{"id":9145,"date":"2022-03-19T18:34:23","date_gmt":"2022-03-19T22:34:23","guid":{"rendered":"https:\/\/cinemadailyus.com\/?p=9145"},"modified":"2023-12-12T03:48:05","modified_gmt":"2023-12-12T08:48:05","slug":"babi-yah-context-first-look-momi-2022-a-work-of-fury-about-war-and-genocide","status":"publish","type":"post","link":"https:\/\/cinemadailyus.com\/?p=9145","title":{"rendered":"Babi Yar. Context : First Look MOMI 2022 : A \u2018Work of Fury\u2019 About War and Genocide"},"content":{"rendered":"

Contemplating a long elegy he wanted to write on the Holocaust, the Jewish American poet Hyam Plutzik wrote in 1960: \u201cIt is hard enough to write a requiem for one man, but six million?<\/p>\n

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\u2026 Grief ends beyond one or two or three; beyond that there are only statistics.\u201d<\/p>\n

I could not help commiserating with Plutzik as I watched Babi Yar. Context<\/i><\/strong>, Sergei Loznitsa\u2019s eloquent and stark documentary about the Nazi massacre of more than 33,000 Ukrainian Jews during World War II. The film, which took this year\u2019s top prize for documentary at Cannes, is especially relevant at this moment in the light of Vladimir Putin\u2019s grotesquely fatuous declaration that the Russians were invading to assist in the \u201cde-Nazification\u201d of the country.\u00a0 <\/span>If nothing else, Babi Yar. Context<\/i> <\/strong>serves as an indictment of the recurrent futility of warfare\u2014except for the vintage automobiles and the hoary black-and-white footage, it is nearly impossible to distinguish many of the scenes from those seen in today\u2019s CNN reportage. The film does not take ideological sides, juxtaposing the welcome accorded to the Nazi invaders in 1941 and to the Stalinist \u201cliberators\u201d three years later, showing how both were accompanied by spontaneous dancing in the streets and lavish floral tributes to the tyrant du jour.\u00a0<\/span><\/i><\/p>\n

\"\"<\/p>\n

Described by the Museum of the Moving Image as a \u201cwork of fury, a redress and a wake-up call three quarters of a century in the making,\u201dBabi Yar. Context<\/strong>”\u00a0<\/i>seamlessly moves between requiems for the one and an elegy for the millions, as if to lend credence to Hyam Plutzik\u2019s anguished conundrum. There are countless \u201cgroup\u201d scenes: thronged crowds welcoming both Nazi and Russian victories in the streets of Kyiv; silent spectators packed in a postwar courtroom; broom-wielding shomeret<\/i> women performing their tahara<\/i> (Jewish ritual cleansing) by sweeping debris off dead bodies; long queues of people marching, endlessly marching (both civilian prisoners and their military overseers).<\/p>\n

Then the director artfully cuts to scenes testifying to the horrors of war being visited on individuals one by one: a maggot-infested corpse, a terrified Nazi officer before a postwar tribunal, a shaken woman testifying to her near-death experience in the charnel pits at Babi Yar.<\/p>\n

Constructed entirely from archival and amateur footage of the Nazi occupation itself, much of it shot by German soldiers, the documentary is almost entirely silent, a cinematic technique that only serves to underscore the unutterable impact of a conflict that muted so very many of the Jewish voices of Ukraine. The sounds we do hear have almost become characters in themselves: the ominous bursts of artillery fire and flamethrowers; the mournful testimony of barking dogs, neighing horses and other animals left behind in the carnage. Most of the human speech is heard in the final moments of the film, when survivors tell a court of inquiry about their harrowing near-brushes with death.\u00a0<\/span><\/p>\n

\"\"<\/p>\n

The film\u2019s closing scene, of a group of Nazis\u2014their names announced on loudspeakers–being hanged in a public execution in Kyiv, affirms the notion that, ultimately, individuals were morally responsible for the deaths at Babi Yar, and by extension, for the murders of all who perished under the ruthless Wehrmacht<\/i>.\u00a0<\/span><\/p>\n

What is particularly impressive about Babi Yar. Context<\/i><\/strong> is the way its narrative arc is crafted by an accumulative process. For about the first twenty minutes or so, I suspect that a viewer\u2019s eyes may begin to glaze over at watching scene after scene replete with dust, smoke, and flame. Patience has its rewards, for a critical mass of these images will quickly transform the repetitive silent tableaux into a mesmerizing story of human survival in the face of overwhelming evil.<\/p>\n

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While this film is not for the faint-hearted, it will inevitably serve as a rallying cry for the stalwart who, like Plutzik, believe in human endurance even when \u201cthe silence is august and terrible.<\/p>\n

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\u201d\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Contemplating a long elegy he wanted to write on the Holocaust, the Jewish American poet Hyam Plutzik wrote in 1960: \u201cIt is hard enough to write a requiem for one man, but six million? online pharmacy with best prices today in the USA \u2026 Grief ends beyond one or two or three; beyond that there…<\/p>\n","protected":false},"author":3,"featured_media":9150,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19],"tags":[7967,7961,7965,7960,7964,7966,7970,7962,7969,7963,7968],"acf":[],"yoast_head":"\nBabi Yar. 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More recently he contributed film reviews to hosokinema.com and Movie Sleuth. His writings have appeared in publications as diverse as the Times Literary Supplement, Publishers Weekly, the Paris Review, and the Massachusetts Review. Moran also edited a memoir by Oscar-nominated documentary filmmaker Christine Choy. He served as literary advisor to her film Hyam Plutzik: American Poet, which was the keynote film in the American Perspectives series at the 2007 Zebra Poetry Film Festival in Berlin.\",\"sameAs\":[\"https:\/\/www.cinemadailyus.com\"],\"url\":\"https:\/\/cinemadailyus.com\/?author=3\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Babi Yar. 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