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Heretic Review by Matthew Schuchman

Check out more of CinemaDaily US’ video interviews on our YouTube channel Critic Matthew Schuchman  In the early 90s, while at the video store with his friends who wanted to rent Don’t Tell Mom The Babysitter’s Dead, Matthew asked the clerk if they had any copies of Naked Lunch available. A film buff from an…

Philadelphia Film Festival: Desert Road Leads Kristine Froseth on a Disorienting Road Trip

Building a hypnotic blend of fascination and dread that pushes the boundaries of horror and sci-fi stories is a powerful skill that genre filmmakers often long strive to achieve in their careers. Up-and-coming writer-director, Shannon Triplett is doing just that with her first feature, Desert Road. The new thriller chronicles how the project’s protagonist has…

Short Films Screened at Thirteenth New York Japan CineFest

Fifteen short features by independent Japanese filmmakers were screened the weekend of November 1-2 as part of the thirteenth annual New York Japan CineFest (NYJCF) at the Asia Society in Manhattan and at the Thespis Theater in Queens. Mar Creation was the main host of the festival, working in collaboration with the Asia Society, the…

DOC NYC: ‘My Sweet Land’ Delves Into Inherited Wars

The film directed by Sareen Hairabedian is running in the Best Documentary Feature Film category for the 97th Academy Awards. My Sweet Land portrays the picturesque simplicity of rural life in Artsakh, milking cows, playing games using nuts as marbles, gazing at the roaming ducks and golden bees and attending clay workshops. Artsakh, also known…

“Overlord: The Sacred Kingdom” / The Anime Franchise’s First Feature

©Courtesy of Kadokawa  Imagine a figure like Skeletor from Masters of the Universe, except he is a good guy. Perhaps “good guy” is too strong a term, but we can at least say he is complicated. Now imagine you are that character. This is the position Satoru Suzuki found himself in. He was the last…

Philadelphia Film Festival: Small Things Like These Anchored by Cillian Murphy’s Poignant Performance

Well-meaning protagonists contemplating their morality as they struggle with their complicity in sin is a powerful driving force in character-driven films. That’s certainly the case with recent Oscar-winning actor Cillian Murphy‘s latest drama, Small Things Like These. While set nearly 40 years ago, the movie thrives on its evocative, impressionistic heartbreaks that still find their…

A Greyhound of a Girl : Enzo D’Alo Portrays a Family Facing Impending Mortality

@Courtesy of GFM Animation  How can a little girl not love dogs? Even in Ireland, Mary O’Hara must surely have grown up with Snoopy and Clifford. Nonetheless, she inherited a fear of canines [perhaps unfairly] from her grandmother, Emer, along with her love of “cookery.” Both those inheritances skipped her mother Scarlett, who took on…

Memoir of a Snail : The Clay Figures are Highly Expressive and Deeply Heartfelt Story

© Arenamedia As last words go, “the potatoes” are not as romantic as “rosebud.” Yet, for Grace Prudence Pudel, her elderly friend’s dying breath is just as cryptic and even more frustrating. Life threw a lot on Pudel’s shoulders, but crazy old “Pinky” might just have some parting wisdom to help her carry on in Adam…

‘Pulp Fiction’ Turns 30: Maybe Innovative, Surely Brilliant

@Courtesy of Miramax It is quite fair to write that Quentin Tarantino owns his astonishing career, or at least a good part of the way it was shaped, to…Clint Eastwood. The legendary actor and director who was designated President of the Jury at the Cannes Film Festival in 1994, imposed in fact his will upon…

‘Here’ Video Review: Zemeckis, Hanks, and Wright Reunite for Moving Family Drama

Thirty years ago, filmmaker Robert Zemeckis and Tom Hanks teamed with screenwriter Eric Roth and actress Robin Wright for Forrest Gump, which won six Oscars, including Best Picture, Best Director, Best Screenplay and Best Actor for Hanks, as well as Oscars for editing and visual effects. Zemeckis’ latest film, Here, based on a graphic novel…

Venom : The Last Dance Video Review by Matthew Schuchman and “Venom” Himself?

Check out more of CinemaDaily US’ video interviews on our YouTube channel Critic : Matthew Schuchman In the early 90s, while at the video store with his friends who wanted to rent Don’t Tell Mom The Babysitter’s Dead, Matthew asked the clerk if they had any copies of Naked Lunch available. A film buff from…