New York Jewish Film Festival

Chiara Spagnoli Gabardi

Chiara Spagnoli Gabardi
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Works as film critic and journalist who covers stories about culture and sustainability. With a degree in Political Sciences, a Master’s in Screenwriting & Film Production, and studies at the Lee Strasberg Theatre & Film Institute, Chiara has been working in the press since 2003. Italian by blood, British by upbringing, fond of Japanese culture since the age of 7, once a New Yorker always a New Yorker, and an avid traveller, Chiara collaborates with international magazines and radio-television networks. She is also a visual artist, whose eco-works connect to her use of language: the title of each painting is inspired by the materials she upcycles on canvas. Her ‘Material Puns’ have so far been exhibited in four continents, across ten countries. She is a dedicated ARTivist, donating her works to the causes and humanitarians she supports, and is Professor of Phenomenology of Contemporary Arts at Istituto Europeo di Design in Milan.
Works as film critic and journalist who covers stories about culture and sustainability. With a degree in Political Sciences, a Master’s in Screenwriting & Film Production, and studies at the Lee Strasberg Theatre & Film Institute, Chiara has been working in the press since 2003. Italian by blood, British by upbringing, fond of Japanese culture since the age of 7, once a New Yorker always a New Yorker, and an avid traveller, Chiara collaborates with international magazines and radio-television networks. She is also a visual artist, whose eco-works connect to her use of language: the title of each painting is inspired by the materials she upcycles on canvas. Her ‘Material Puns’ have so far been exhibited in four continents, across ten countries. She is a dedicated ARTivist, donating her works to the causes and humanitarians she supports, and is Professor of Phenomenology of Contemporary Arts at Istituto Europeo di Design in Milan.

Exclusive Interview With Livia De Paolis About Her World Of Fantasy In ‘The Lost Girls’

Livia De Paolis introduces us to a world where reality meets the imagination. The Lost Girls follows four generations of Darling women — Wendy Sr. (Vanessa Redgrave, Siobhan Hewlett), Jane (Joely Richardson, Tilly Marsan), Wendy Jr. (Livia De Paolis, Emily Carey, Amelia Minto), Berry (Ella-Rae Smith) — who struggle with reality in the aftermath of…

NYAFF: Before Next Spring, Shows How Home Is A State Of Mind

The New York Asian Film Festival returns for its 20th edition from July 15th until the 31st to increase exposure of Asian representation on screen. The kermesse will provide opportunities for audiences of all communities to experience the diversity of this culture and establish connections between East and West. One of the films in the…

Mrs. Harris Goes To Paris, Manifests How The Pursuit Of Dreams Has No Limits

In 1958 a novel written by Paul Gallico revolutionised the depiction of fairytale heroines: Mrs. ‘Arris Goes to Paris. It was the first in a series of four books about the adventures of a London charwoman, who falls madly in love with a couture Dior dress, and decides she must have one of her own….

Netflix’s Persuasion, The Cinematic Adaptation Glorifies Modern Day Women

The sixth and last completed novel by Jane Austen, Persuasion, was published in 1817 with readers being introduced to her most emancipated female of the Regency Era: Anne Elliot. This work, that was published posthumously, is considered the one to have the most modern approach for the way it questions traditional beliefs and shifts attitude…

Summer Series at Japan Society: Mothra, The Themes Of The Kaijū Film Still Resonate After Six Decades

Japan Society returns with its Summer Series, that includes an iconic film of the Sixties directed by Ishirō Honda: Mothra. This kaijū (strange beast), first appeared in the movie produced and distributed by Toho Studios, and was later featured in several Toho tokusatsu films, especially in the Godzilla franchise. The story originates from the serialised…

Exclusive Interview With Fanny Ardant at the Brussels International Film Festival

French actress Fanny Ardant has performed in more than eighty films, thirty plays, twenty television dramas and is recipient of numerous accolades, including two César Awards for Pédale douce (Soft Pedal) by Gabriel Aghion and for La Belle Époque by Nicolas Bedos, as well as a Silver Bear for Outstanding Artistic Achievement.  There is no other thespian who possesses her…

Minions : The Rise Of Gru, The Minions’ Slapstick Comedy Saves The Day

The computer-animated action comedy Minions : The Rise Of Gru, produced by Illumination and distributed by Universal Pictures, premiered at the Annecy International Animation Film Festival. The film is set in the Seventies, after the events of the previous movie with a twelve year old Gru who is growing up in the suburbs. Like every adolescent he…

Tribeca Festival : Review / Endangered, Denounces The Profound Crisis In Freedom Of The Press

History has defined the hierarchy of power through estates. The French Revolution dismantled the archetypical tryptic of the First (clergy), Second (aristocracy) and Third (commoners) estates of the realm. The modern era brought the advent of a new force: the Fourth Estate, characterised by the mass media and its explicit capacity of advocacy and implicit…

Elvis, We Can’t Help Falling In Love With Baz Luhrmann’s Biopic

From Warner Bros. Pictures and visionary Oscar nominated director Baz Luhrmann comes to the silver screen a phenomenal biopic about the legendary Elvis Presley.  Elvis, not only explores the life and music of the iconic star, but it also unveils the villainous doings of his manager. The story about Elvis Aaron Presley (Austin Butler) is…

Tribeca Festival : Review / We Might As Well Be Dead, A Dark Tale Mimicking Society’s Blatant Chauvinism

We Might As Well Be Dead is the epitome of fear as a self-reproducing system that dominates the political discourse. This is the feature debut directed by Russian-German Natalia Sinelnikova, that was presented at the 72nd Berlin Film Festival and at the 21st Tribeca Film Festival. Forty year old Anna Wilczynska (Ioana Iacob) lives with…