Joe Bendel

Joe Bendel
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Based in New York, Joe Bendel has reviewed film, television, music, and theater for nineteen years, in print and online. In addition to his site, J.B. Spins, he frequently contributes reviews to The Epoch Times, specializing in mystery/thriller series, documentaries, and Asian cinema. As a critic he has attended in-person international film festivals, including Sundance, Slamdance, Fantasia, and the New York Film Festival, as officially accredited press. He has also written for Nightfire, Libertas Film Magazine, and Signal to Noise (the dearly departed experimental music print magazine). He has over twenty-five years of experience in the book publishing industry and has taught film and music survey courses at NYU’s School of Continuing Studies. Bendel also coordinated the Jazz Foundation of America’s instrument donation drive for musicians displaced by Hurricane Katrina. He is a graduate of Wittenberg University and the University of Denver Publishing Institute.
Based in New York, Joe Bendel has reviewed film, television, music, and theater for nineteen years, in print and online. In addition to his site, J.B. Spins, he frequently contributes reviews to The Epoch Times, specializing in mystery/thriller series, documentaries, and Asian cinema. As a critic he has attended in-person international film festivals, including Sundance, Slamdance, Fantasia, and the New York Film Festival, as officially accredited press. He has also written for Nightfire, Libertas Film Magazine, and Signal to Noise (the dearly departed experimental music print magazine). He has over twenty-five years of experience in the book publishing industry and has taught film and music survey courses at NYU’s School of Continuing Studies. Bendel also coordinated the Jazz Foundation of America’s instrument donation drive for musicians displaced by Hurricane Katrina. He is a graduate of Wittenberg University and the University of Denver Publishing Institute.

Fantasia: The Tenants: Yoon Eun-kyung’s Writing is Remarkably Sharp

©Courtesy of Fantasia International Film Festival  New Yorkers might not even consider this near-future Korean metropolis (a sort of, but not exactly Seoul) a strange and unfamiliar urban dystopia, as director-screenwriter Yoon Eun-kyung intended. Yes, the air quality is awful and it is nearly impossible to find an affordable, livable apartment, thanks a bizarre and…

Fantasia : Sunburnt Unicorn / The Film Never Truly Cohesively Comes Together

@Courtesy of NMA Releasing  Surely, there are easier ways for fathers and sons to repair their relationships, like maybe tossing around a football in the backyard? Regardless, it will take a grave car accident and a subsequent mythical quest for Franklin (known as Frankie) to finally better understand his father in Canadian director-screenwriter Nick Johnson’s…

Fantasia : Kizumonogatari: Koyomi Vamp Review

©Courtesy of Fantasia International Film Festival  At least poor Koyomi Araragi is not a Renfield. As a freshly turned minion, his mistress bestowed full vampire powers on him. Kiss-Shot Acerola-Orion Heart-Under-Blade—truly an anime name, if ever there was one—might even allow him to return to human form, eventually. For now, Araragi must protect her from…

Mantra Warrior: The Legend of the Eight Moons, at Fantasia 2024

In the fan-favorite anime film, Ramayana: The Legend of Prince Rama, the simian warrior Hanuman steals the show, because who doesn’t love a big talking monkey? The classic Japanese-Indian co-production directed by Ram Mohan, Koichi Sasaki, and Yugo Sako presents a reasonably faithful adaptation, from an Indian perspective. Over the centuries, the archetypal epic travelled…

Japan Cuts / Retake : Nakano Taps Into Universal Teen Attitudes & Neuroses

©Courtesy of Japan Cuts  There is less parental supervision in this film than you see in an average John Hughes movie. Perhaps as a result, these teens hardly spend any time working or studying during their summer break—maybe a little, but not a lot. However, they are not idle slackers. In fact, they keep quite…

Japan Cuts : Kubi / It’s an Iron-Clad Guarantee the Audience Will Never be Bored

©Courtesy of Japan Cuts  In Takeshi Kitano’s gangster movies, a lot of fingers get chopped. For this samurai historical epic, he steps up to head-chopping. To be fair, Kitano’s yakuza probably lopped off a few heads of their own, but during Japan’s Sengoku Era, collecting severed heads was the preferred method of proving the death…

Japan Cuts Animated Shorts: Bottle George & Nezumikozo Jirokichi

©Courtesy of Japan Cuts The compulsions of two hard-living characters reshape the worlds around them in their respective animated shorts. This produces artistic triumph in one case and family tragedy in the other. Yet, Anime fans will be duly impressed by both short films’ artistry and pedigrees. Despite their lengths, Bottle George, from Daisuke “Dice”…

Japan Cuts : Look Back is Brutally Poignant, But Emotionally Complex

Manga publishing is a ruthlessly numbers-driven business. Success is mostly dependent on sales and reader popularity polls. Nevertheless, it attracts artistic young people, who often keenly sensitive, somewhat neurotic, and even sometimes painfully shy. Those terms certainly describe either Ayumu Fujino or her middle school rival “Kyomoto the Truant.” Several apply to them both. Somehow,…

A Man of Reason (Who is No Stranger to Action)

©Epic Pictures  Su-hyuk broods hard, very much like the other titular men in “man” films, like Man on Fire (either of them) and The Man from Nowhere. He too is a jaded man of action, who must rescue an innocent child from a powerful criminal organization. After ten years in prison, Su-hyuk has no intention…

The Imaginary : A Former Ghibli Animator Yoshiyuki Momose Celebrates the Power of Imagination

@Courtesy of Studio Ponoc/Netlfix Japanese anime filmmakers have a bizarrely fantastic track record translating British young adult fantasies for the big screen. Studio Ghibli notably adapted Mary Norton’s The Borrowers (as The Secret World of Arrietty), Joan G. Robinson’s When Marnie Was There, and Diana Wynn Jones’ Howl’s Moving Castle (loosely, but it still counts),…