Japan Society Presents Love Letters: Four Films by Shunji Iwai Featuring the U.S. Premiere of Newly Remastered Fireworks, Should We See It from the Side or Bottom? and a Rare 35mm Presentation of All About Lily Chou-Chou! Love Letter © FUJI TELEVISION NETWORK All rights reserved. New York, November 2022—Japan Society is pleased to announce…
©Tsubasa Yamaguchi/KODANSHA ©2024 “Blue Period” Film Partners FOR IMMEDIATE RELEASE JAPAN SOCIETY’S JAPAN CUTS: FESTIVAL OF NEW JAPANESE FILM ANNOUNCES TWO MAJOR PREMIERES BASED ON POPULAR MANGA: KENTARO HAGIWARA’S BLUE PERIOD INTERNATIONAL PREMIERE – JULY 13 KIYOTAKA OSHIYAMA’S LOOK BACK EAST COAST PREMIERE – JULY 14 These newly announced additions to North America’s largest Japanese…
©Courtesy of Bandai Namco Filmworks Inc FOR IMMEDIATE RELEASE JAPAN SOCIETY PRESENTS THE 17TH ANNUAL JAPAN CUTS: FESTIVAL OF NEW JAPANESE FILM July 10–21, 2024 · Japan Society · New York, NY North America’s largest Japanese film festival presents two weeks of contemporary premieres, including new films from Kei Chika-ura, Takeshi Kitano, Gakuryu Ishii, Shunji…
Sailor Suit and Machine Gun © 1981 Kadokawa Corp. New York, March 22, 2023—Japan Society is pleased to announce the 2023 Globus Film Series, Rites of Passage: The Films of Shinji Somai. The first North American retrospective on one of Japan’s most neglected auteurs, this series will spotlight director Shinji Somai (1948-2001), who while widely…
Japan Society Announces Full Lineup for Hybrid Presentation of the 15th Edition of JAPAN CUTS: Festival of New Japanese Film August 20–September 2 at Japan Society North America’s largest festival of contemporary Japanese cinema presents a dynamic slate of 38 films streaming online throughout the U.S. and screening in-theater at Japan Society in…
FANTASIA’S 25TH EDITION ANNOUNCES FIRST WAVE OF PROGRAMMING FOR UPCOMING VIRTUAL FILM FESTIVAL Richard Bates Jr.’s KING KNIGHT, Tsutomu Hanabusa’s KAKEGURUI 2: ULTIMATE RUSSIAN ROULETTE, Mark O’Brien’s THE RIGHTEOUS, Daigo Matsui’s REMAIN IN TWILIGHT, Edoardo Vitaletti’s THE LAST THING MARY SAW, and Shunji Iwai’s THE 12 DAY TALE OF THE MONSTER THAT DIED IN 8…
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