"},"modified":"2021-12-02T13:22:14","modified_gmt":"2021-12-02T18:22:14","slug":"boston-japan-film-festival-line-up","status":"publish","type":"post","link":"https:\/\/cinemadailyus.com\/?p=6710","title":{"rendered":"Boston Japan Film Festival Line-Up"},"content":{"rendered":"

\"\"<\/strong><\/p>\n

Screening Dates : Fri. Dec 3rd – Sun. Dec 5th, 2021<\/strong><\/p>\n

We will have a discussion with the directors\u00a0<\/span><\/strong><\/p>\n

(Jun Hori, Anne Koizumi, Kira Dane)<\/strong><\/p>\n

from 8pm (EST) on Saturday, December 4th<\/strong><\/p>\n

Due to the pandemic this year, the Boston Japan Film Festival will be held online.\u3000You need to make a registration.<\/strong><\/p>\n

 <\/p>\n

Registration\u00a0<\/a><\/p>\n

 <\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 – Lineup –<\/b><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0– Short films –\u00a0<\/span><\/b><\/p>\n

\"\"<\/p>\n

In the Shadow of the Pines\u00a0<\/strong><\/p>\n

(Dir. Anne koizumi, 2020, 8min,Stop-motion animation)<\/p>\n

In the Shadow of the Pines is an animated short documentary about a difficult father-daughter relationship. Drawing on childhood memories, Anne Koizumi, the filmmaker, explores her upbringing with her Japanese immigrant dad, who was also the janitor at the elementary school she attended. The film explores the idea of shame and how it can shape and define us while also concealing who we can truly become.<\/p>\n

\"\"<\/p>\n

\u201cHorimono: Japan’s Tattoo Pilgrimage\u201d<\/strong><\/p>\n

(Dir. David Caprara, Kira Dane, 2020, 17min, Documentary)<\/p>\n

Japan has an uneasy relationship with tattoos, which have come to be associated with organized crime. Living amongst heavy stereotypes, a group of tattooed individuals practice a centuries-old pilgrimage to a mountain shrine, now one of the few places where the traditional full-body tattoo (\u201chorimono\u201d) can be shown and celebrated. Following the events of this never-before-filmed pilgrimage, this short documentary provides a fresh view on the cultural history of Japanese tattoos, and those who continue to choose to get them done.<\/p>\n

\"\"<\/p>\n

\u201cNANMIN\u201d<\/strong><\/p>\n

(Dir. Adam Shaw, 2021, 19min, Documentary)<\/p>\n

Each year, thousands of refugees from around the world seek asylum in Japan, but only 0.1% of applicants are accepted. Nanmin portrays life as an asylum seeker in Japan, focusing on the secretive migrant detention centers and harsh parole system in interviews with activists, lawyers, and refugees.<\/p>\n

\"\"<\/p>\n

\u201cLive or Let Live\u201d<\/strong><\/p>\n

(Dir. Yoko Asano, 2018, 9min, Stop-motion animation)
\nThere’s a pet caterpillar named Larva in my class. I don’t like bugs but Larva is sweet and we become friends. But one day, I am faced with a horrible choice.<\/p>\n

\"\"<\/p>\n

\u00a0<\/span>\u201cto day plus one\u201d<\/strong><\/p>\n

(Dir. Yumeno Hoshi, 2018, 2min, Animation)<\/p>\n

We go to sleep in hopes for a better tomorrow. The moment of truth nears as our eyes slowly open to the new day…<\/p>\n

\"\"<\/p>\n

\u201cOFUKU5-Karate Catharsis-\u201c<\/strong><\/p>\n

(Dir. Sayoko Akutsu, 2019, 20min, Drama)
\nYoshida wants to become stronger through Karate. Despite seeking his mother\u2019s love, religious disagreements make him stay away form her. Yoshida encounters OFUKU, searching for her lost mother. He realized, in order to get strong, he must “overcome fear and step forward\u201d through OFUKU and Karate.<\/p>\n

[Feature Documentary]<\/strong><\/p>\n

\"\"<\/p>\n

\u201cStand with the Divided\u201d<\/strong><\/p>\n

(Dir. Jun Hori, 2020, 105min, Documentary)<\/p>\n

“To find out the truth, we need to break down the subject,” says Jun Hori. In Hong Kong, he meets a young man who stood up to protect human rights, freedom, and democracy. At a refugee camp in Jordan, he finds a girl who wishes to see her father detained in Syria, who -one day- hopes to become a doctor that saves many precious lives. He also makes acquaintance with Ms. Fukaya, a hairdresser, who has neither been allowed to return home due to the Fukushima nuclear accident, nor been able to hold scissors since the earthquake. Meanwhile, Kubota and her son, who have moved from Mito to Okinawa after the earthquake, meet people who oppose the move of the new U.S. Marine Corps base from Futenma to Henoko. By raising her voice, she finds ways she can do to create a better future.\u00a0Deepening divisions can be seen in many places where social issues loom, in both Japan and overseas. Journalist Jun Hori explores the truth of division by approaching it himself.\u00a0<\/span><\/p>\n

 <\/p>\n

\n
\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0–\u00a0Discussion & Directors\u00a0Interview-<\/span><\/span><\/strong><\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
\n
We\u2019ll have a discussion of Jun Hori, Director of ‘Watashi wa bundan wo yurusanai’ ,\u00a0Anne Koizumi, director of ‘In the Shadow of the Pines’, and Kira Dane, director of ‘Horimono: Jaoan’s Tattoo Pilgrimage<\/span>.<\/span><\/div>\n
<\/div>\n
Date & Time : Saturday, Dec 4th, 2021 from 8 PM (EST)<\/span><\/span>\u200b\u200b\u200b\u200b\u200b\u200b\u200b<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 –\u00a0Guests-<\/span><\/span><\/strong><\/div>\n<\/div>\n
\"\"<\/div>\n<\/div>\n
<\/div>\n
\n
Anne Koizumi<\/span><\/span><\/strong><\/div>\n
<\/div>\n
\n
\n
Anne Koizumi is an independent filmmaker and media arts educator based in Montreal, Quebec. She completed her undergraduate studies in Film Production at the University of British Columbia and her master\u2019s in film production at York\u00a0University in 2011. In 2006, she was invited by the National Film Board of Canada\u00a0to participate in Hothouse 3, an animation intensive for emerging animators, where she completed her first professional film A Prairie Story. Her films have screened nationally and internationally at Hot Docs, Ottawa International Animation Festival, Annecy, SFFIM, Slamdance, Norwich Film Festival and the London International Animation Festival. Her most recent film, In the Shadow of the Pines, won best short animation at SFFILM, best narrative short and best Canadian short at the 2020 Ottawa International Animation Festival. She has taught stop-motion animation workshops at the TIFF Bell Lightbox, Hospitals and Community Centres throughout Toronto, and at Quickdraw Animation Society in Calgary, Alberta.<\/span><\/div>\n<\/div>\n<\/div>\n
<\/div>\n
\n
\"\"<\/div>\n<\/div>\n<\/div>\n
<\/div>\n
Kira Dane\u00a0<\/span><\/span><\/strong>Co-Director-<\/strong>www.kiradane.com<\/a><\/span><\/div>\n
<\/div>\n
Kira Dane is a half-Japanese filmmaker from New York City, currently based in Nara, Japan. Having grown upbetween two very different cultures, she is most interested in stories that dig for the messy nuance between twoextremes. With a background in painting and illustration, she often incorporates animation and experimental formsin her work. Kira was a 2019 fellow of the Sundance Ignite Program,and her work has been screened and awardedat internationally renowned festivals such as IDFA, SXSW, AFI Docs, Atlanta Film Festival, and New Orleans FilmFestival, among others.<\/span><\/div>\n
<\/div>\n
\"\"<\/div>\n
<\/div>\n
\n
Jun Hori<\/span><\/span>\u00a0<\/strong>
\n<\/span><\/div>\n
<\/div>\n
\n
Jun was born in Hyogo,\u00a0Japan and is currently the Representative Director of the NPO 8bitNews and the CEO of \u00a0GARDEN Inc.\u00a0<\/span>After the graduation of\u00a0Rikkyo University in German Language and Literature, he\u00a0was recruited to join the Japan Broadcasting Corporation (NHK) in 2001. He was a\u00a0reporter\u00a0and a newscaster for \u2018News Watch 9\u2019, \u2018Biz Spo\u2019, etc..\u00a0<\/span><\/div>\n
<\/div>\n
In 2012, he started \u20188bitNews\u2019 which is a citizen\u00a0news site and left NHK in 2013. He is currently working as a newscaster\u00a0for program such as \u2018Morning FLAG\u2019, \u2018Abema Prime\u2019, \u2018Wake up\u2019 and works as a journalist and a writer.<\/span><\/div>\n
Jun is also a visiting Professor in the Faculty of Humanities at Shukutoku University, official columnist of \u2019Forbes Japan\u201d. He took office as a invited researcher of Waseda University, Global Consolidated Research Institute for Science Wisdom in 2019, and he is planning events which go beyond the border between the government\u00a0and private and transmission of information.\u00a0<\/span>In 2020, he published the film \u2018STAND WITH THE DIVIDED\u2019 w<\/span><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Screening Dates : Fri. Dec 3rd – Sun. Dec 5th, 2021 We will have a discussion with the directors\u00a0 (Jun Hori, Anne Koizumi, Kira Dane) from 8pm (EST) on Saturday, December 4th Due to the pandemic this year, the Boston Japan Film Festival will be held online.\u3000You need to make a registration.   Registration\u00a0  …<\/p>\n","protected":false},"author":2,"featured_media":6724,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[34],"tags":[5697,5692,5348,5349,5699,5698,5693,5350,5695,5696,5694],"acf":[],"yoast_head":"\nBoston Japan Film Festival Line-Up | Cinema Daily US<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinemadailyus.com\/?p=6710\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Boston Japan Film Festival Line-Up | Cinema Daily US\" \/>\n<meta property=\"og:description\" content=\"Screening Dates : Fri. Dec 3rd – Sun. Dec 5th, 2021 We will have a discussion with the directors\u00a0 (Jun Hori, Anne Koizumi, Kira Dane) from 8pm (EST) on Saturday, December 4th Due to the pandemic this year, the Boston Japan Film Festival will be held online.\u3000You need to make a registration.   Registration\u00a0  ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cinemadailyus.com\/?p=6710\" \/>\n<meta property=\"og:site_name\" content=\"Cinema Daily US\" \/>\n<meta property=\"article:published_time\" content=\"2021-12-02T18:22:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/12\/thumbnail_Logo-BJFF-1B-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"640\" \/>\n\t<meta property=\"og:image:height\" content=\"455\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Nobuhiro Hosoki\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nobuhiro Hosoki\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cinemadailyus.com\/?p=6710\",\"url\":\"https:\/\/cinemadailyus.com\/?p=6710\",\"name\":\"Boston Japan Film Festival Line-Up | Cinema Daily US\",\"isPartOf\":{\"@id\":\"https:\/\/cinemadailyus.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/cinemadailyus.com\/?p=6710#primaryimage\"},\"image\":{\"@id\":\"https:\/\/cinemadailyus.com\/?p=6710#primaryimage\"},\"thumbnailUrl\":\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/12\/thumbnail_Logo-BJFF-1B-2.jpg\",\"datePublished\":\"2021-12-02T18:22:14+00:00\",\"dateModified\":\"2021-12-02T18:22:14+00:00\",\"author\":{\"@id\":\"https:\/\/cinemadailyus.com\/#\/schema\/person\/a39aff30168e5736b19e3486a7747bd3\"},\"breadcrumb\":{\"@id\":\"https:\/\/cinemadailyus.com\/?p=6710#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/cinemadailyus.com\/?p=6710\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/cinemadailyus.com\/?p=6710#primaryimage\",\"url\":\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/12\/thumbnail_Logo-BJFF-1B-2.jpg\",\"contentUrl\":\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/12\/thumbnail_Logo-BJFF-1B-2.jpg\",\"width\":640,\"height\":455},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/cinemadailyus.com\/?p=6710#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/cinemadailyus.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Boston Japan Film Festival Line-Up\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/cinemadailyus.com\/#website\",\"url\":\"https:\/\/cinemadailyus.com\/\",\"name\":\"Cinema Daily US\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/cinemadailyus.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/cinemadailyus.com\/#\/schema\/person\/a39aff30168e5736b19e3486a7747bd3\",\"name\":\"Nobuhiro Hosoki\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/cinemadailyus.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/02\/Nobuhiro-Hosoki-150x150.jpg\",\"contentUrl\":\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/02\/Nobuhiro-Hosoki-150x150.jpg\",\"caption\":\"Nobuhiro Hosoki\"},\"description\":\"Nobuhiro Hosoki grew up watching American films since he was a kid; he decided to go to the United States thanks to seeing the artistry of Stanley Kubrick's \\\"A Clockwork Orange.\u201d After graduating from film school, he worked as an assistant director on TV Tokyo\u2019s program called \\\"Morning Satellite\\\" at the New York branch office but he didn\u2019t give up on his interest in cinema. 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