{"id":942,"date":"2021-04-03T15:52:10","date_gmt":"2021-04-03T19:52:10","guid":{"rendered":"https:\/\/cinemadailyus.com\/?p=942"},"modified":"2021-04-03T15:57:07","modified_gmt":"2021-04-03T19:57:07","slug":"film-at-lincoln-centers-theaters-will-reopen-on-april-16","status":"publish","type":"post","link":"https:\/\/cinemadailyus.com\/?p=942","title":{"rendered":"Film at Lincoln Center&#8217;s Theaters Will Reopen on April 16"},"content":{"rendered":"<div id=\"x_text-block-1617119021401\" class=\"x_text-block x_block\">\n<div>\n<p>Film at Lincoln Center will reopen its theaters Friday, April 16, following a yearlong closure prompted by the COVID-19 pandemic. The safety of audiences and staff remains FLC\u2019s first priority as the organization resumes in-person operations, continuing its mission to support the art and elevate the craft of cinema.<\/p>\n<p>FLC\u2019s Elinor Bunin Munroe Film Center will open its doors first, screening NYFF58 Closing Night selection <i>French Exit<\/i>, directed by Azazel Jacobs, and a new restoration of Andrei Tarkovsky\u2019s <i>Mirror<\/i> in the venue\u2019s two cinemas. The beloved Walter Reade Theater, hailed as \u201cthe best place in Manhattan to watch a movie\u201d (A. O. Scott, <i>The New York Times<\/i>), will reopen in the weeks following, after minor renovations are completed.<\/p>\n<p>New Directors\/New Films, co-presented with The Museum of Modern Art, celebrates its 50th anniversary this year. The first New York City film festival to return to theaters, this landmark edition of ND\/NF will be presented both in-theater at FLC and in the FLC and MoMA virtual cinemas. This year\u2019s lineup and showtime details will be announced in the coming weeks.<\/p>\n<\/div>\n<\/div>\n<div id=\"x_text-block-1617118589300\" class=\"x_text-block x_block\">\n<div>\n<p>&nbsp;<\/p>\n<p><b>In-theater spring programming includes:<\/b><\/p>\n<p>Azazel Jacobs\u2019s <i>French Exit<\/i>\u2014opening April 16<\/p>\n<ul>\n<li>Andrei Tarkovsky\u2019s<i> Mirror<\/i>\u2014opening April 16<\/li>\n<li>New Directors\/New Films\u2014April 28 \u2013 May 8<\/li>\n<li>Wong Kar Wai\u2019s <i>In the Mood for Love<\/i>\u2014opening May 14<\/li>\n<li>World of Wong Kar Wai\u2014May 14-20<\/li>\n<li>Heidi Ewing\u2019s<i> I Carry You With Me<\/i>\u2014opening May 21<\/li>\n<li>Jia Zhangke\u2019s <i>Swimming Out Till the Sea Turns Blue<\/i>\u2014opening May 28 <i>Exclusive!<\/i><\/li>\n<li>Christian Petzold\u2019s <i>Undine<\/i>\u2014opening June 4<\/li>\n<li>Fran\u00e7ois Ozon\u2019s <i>Summer of \u201985<\/i>\u2014opening June 18Film at Lincoln Center\u2019s theaters will operate at 25% capacity in accordance with New York State guidelines, in addition to implementing the following enhanced safety measures:\n<ul>\n<li>Mandatory masks for staff and audience members at all times<\/li>\n<li>No concessions and no outside food or beverages permitted<\/li>\n<li>Socially-distanced reserved seating for all screenings<\/li>\n<li>Contactless ticketing<\/li>\n<li>Enhanced HVAC filtration and system performance<\/li>\n<li>Increased time between screenings to facilitate thorough cleaning and minimize interactions<\/li>\n<li>Full health and safety protocols available on the <a href=\"https:\/\/www.filmlinc.org\/reopening-safety-health-policies\/\">FLC website<\/a>\n<div id=\"x_text-block-1557766071029\" class=\"x_text-block x_block\">\n<div>\n<p><u><b>FILMS &amp; DESCRIPTIONS<br \/>\n<\/b><\/u><\/p>\n<p><b>FLC<\/b> = In-theater at the Elinor Bunin Munroe Film Center (144 W. 65th St.)<br \/>\nor Walter Reade Theater (165 W. 65th St)<\/p>\n<p><b>VC<\/b> = Virtual Cinema (Available nationwide)<\/p>\n<div align=\"center\">\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"x_text-block-1614884517454\" class=\"x_text-block x_block\">\n<div>\n<p>&nbsp;<\/p>\n<p><b><a href=\"https:\/\/e.wordfly.com\/click?sid=NTU1XzE0ODQzXzQ1ODA1XzY5NDg&amp;l=124b6842-7e91-eb11-a825-0050569d715d&amp;utm_source=wordfly&amp;utm_medium=email&amp;utm_campaign=21.03.30ReopeningandQ2announcement&amp;utm_content=version_A\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"2\">April 9-18\u2014VC<\/a><br \/>\n<\/b>Youn Yuh-jung<br \/>\nIntroduced to a wide American audience just last year with her scene-stealing turn as a strong-willed grandmother in Lee Isaac Chung\u2019s <i>Minari<\/i>, Youn Yuh-jung has been a celebrated screen performer in her native Korea for half a century, giving life to a roster of singularly formidable women across genres and generations, encompassing femmes fatales and concubines, landladies and movie stars. In honor of her historic Oscar nomination this year\u2014Youn and her co-star Steven Yeun are the first Korean actors ever nominated\u2014Film at Lincoln Center is proud to present a five-film retrospective of her recent work, including a live, in-depth virtual conversation with the artist.<\/p>\n<p><a href=\"https:\/\/e.wordfly.com\/click?sid=NTU1XzE0ODQzXzQ1ODA1XzY5NDg&amp;l=124b6842-7e91-eb11-a825-0050569d715d&amp;utm_source=wordfly&amp;utm_medium=email&amp;utm_campaign=21.03.30ReopeningandQ2announcement&amp;utm_content=version_A\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"3\">Opening April 16\u2014FLC<\/a><br \/>\n<b>French Exit<br \/>\n<\/b><b>Azazel Jacobs, 2020, USA, 110m<br \/>\n<\/b><b>English and French with English subtitles<br \/>\n<\/b>Michelle Pfeiffer is entirely bewitching as Frances Price, an imperious, widowed New York socialite whose once-extreme wealth has dwindled down to a nub. Facing insolvency, she makes the decision to escape the city by cruise ship and relocate to her friend\u2019s empty Paris apartment with her dyspeptic son, Malcolm (Lucas Hedges), and their mercurial cat, Small Frank (voiced by Tracy Letts). There, Frances and Malcolm reckon with their pasts and plan for an impossible future, all while their social circle expands in unexpected and increasingly absurdist ways. This adaptation of the best-selling novel by Patrick deWitt is a rare American film of genuine eccentricity, elegantly directed by Azazel Jacobs (<i>The Lovers<\/i>), and featuring a brilliant performance of stylish severity by Pfeiffer, whose every intonation is a wonder to behold. NYFF58 Closing Night selection. A Sony Pictures Classics release.<\/p>\n<p><a href=\"https:\/\/e.wordfly.com\/click?sid=NTU1XzE0ODQzXzQ1ODA1XzY5NDg&amp;l=124b6842-7e91-eb11-a825-0050569d715d&amp;utm_source=wordfly&amp;utm_medium=email&amp;utm_campaign=21.03.30ReopeningandQ2announcement&amp;utm_content=version_A\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"4\">Opening April 16\u2014FLC<\/a><br \/>\n<b>Mirror <\/b>&#8211; New Restoration!<br \/>\n<b>Andrei Tarkovsky, 1974, Russia, 106m<br \/>\n<\/b><b>Russian and Spanish with English subtitles<br \/>\n<\/b>Andrei Tarkovsky\u2019s fourth feature is perhaps the great director\u2019s most personal and evocative work. It traverses three generations of a poet\u2019s family in 20th-century Russia; his relationships with his wife, mother, and children and the society around him coalesce through events connected only by the interior logic of the poetic subconscious, yielding associations that both mystify and enthrall. Unified by Georgi Rerberg\u2019s delicate lensing, <i>Mirror<\/i> employs radical shifts in both texture and color, abstracting the elemental minutiae of everyday life (like waves of air spreading across a field or spilled milk pooling on a table) to conjure the nostalgic sensations of memory and an enigmatic feeling of being outside space and time. A Janus Films release. <i>Please note: Mirror will also continue its run in the FLC Virtual Cinema.<\/i><\/p>\n<p><b><a href=\"https:\/\/e.wordfly.com\/click?sid=NTU1XzE0ODQzXzQ1ODA1XzY5NDg&amp;l=124b6842-7e91-eb11-a825-0050569d715d&amp;utm_source=wordfly&amp;utm_medium=email&amp;utm_campaign=21.03.30ReopeningandQ2announcement&amp;utm_content=version_A\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"5\">April 28 \u2013 May 8\u2014FLC &amp; VC<\/a><br \/>\n<\/b><b>New Directors\/New Films<br \/>\n<\/b>Celebrating its 50th anniversary in 2021, the New Directors\/New Films festival introduces audiences to the work of emerging filmmakers from around the world. Throughout its rich history, New Directors has brought previously little-known talents like Spike Lee, Chantal Akerman, Bi Gan, Val\u00e9rie Massadian, Gabriel Mascaro, RaMell Ross, and Kelly Reichardt to wider audiences. Join us in celebrating a group of filmmakers who represent the present and anticipate the future of cinema: daring artists whose work pushes the envelope and is never what you\u2019d expect. Presented by Film at Lincoln Center and The Museum of Modern Art.<\/p>\n<p><a href=\"https:\/\/e.wordfly.com\/click?sid=NTU1XzE0ODQzXzQ1ODA1XzY5NDg&amp;l=124b6842-7e91-eb11-a825-0050569d715d&amp;utm_source=wordfly&amp;utm_medium=email&amp;utm_campaign=21.03.30ReopeningandQ2announcement&amp;utm_content=version_A\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"6\">Opening May 14\u2014FLC<\/a><br \/>\n<b>In the Mood for Love <\/b>&#8211; New Restoration!<br \/>\n<b>Wong Kar Wai, 2000, Hong Kong, 98m<br \/>\n<\/b><b>Cantonese, Shanghainese, French, and Spanish with English subtitles<br \/>\n<\/b>Hong Kong, 1962: Chow Mo-Wan (Tony Leung) and Su Li-Zhen (Maggie Cheung) move into neighboring apartments on the same day. Their encounters are formal and polite\u2014until a discovery about their spouses creates an intimate bond between them. At once delicately mannered and visually extravagant, <i>In the Mood for Love<\/i> is a masterful evocation of romantic yearning and its fleeting moments. With its aching soundtrack and exquisitely abstract cinematography by Christopher Doyle and Mark Lee Ping-Bing, this film has been a major stylistic influence on the decades of cinema since its release, and is a milestone in Wong\u2019s redoubtable career. An NYFF38 Main Slate selection and an NYFF58 Revivals selection. A Janus Films release and part of World of Wong Kar Wai. This 4K digital restoration was undertaken from the 35mm original camera negative by the Criterion Collection in collaboration with Jet Tone Films, L\u2019Immagine Ritrovata, One Cool, and Robert Mackenzie Sound. Supervised and approved by Wong Kar Wai.<\/p>\n<p><a href=\"https:\/\/e.wordfly.com\/click?sid=NTU1XzE0ODQzXzQ1ODA1XzY5NDg&amp;l=124b6842-7e91-eb11-a825-0050569d715d&amp;utm_source=wordfly&amp;utm_medium=email&amp;utm_campaign=21.03.30ReopeningandQ2announcement&amp;utm_content=version_A\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"7\">May 14-20\u2014FLC<\/a><br \/>\n<b>World of Wong Kar Wai<br \/>\n<\/b>Contemporary cinema\u2019s supreme rhapsodist of romantic longing, Wong Kar Wai makes mesmerizing mood pieces that swirl around themes of time, dislocation, and the yearning for human connection. Ever since exploding onto the international scene in 1994 with his third feature, <i>Chungking Express<\/i>\u2014an art-house sensation that would become one of the defining works of the Hong Kong New Wave\u2014Wong has been refining his signature style, marked by woozy, hallucinatory visuals (often shot in sumptuous color by frequent cinematographer Christopher Doyle); the indelible use of pop music; and elliptical editing that evokes the impressionistic haze of memory. Though he\u2019s renowned for his sublime studies of love and its absence, Wong\u2019s small but exquisite filmography encompasses idiosyncratic forays into science fiction, crime thrillers, and the martial arts epic, all infused with his trademark motifs and swooning style. This May, Film at Lincoln Center is pleased to bring back a selection of some of Wong\u2019s most dazzling films, newly restored and on the big screen. Presented in partnership with Janus Films.<\/p>\n<p><a href=\"https:\/\/e.wordfly.com\/click?sid=NTU1XzE0ODQzXzQ1ODA1XzY5NDg&amp;l=124b6842-7e91-eb11-a825-0050569d715d&amp;utm_source=wordfly&amp;utm_medium=email&amp;utm_campaign=21.03.30ReopeningandQ2announcement&amp;utm_content=version_A\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"8\">May 19-26\u2014VC<\/a><br \/>\n<b>Human Rights Watch Film Festival<br \/>\n<\/b>Human Rights Watch is one of the world\u2019s leading independent organizations dedicated to defending and protecting human rights, and its annual film festival is a vital forum for movies that tackle important global issues. Showcasing an international selection of acclaimed works that bring human rights struggles to life through storytelling, the Human Rights Watch Film Festival presents challenging, provocative art that calls for justice and social change. Selections in recent years have included some of the most urgent documentary and fiction films of our time (including <i>The Act of Killing, Crip Camp, Collective, Dheepan, The Invisible War<\/i>,<i> Iraq in Fragments<\/i>,<i> The Oath<\/i>, <i>Restrepo, Whose Streets? <\/i>and<i> Welcome to Chechnya<\/i>), and this year will again feature essential and entertaining films everyone will be talking about. Organized by Human Rights Watch and co-presented with Film at Lincoln Center and IFC Center.<\/p>\n<p><a href=\"https:\/\/e.wordfly.com\/click?sid=NTU1XzE0ODQzXzQ1ODA1XzY5NDg&amp;l=124b6842-7e91-eb11-a825-0050569d715d&amp;utm_source=wordfly&amp;utm_medium=email&amp;utm_campaign=21.03.30ReopeningandQ2announcement&amp;utm_content=version_A\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"9\">Opening May 21\u2014FLC<\/a><br \/>\n<b>I Carry You With Me (Te llevo conmigo)<br \/>\n<\/b><b>Heidi Ewing, 2020, USA\/Mexico, 111m<br \/>\n<\/b><b>Spanish with English subtitles<br \/>\n<\/b>Among the most emotionally resonant and innovatively conceived cinematic love stories in years, <i>I Carry You With Me (Te llevo conmigo) <\/i>charts the burgeoning romance between Iv\u00e1n (Armando Espitia), a semi-closeted young father and restaurant worker, and Gerardo (Christian V\u00e1zquez), a high school teacher who has come to terms more fully with his sexuality. When Iv\u00e1n makes the decision to leave Mexico and find new life and work opportunities across the U.S. border, the two men must make difficult decisions about their future. In her narrative feature debut, Heidi Ewing (Oscar-nominated for <i>Jesus Camp<\/i>) unexpectedly and brilliantly incorporates documentary elements into a beguiling, humane tale in which everyday struggle is inextricable from transcendent romance. An NYFF58 selection. A Sony Pictures Classics release.<\/p>\n<p><a href=\"https:\/\/e.wordfly.com\/click?sid=NTU1XzE0ODQzXzQ1ODA1XzY5NDg&amp;l=124b6842-7e91-eb11-a825-0050569d715d&amp;utm_source=wordfly&amp;utm_medium=email&amp;utm_campaign=21.03.30ReopeningandQ2announcement&amp;utm_content=version_A\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"10\">May 28 \u2013 June 6\u2014VC<\/a><br \/>\n<b>Open Roads: New Italian Cinema<br \/>\n<\/b>Open Roads: New Italian Cinema is the only screening series to offer North American audiences a diverse and extensive lineup of contemporary Italian films. This year\u2019s edition again strikes a balance between emerging talents and esteemed veterans, commercial and independent fare, outrageous comedies, gripping dramas, and captivating documentaries. Co-presented by Film at Lincoln Center and Istituto Luce Cinecitt\u00e0.<\/p>\n<p><a href=\"https:\/\/e.wordfly.com\/click?sid=NTU1XzE0ODQzXzQ1ODA1XzY5NDg&amp;l=124b6842-7e91-eb11-a825-0050569d715d&amp;utm_source=wordfly&amp;utm_medium=email&amp;utm_campaign=21.03.30ReopeningandQ2announcement&amp;utm_content=version_A\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"11\">Opening May 28\u2014FLC<\/a> <i>Exclusive!<br \/>\n<\/i><b>Swimming Out Till the Sea Turns Blue<br \/>\n<\/b><b>Jia Zhangke, 2020, China, 111m<br \/>\n<\/b><b>Mandarin with English subtitles<br \/>\n<\/b>The preeminent cinematic chronicler of 21st-century China, Jia Zhangke turns his sights to the more distant past in his surprising, complexly wrought new documentary. In Shanxi province, where Jia grew up, the filmmaker gathers three prominent authors\u2014Jia Pingwa, Yu Hua, and Liang Hong\u2014and evokes the legacy of the late writer Ma Feng, to create a tapestry of testimonies about the drastic changes in Chinese life and culture that began with the social revolution of the \u201950s. In 18 chapters, interspersed with evocative, impressionistic interludes, Jia tells a wide-ranging, discursive story that touches upon movements in literature, the experiences of farmers and intellectuals, and urban versus rural living, and functions as a reminder of the essential power of verbally passing down history to future generations. An NYFF58 selection. A Cinema Guild release.<\/p>\n<p><a href=\"https:\/\/e.wordfly.com\/click?sid=NTU1XzE0ODQzXzQ1ODA1XzY5NDg&amp;l=124b6842-7e91-eb11-a825-0050569d715d&amp;utm_source=wordfly&amp;utm_medium=email&amp;utm_campaign=21.03.30ReopeningandQ2announcement&amp;utm_content=version_A\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"12\">Opening June 4\u2014FLC<\/a><br \/>\n<b>Undine<br \/>\n<\/b><b>Christian Petzold, 2020, Germany, 90m<br \/>\n<\/b><b>German with English subtitles<br \/>\n<\/b>At first blush, the new film from Christian Petzold might seem a departure for the German director, especially to those only acquainted with him from his recent triumvirate of masterful films about the romantic and identity crises of refugees at different points in German history: <i>Barbara<\/i> (NYFF50)<i>, Phoenix, <\/i>and<i> Transit<\/i> (NYFF56). Yet Petzold has long been toying with established genres, and with <i>Undine<\/i> he injects a supernatural element into a melodrama of star-crossed lovers\u2014the title character (Paula Beer), a historian and tour guide at the Berlin City Museum specializing in urban development, and industrial diver Christoph (Franz Rogowski, Beer\u2019s co-star in <i>Transit<\/i>). Linked by a love of the water, Undine and Christoph form an intense bond, which can only do so much to help her overcome the considerable baggage of her former affair. The story of a contemporary relationship guided by age-old cosmic fate, Petzold\u2019s film contains indelible images of lush romanticism while remaining scrupulously enigmatic. An NYFF58 selection. An IFC Films release.<\/p>\n<p><a href=\"https:\/\/e.wordfly.com\/click?sid=NTU1XzE0ODQzXzQ1ODA1XzY5NDg&amp;l=124b6842-7e91-eb11-a825-0050569d715d&amp;utm_source=wordfly&amp;utm_medium=email&amp;utm_campaign=21.03.30ReopeningandQ2announcement&amp;utm_content=version_A\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"13\">Opening June 11\u2014VC<\/a><br \/>\n<b>The Power of Kangwon Province <\/b>&#8211; New restoration!<br \/>\n<b>Hong Sangsoo, South Korea, 1998, 110m<br \/>\n<\/b><b>Korean with English subtitles<br \/>\n<\/b>Hong Sangsoo followed his acclaimed 1996 debut, <i>The Day a Pig Fell into the Well<\/i>, with this understated diptych concerning a popular retreat in Kangwon, a mountainous region near Seoul. At first, the film centers on the recently single Jisook, who joins two friends on vacation and falls into a romantic entanglement with a local policeman. Then, the focus shifts to a listless professor, Sangkwon, visiting Kangwon at the same time as Jisook. Already in his sophomore feature, Hong\u2019s soon-to-be signatures of knotted affairs and boozy small talk unfold across a bold yet unassuming structural experiment that invites multiple viewings. New 2K restoration. A Grasshopper Film release.<\/p>\n<p><b><a href=\"https:\/\/e.wordfly.com\/click?sid=NTU1XzE0ODQzXzQ1ODA1XzY5NDg&amp;l=124b6842-7e91-eb11-a825-0050569d715d&amp;utm_source=wordfly&amp;utm_medium=email&amp;utm_campaign=21.03.30ReopeningandQ2announcement&amp;utm_content=version_A\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"14\">Opening June 18\u2014FLC<\/a><br \/>\n<\/b><b>Summer of \u201985 \/ \u00c9t\u00e9 \u201985<br \/>\n<\/b><b>Fran\u00e7ois Ozon, 2020, France\/Belgium, 100m<br \/>\n<\/b><b>English and French with English subtitles<br \/>\n<\/b>The French Riviera, 1985. Budding teenage writer Alexis (F\u00e9lix Lefebvre, <i>School\u2019s Out<\/i>, Rendez-Vous 2019) capsizes while he\u2019s out sailing on a stormy afternoon, but he\u2019s saved from certain death by the statuesque, mercurial David (Benjamin Voisin). They become fast friends, and Alexis starts working for David\u2019s affectionate but scattered mother (Valeria Bruni Tedeschi, star and director of <i>A Castle in Italy<\/i>). Alexis\u2019s attraction to David soon blossoms into passion, but turns, by the end of the summer, into a deeper meditation on mortality and the unknown. Awash in sun-kissed pastels and period-appropriate tracks from The Cure, <i>Summer of \u201985 <\/i>is a cursed romance in the key of Rimbaud and Verlaine that pulls apart the comforts of nostalgia in the heat of the present. A Rendez-Vous with French Cinema 2021 selection. A Music Box release.<\/p>\n<p><a href=\"https:\/\/e.wordfly.com\/click?sid=NTU1XzE0ODQzXzQ1ODA1XzY5NDg&amp;l=124b6842-7e91-eb11-a825-0050569d715d&amp;utm_source=wordfly&amp;utm_medium=email&amp;utm_campaign=21.03.30ReopeningandQ2announcement&amp;utm_content=version_A\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"15\">Opening July 9\u2014FLC<\/a><br \/>\n<b>The Woman Who Ran<br \/>\n<\/b><b>Hong Sangsoo, 2020, South Korea, 77m<br \/>\n<\/b><b>Korean with English subtitles<br \/>\n<\/b>Men are mostly, amusingly sidelined in Hong Sangsoo\u2019s recent delight, which is anchored by the director\u2019s regular collaborator\u2014and real-life partner\u2014Kim Minhee as the peripatetic Gamhee. Divided into three casually threaded yet distinct sections, the film follows Gamhee as she travels without her husband for the first time in years, visiting a succession of friends: two on purpose, one by chance. As usual, Hong allows the most minimal interactions to carry surprising weight, and uses subtle and sly narrative repetition to evoke a world of circular motion. <i>The Woman Who Ran<\/i> also features one of Hong\u2019s most expert comic setpieces, a neighborly argument about stray cats that gets to the heart of the filmmaker\u2019s lovingly crafted world of thwarted connections and everyday dysfunction. An NYFF58 selection. A Cinema Guild release.<\/p>\n<\/div>\n<\/div>\n<div id=\"x_text-block-1557766109590\" class=\"x_text-block x_block\">\n<div>\n<p><b><u>FILM AT LINCOLN CENTER<\/u><\/b><\/p>\n<p>Film at Lincoln Center is dedicated to supporting the art and elevating the craft of cinema and enriching film culture.<\/p>\n<p>Film at Lincoln Center fulfills its mission through the programming of festivals, series, retrospectives, and new releases; the publication of <i>Film Comment<\/i>; the presentation of podcasts, talks, and special events; and the creation and implementation of Artist Initiatives. Since its founding in 1969, this nonprofit organization has brought the celebration of American and international film to the world-renowned Lincoln Center arts complex, making the discussion and appreciation of cinema accessible to a broad audience and ensuring that it remains an essential art form for years to come.<\/p>\n<p><b>Film at Lincoln Center receives generous, year-round support from the National Endowment for the Arts and the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. American Airlines is the Official Airline of Film at Lincoln Center. For more information, visit\u00a0<\/b><a href=\"https:\/\/www.filmlinc.org\/?utm_source=wordfly&amp;utm_medium=email&amp;utm_campaign=21.03.30ReopeningandQ2announcement&amp;utm_content=version_A\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"16\"><b>www.filmlinc.org<\/b><\/a> <b>and follow @filmlinc on Twitter and Instagram.<\/b><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Film at Lincoln Center will reopen its theaters Friday, April 16, following a yearlong closure prompted by the COVID-19 pandemic. The safety of audiences and staff remains FLC\u2019s first priority as the organization resumes in-person operations, continuing its mission to support the art and elevate the craft of cinema. FLC\u2019s Elinor Bunin Munroe Film Center&#8230;<\/p>\n","protected":false},"author":2,"featured_media":944,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[335],"tags":[391,387,388,390,389],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Film at Lincoln Center&#039;s Theaters Will Reopen on April 16 | Cinema Daily US<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinemadailyus.com\/?p=942\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Film at Lincoln Center&#039;s Theaters Will Reopen on April 16 | Cinema Daily US\" \/>\n<meta property=\"og:description\" content=\"Film at Lincoln Center will reopen its theaters Friday, April 16, following a yearlong closure prompted by the COVID-19 pandemic. The safety of audiences and staff remains FLC\u2019s first priority as the organization resumes in-person operations, continuing its mission to support the art and elevate the craft of cinema. 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