Chiara Spagnoli Gabardi

Chiara Spagnoli Gabardi
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Works as film critic and journalist who covers stories about culture and sustainability. With a degree in Political Sciences, a Master’s in Screenwriting & Film Production, and studies at the Lee Strasberg Theatre & Film Institute, Chiara has been working in the press since 2003. Italian by blood, British by upbringing, fond of Japanese culture since the age of 7, once a New Yorker always a New Yorker, and an avid traveller, Chiara collaborates with international magazines and radio-television networks. She is also a visual artist, whose eco-works connect to her use of language: the title of each painting is inspired by the materials she upcycles on canvas. Her ‘Material Puns’ have so far been exhibited in four continents, across ten countries. She is a dedicated ARTivist, donating her works to the causes and humanitarians she supports, and is Professor of Phenomenology of Contemporary Arts at Istituto Europeo di Design in Milan.
Works as film critic and journalist who covers stories about culture and sustainability. With a degree in Political Sciences, a Master’s in Screenwriting & Film Production, and studies at the Lee Strasberg Theatre & Film Institute, Chiara has been working in the press since 2003. Italian by blood, British by upbringing, fond of Japanese culture since the age of 7, once a New Yorker always a New Yorker, and an avid traveller, Chiara collaborates with international magazines and radio-television networks. She is also a visual artist, whose eco-works connect to her use of language: the title of each painting is inspired by the materials she upcycles on canvas. Her ‘Material Puns’ have so far been exhibited in four continents, across ten countries. She is a dedicated ARTivist, donating her works to the causes and humanitarians she supports, and is Professor of Phenomenology of Contemporary Arts at Istituto Europeo di Design in Milan.

Cry Macho, Eastwood’s Scrutiny Of Masculinity Where The Cockerel Is In The Details

@Corutesy of Warner Brothers Clint Eastwood’s latest cinematic oeuvre, Cry Macho, is now out in North American theatres, and will be the Opening film of the 34th Tokyo International Film Festival on October 30h.  This motion picture, that Clint Eastwood directs, stars and produces, marks 50 years of his career as a filmmaker, and ventures…

Three Floors (Tre Piani) : Review / A Feuilleton Unworthy Of Moretti’s Lampoon Cinema

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Take A Peek At The Line-Up of The Kotatsu Japanese Animation Festival

Ever since Cinema Daily US was launched in March of 2021, our director and editor-in-chief Nobuhiro Hosoki, made it the outlet’s mission not only to narrate the work of people from the film industry, through reviews, interviews and feature articles, but also to serve as a window for fledgeling talent and inspiring film festivals. Throughout…

Dune, Visual Grandeur Does Not Compensate For Narrative Vacuity

The novel Dune, written by Frank Herbert in 1965, is a science-fiction that takes place in a distant future, within a feudal interstellar society where various noble houses control planetary fiefs. Many have defined it as an arduous, if not impossible, book to adapt for the screen. Nevertheless, David Lynch tried to embrace the challenge…

You Can Sojourn At Winnie The Pooh’s Bearbnb in East Sussex

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TV Review: ‘McCartney 3, 2, 1,’ A Peregrination “Across The Universe” Of The Fab Four

Those who are fond of The Fab Four are in for a treat with the miniseries McCartney 3, 2, 1 — the result of the collaboration between the former member of The Beatles, Sir Paul McCartney, and record producer Rick Rubin. The six episodes, directed by Zachary Heinzerling, are a crossover between a documentary and…

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Do Hollywood’s Eco-Advocates Walk Their Talk?

As the adage says: “With great power comes great responsibility.” Being a public figure puts a spotlight on the lifestyle one leads, therefore it is inspiring that several notable members of the entertainment community use their stature to advocate for the well-being of our planet. However do all Hollywood celebrities who support environmental causes, truly…

Free Guy, When Video Games Set An Existential Example

The Twentieth Century Studios movie Free Guy, uses video games to create an existentialist parable about humans’ ability to make choices against society’s expectations. Guy is a bank employee (Ryan Reynolds) who discovers he is an NCP (non-player character) in an open world video game, who decides to become the hero of his own story…