{"id":7309,"date":"2021-12-31T22:32:53","date_gmt":"2022-01-01T03:32:53","guid":{"rendered":"https:\/\/cinemadailyus.com\/?p=7309"},"modified":"2022-01-01T00:41:05","modified_gmt":"2022-01-01T05:41:05","slug":"the-top-10-best-films-of-2021-all-of-our-writers","status":"publish","type":"post","link":"https:\/\/cinemadailyus.com\/?p=7309","title":{"rendered":"The Top 10 Best Films Of 2021"},"content":{"rendered":"

It\u2019s New Year\u2019s Eve, it\u2019s time to look back at the past year in cinema and select the top 10 best films of 2021. We picked our favorites, so check out to see what we selected. To pay homage to filmmakers and actors, we don’t dare to rank them.<\/strong><\/p>\n

\"\"<\/p>\n

Abe Friedtanzer\u00a0<\/span><\/strong><\/p>\n

\u30fbCODA<\/p>\n

\u30fbMalcolm and Marie<\/p>\n

\u30fbBelfast<\/p>\n

\u30fbThe French Dispatch<\/p>\n

\u30fbEncanto<\/p>\n

\u30fbDune<\/p>\n

\u30fbLicorice Pizza<\/p>\n

\u30fbHow It Ends<\/p>\n

\u30fbTogether Together<\/p>\n

\u30fbC\u2019mon C\u2019mon<\/p>\n

2021 may not have been a typical year for the movies, but there was plenty to celebrate within it. I screened close to 300 films, and there were many great choices among them. CODA<\/i><\/b> showed heart and individuality through its beautiful portrayal of people whose stories are far too often not told, seen, or heard. Malcolm and Marie<\/i><\/b> positioned two excellent performers \u2013 Zendaya and John David Washington \u2013 opposite each other for a gripping night of couple drama. Belfast <\/i><\/b>was clearly a deeply personal film for director Kenneth Branagh, one that shows through its aesthetics and a phenomenal showing from a cast led by Jude Hill, Caitriona Balfe, and Jamie Dornan. The French Dispatch<\/i><\/b> embraced everything that makes Wes Anderson\u2019s films fantastic and wondrous, presenting separate storylines that were inventive, offbeat, and an utter delight to watch. Encanto<\/i><\/b> celebrated Colombian culture with music, magic, and love, bringing together winning ingredients and stellar animation for a fully pleasant and invigorating experience. Dune<\/i><\/b> took on the daunting task of adapting a beloved novel and presented an awesome cinematic experience, one so grand in its scope and visual effects that it was entirely immersive. Licorice Pizza<\/i><\/b> was an enthralling trip back in time, anchored by two equally superb young actors in their remarkably impressive debut performances, guided by the creative vision of writer-director Paul Thomas Anderson. How It Ends<\/i><\/b> wasn\u2019t a movie about this pandemic but instead a different scenario in which the world is doomed, peppered with playful and memorable characters all facing their impending collective demise. Together Together<\/i><\/b> was an uplifting and intimate depiction of a great platonic friendship, led by warm performances from Patti Harrison and Ed Helms. C\u2019mon C\u2019mon<\/i><\/b> traced the natural development of a warm relationship between a kid and his uncle, featuring striking cinematography and great turns from Joaquin Phoenix and true find Woody Norman.<\/p>\n

\"\"<\/p>\n

Karen Butler\u00a0<\/span><\/strong><\/p>\n

\u30fbtick, tick\u2026BOOM!<\/p>\n

\u30fb Spider-Man No Way Home<\/p>\n

\u30fbGhostbusters: Afterlife<\/p>\n

\u30fb Concrete Cowboy<\/p>\n

\u30fbMany Saints of Newark<\/p>\n

\u30fbThe Harder They Fall<\/p>\n

\u30fbIn the Heights<\/p>\n

\u30fbDon’t Look Up<\/p>\n

\u30fbA Quiet Place Part II<\/p>\n

\u30fbThe French Dispatch<\/p>\n

Nostalgia was a common theme that ran through most of the films I loved best in 2021. Spider-Man : No Way Home<\/strong>, Ghostbusters\u00a0: Afterlife\u00a0<\/strong>and Many\u00a0Saints of Newark<\/strong> revived cherished characters I thought I’d never see again and set them on fresh, entertaining new adventures. tick, tick…BOOM!<\/strong> and In the Heights<\/strong> reminded me of why I love my native New York and — more importantly — the colorful, creative, hard-working people that make it such a special place. Concrete Cowboy<\/strong> and The Harder They Fall<\/strong> incorporated new faces and compelling stories into the western genre, one of my all-time favorite cinematic categories. Don’t Look Up<\/strong> and A Quiet Place Part II<\/strong> celebrated in their own weird ways what is most important in life — honesty, integrity, resourcefulness, family and courage — while cautioning what could happen if we don’t don’t heed our better angels. The French Dispatch<\/strong> isn’t perfect, but it is a hilarious, affectionate, appropriate eulogy for journalism that I and many of my reporter colleagues can relate to a little too we<\/p>\n

\"\"<\/p>\n

Karen Benardello<\/strong><\/p>\n

\u00a0 <\/span>\u30fbNightmare Alley<\/p>\n

\u00a0 <\/span>\u30fbPig<\/p>\n

\u00a0 <\/span>\u30fbStillwater<\/p>\n

\u00a0 <\/span>\u30fbThe Power of the Dog<\/p>\n

\u00a0 <\/span>\u30fbThe Night House<\/p>\n

\u00a0 <\/span>\u30fbAntlers<\/p>\n

\u00a0 <\/span>\u30fbClifford the Big Red Dog<\/p>\n

\u00a0 <\/span>\u30fbVortex<\/p>\n

\u00a0 <\/span>\u30fbDemonic<\/p>\n

\u00a0 <\/span>\u30fb Heart of Champions<\/p>\n

The most compelling films of 2021 feature emotionally relatable, complex protagonists who try to find their rightful place in society. Nightmare Alley<\/i><\/b>, is driven by Bradley Cooper\u2019s portrayal of the ultimate homme fatale who seeks validation from the women in his life. Pig<\/i><\/b> marks a major comeback for Nicolas Cage, who battles grief in his portrayal of the self-isolating protagonist. Stillwater<\/i><\/b> stars Matt Damon as a father who\u2019s intent on proving his daughter\u2019s innocence after her wrongful murder conviction. The Power of the Dog<\/i><\/b> is driven by the protagonists\u2019 psychological complexities as they contend with their life circumstances. The Night House<\/i><\/b> thrives on the grief of Rebecca Hall\u2019s protagonist as she uncovering her late husband\u2019s secrets. Antlers<\/i><\/b> highlights the underlying social issues that are currently plaguing America through Keri Russell\u2019s distressed protagonist. Driven by Darby Camp\u2019s heartwarming lrsf performance, Clifford the Big Red Dog<\/i><\/b> is a compelling reminder that people can overcome their difficulties through absolute faith in themselves. Vortex<\/i><\/b> is a grounded and poignant exploration into the difficulties faced by a family that\u2019s caring for its elderly matriarch, who\u2019s in declining health. Demonic<\/i><\/b> features a complex, strong-willed female protagonist played by Carly Pope, who will do whatever it takes to defeat her inner evil. Heart of Champions<\/i><\/b> features an ensemble cast led by Alexander Ludwig and Alex MacNicoll, who play diverse collegiate athletes who learn how to bond and succeed as a team.<\/p>\n

\"\"<\/p>\n

Chiara Spagnoli Gabardi<\/strong><\/p>\n

\u30fbThe Hand of God<\/p>\n

\u30fbThe Father\u00a0<\/span><\/p>\n

\u30fb Luca\u00a0<\/span><\/p>\n

\u30fbThe Man Who Sold His Skin\u00a0<\/span><\/p>\n

\u30fbTrue Mothers\u00a0<\/span><\/p>\n

\u30fbTruman & Tennesse: An Intimate Conversation\u00a0<\/span><\/p>\n

\u30fbKing Richard\u00a0<\/span><\/p>\n

\u30fbThe Last Duel\u00a0<\/span><\/p>\n

\u30fbThe Power of The Dog<\/p>\n

\u30fbBecoming Cousteau\u00a0<\/span><\/p>\n

The second year of pandemic has influenced our sensitivity towards the fruition of motion pictures. In my selection the theme of family certainly comes up repeatedly, with\u00a0The Hand of God<\/i><\/strong>,\u00a0The Father<\/strong><\/i>,\u00a0True Mothers<\/i><\/strong>,\u00a0King Richard<\/i>\u00a0<\/strong>and\u00a0The Power of The Dog<\/strong><\/i>. Friendship, is another subject matter that strongly reverberated through the fictional story of\u00a0Luca<\/i>\u00a0<\/strong>or the inspiring relationship between two literary giants, as seen in\u00a0Truman & Tennesse: An Intimate Conversation<\/strong><\/i>. The well-being of our home, planet Earth is definitely something that was enlightened by a film like\u00a0Becoming Cousteau<\/i><\/strong>. Ultimately another topic that was extremely relevant in this period of isolation was reflecting upon the nature of our perception. How reality is created first and foremost in our minds, and then moulded by societal norms and trends, is brilliantly shown in\u00a0The Last Duel<\/i><\/strong>\u00a0and\u00a0The Man Who Sold His Skin<\/strong>.<\/i><\/p>\n

\"\"<\/p>\n

Matthew Schuchman\u00a0<\/span><\/strong><\/p>\n

\u30fbAnnette<\/p>\n

\u30fbLast Night in Soho<\/p>\n

\u30fbLicorice Pizza<\/p>\n

\u30fbOld Henry<\/p>\n

\u30fbNightmare Alley<\/p>\n

\u30fbThe Novice<\/p>\n

\u30fbThe Power of the Dog<\/p>\n

\u30fbThe Tragedy of MacBeth<\/p>\n

\u30fbTitane<\/p>\n

\u30fbWerewolves Within<\/p>\n

2021 has had some great films that are getting a lot of recognition, but it also had some real gems that need to be further up in the conversation. It was early in the year, and not a serious drama\u2013so people are bound to overlook it\u2013but Werewolves Within<\/strong> was the first great movie of the year, and is still one of the best. While it took some getting used to at first, by the time Annette<\/strong> ends and the point fully comes across, it is hard to deny just how clever and well done the film is as a whole. The Novice<\/strong> is now only being released for audiences to see, but as first time films go, Lauren Hadawa\u2019s debut effort is top notch.\u00a0I didn\u2019t really expect to love Titane<\/strong> as much as I did. I really was unaware of where the film was heading and was beyond pleased with the route it took. While Agathe Rousselle<\/strong> is already garnering praise for her performance, I also think Vincent Lindon should be in the talks about supporting actor nods. Speaking of supporting actor nods, the fact that only a few critics circles have given her the proper accolades, Kathryn Hunter in The Tragedy of MacBeth<\/strong> should be the only choice for best support actress in any awards talk.<\/p>\n

\"\"<\/p>\n

Nobuhiro Hosoki<\/strong><\/p>\n

\u30fbC\u2019mon, C\u2019mon<\/p>\n

\u30fbtick, tick\u2026BOOM! \u00a0<\/span><\/p>\n

\u30fbBelfast\u00a0<\/span><\/p>\n

\u30fbNot Going Quietly\u00a0<\/span><\/p>\n

\u30fbMass\u00a0<\/span><\/p>\n

\u30fbLocorice Pizza<\/p>\n

\u30fbDrive My Car<\/p>\n

\u30fbVortex\u00a0<\/span><\/p>\n

\u30fbThe Rescue<\/p>\n

\u30fbAnnette\u00a0<\/span><\/p>\n

C\u2019mon, C\u2019mon<\/strong>, I was enthralled by what could be a mundane life, but beautifully captured in black and white, and very moving in the end. tick, tick\u2026BOOM!<\/strong>, the film really take us inside the mindset of Jonathan Larson, who created the musical, Rent. Belfast<\/strong>, was a love letter to Belfast, where director Kenneth Bragnah grew up. Not Going Quietly<\/strong> was a triumphant message from Ady Barkan, who diagnosed ALS. Mass<\/strong> was the best assemble cast film about aftermath of a violent tragedy that affects the lives of two families. Licorice Pizza<\/strong>, Paul Thomas Anderson made an endearing film about two kids going through an adolescent to adulthood. Drive My Car<\/strong> was carefully driven script from start to finish, left me wondering how you cope with the death of someone who close to you. Vortex<\/strong>, it was really scary depiction of dementia between a couple. The Rescue<\/strong>, it\u2019s an amazing reenactment of what was really happening in Thai cave rescue in 2018. Annette<\/strong>, it felt like a Shakespearean play except everything taken place in the world of your own, which is like Globe Theatre in a way.<\/p>\n","protected":false},"excerpt":{"rendered":"

It\u2019s New Year\u2019s Eve, it\u2019s time to look back at the past year in cinema and select the top 10 best films of 2021. We picked our favorites, so check out to see what we selected. To pay homage to filmmakers and actors, we don’t dare to rank them. Abe Friedtanzer\u00a0 \u30fbCODA \u30fbMalcolm and Marie…<\/p>\n","protected":false},"author":2,"featured_media":7320,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32],"tags":[985,1672,4936,5092,70,4028,2188,2096,375,372,3952,3314,401,2526,463,6190,6187,617,3022,1425,5657,268,3360,6189,4988,3608,189,6193,2714,6192,894,2617,516,2225,3521,5606,2834,577,3436,1988,3307,4807,1143,4525,4526,2915,6188,6191,3330,1938],"acf":[],"yoast_head":"\nThe Top 10 Best Films Of 2021 | Cinema Daily US<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinemadailyus.com\/?p=7309\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Top 10 Best Films Of 2021 | Cinema Daily US\" \/>\n<meta property=\"og:description\" content=\"It\u2019s New Year\u2019s Eve, it\u2019s time to look back at the past year in cinema and select the top 10 best films of 2021. We picked our favorites, so check out to see what we selected. To pay homage to filmmakers and actors, we don’t dare to rank them. Abe Friedtanzer\u00a0 \u30fbCODA \u30fbMalcolm and Marie...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cinemadailyus.com\/?p=7309\" \/>\n<meta property=\"og:site_name\" content=\"Cinema Daily US\" \/>\n<meta property=\"article:published_time\" content=\"2022-01-01T03:32:53+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-01-01T05:41:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/12\/logo.png\" \/>\n\t<meta property=\"og:image:width\" content=\"670\" \/>\n\t<meta property=\"og:image:height\" content=\"324\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Nobuhiro Hosoki\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nobuhiro Hosoki\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cinemadailyus.com\/?p=7309\",\"url\":\"https:\/\/cinemadailyus.com\/?p=7309\",\"name\":\"The Top 10 Best Films Of 2021 | Cinema Daily US\",\"isPartOf\":{\"@id\":\"https:\/\/cinemadailyus.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/cinemadailyus.com\/?p=7309#primaryimage\"},\"image\":{\"@id\":\"https:\/\/cinemadailyus.com\/?p=7309#primaryimage\"},\"thumbnailUrl\":\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/12\/logo.png\",\"datePublished\":\"2022-01-01T03:32:53+00:00\",\"dateModified\":\"2022-01-01T05:41:05+00:00\",\"author\":{\"@id\":\"https:\/\/cinemadailyus.com\/#\/schema\/person\/a39aff30168e5736b19e3486a7747bd3\"},\"breadcrumb\":{\"@id\":\"https:\/\/cinemadailyus.com\/?p=7309#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/cinemadailyus.com\/?p=7309\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/cinemadailyus.com\/?p=7309#primaryimage\",\"url\":\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/12\/logo.png\",\"contentUrl\":\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/12\/logo.png\",\"width\":670,\"height\":324},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/cinemadailyus.com\/?p=7309#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/cinemadailyus.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The Top 10 Best Films Of 2021\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/cinemadailyus.com\/#website\",\"url\":\"https:\/\/cinemadailyus.com\/\",\"name\":\"Cinema Daily US\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/cinemadailyus.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/cinemadailyus.com\/#\/schema\/person\/a39aff30168e5736b19e3486a7747bd3\",\"name\":\"Nobuhiro Hosoki\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/cinemadailyus.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/02\/Nobuhiro-Hosoki-150x150.jpg\",\"contentUrl\":\"https:\/\/cinemadailyus.com\/wp-content\/uploads\/2021\/02\/Nobuhiro-Hosoki-150x150.jpg\",\"caption\":\"Nobuhiro Hosoki\"},\"description\":\"Nobuhiro Hosoki grew up watching American films since he was a kid; he decided to go to the United States thanks to seeing the artistry of Stanley Kubrick's \\\"A Clockwork Orange.\u201d After graduating from film school, he worked as an assistant director on TV Tokyo\u2019s program called \\\"Morning Satellite\\\" at the New York branch office but he didn\u2019t give up on his interest in cinema. He became a film reporter for via Yahoo Japan News. In that role, he writes news articles, picks out headliners for Yahoo News, as well as interviewing Hollywood film directors, actors, and producers working in the domestic circuit in the USA. He also does production interviews for Japanese distributors of American films and for in-theater on-sale programs. 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He became a film reporter for via Yahoo Japan News. In that role, he writes news articles, picks out headliners for Yahoo News, as well as interviewing Hollywood film directors, actors, and producers working in the domestic circuit in the USA. He also does production interviews for Japanese distributors of American films and for in-theater on-sale programs. He is now the editor-in-chief of Cinemadailyus.com while continuing his work for Japan.","sameAs":["https:\/\/www.cinemadailyus.com"],"url":"https:\/\/cinemadailyus.com\/?author=2"}]}},"_links":{"self":[{"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/posts\/7309"}],"collection":[{"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7309"}],"version-history":[{"count":0,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/posts\/7309\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=\/wp\/v2\/media\/7320"}],"wp:attachment":[{"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7309"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7309"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinemadailyus.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}