©Courtesy of A24
Described by its producers as the story of “a cosmic and precarious love between two American expats in midcentury Mexico City,” Luca Guadagnino‘s Queer is a breathtaking adaptation of the eponymous novel that William S Burroughs had begun writing in the 1950s though it was not published until 1985.
Starring Daniel Craig as William Lee, a fortysomething college professor involved in an obsessive relationship with Eugene Allerton, a twentysomething student played by Drew Starkey, Queer probes the agonies and the ecstasies of two men immersed in the twin obsessions of erotic desire and heroin addiction during the McCarthy era.
Guadagnino has admitted his fascination with the novel ever since he read it as a teenager. “I was shocked by it, and completely absorbed and invested in the central character William Lee, who was Burroughs’ literary doppelganger,” he says. “What connected me to it was something I could feel within myself at the time: the idea of craving contact with somebody who reflects you, who you connect with on the deepest conceivable level.”
©Courtesy of A24
Though Lee sought sanctuary in Mexico, the film makes no direct allusions to the cultural or political issues swirling around homosexuality in the USA during this fraught era. Living in self-imposed exile south of the US border, Lee and Allerton live and make furious love without a thought of being part of any liberation movement. Indeed, Burroughs had famously stated “I have never been gay a day in my life and I’m sure as hell not a part of any movement.”
As I watched this intriguing film, I could not help but think of Dr James LeBaron Boyle, another Burroughs disciple that I’d gotten to know decades ago when he was an English professor at King’s, a small Catholic college in Pennsylvania. Dr Boyle, a friend and erstwhile travel companion of William S Burroughs, might today be regarded as the poster child for closeted academics of the pre-Stonewall generation—part of that beleaguered infantry who soldiered on, using wit, flamboyance, and double entendre as the tools of their transgression.
Though William Lee is portrayed here in all his hard-drinking and heroin-soaked glory, he is not depicted in Queer as your typical run-of-the-gin-mill junkie. Daniel Craig plays his complex role with dexterity, portraying Lee as a seeker after beatific transcendence and “telepathy” even in his moments of profoundest dissipation. Ultimately, Lee invites Allerton to join him on a trek through the Ecuadorean jungle in search of ayahuasca (aka yagè), the hallucinogenic herb used by folk healers in the region. They meet up with an eccentric botanist named Dr Cotter, another expat American (played superbly by Leslie Manville). As one of the few women characters in this testosterone-fueled film, she adds welcome comic relief to what is essentially a sad tale of exile and longing.
©Courtesy of A24
Queer is also remarkable for its lush visual imagery, especially in the final segment when Lee and Allerton, high on ayamuasca and lust, engage in a surreal, shape-shifting dance that, if nothing else, affirms that love is indeed a many-splintered thing. Allerton tells Lee, “I’m not queer–I’m disembodied,” a phrase from Burroughs’s own journals as he tried to come to terms with his accidental shooting of his wife in Mexico years earlier, a traumatic event that haunts the closing scenes of Queer.
As Guadagnino has written: “Queer for me is a love story from a very specific generation to another generation — a movie for the kids of today and the kids of tomorrow, I hope audiences feel the anguish of William Lee and his epic love for Eugene Allerton and learn from the beauty of their bond — the idea of one person giving himself over to the task of loving so deeply and singularly, particularly in rapport to the disconnect we all feel in the digital era.”
©Courtesy of A24
Rating: A+
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Here’s the trailer of the film.