Niclas Goldberg

Niclas Goldberg
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Niclas Goldberg was born and raised in Stockholm, Sweden. After graduating from film studies at the University of Stockholm he has been working in New York as a programmer for Göteborg Film Festival and as a film journalist interviewing various directors and actors for newspapers and film magazines, such as Dagens Nyheter and Filmrutan. In addition, he has written film reviews, poetry books and directed short films.
Niclas Goldberg was born and raised in Stockholm, Sweden. After graduating from film studies at the University of Stockholm he has been working in New York as a programmer for Göteborg Film Festival and as a film journalist interviewing various directors and actors for newspapers and film magazines, such as Dagens Nyheter and Filmrutan. In addition, he has written film reviews, poetry books and directed short films.

NYFF/Sentimental Value Review: Echoes in a Wooden House – Joachim Trier Excels

©Courtesy of Neon The prologue sets the emotional architecture of “Sentimental Value”, the Grand Prize winner at Cannes. We’re introduced to two sisters’ childhood home — a magnificent red wooden house in Oslo, Norway — that serves as the emotional center of the story. The film then cuts to a young stage actress, moments before her…

NYFF / Sirāt Review: Pulses in the Desert – Surrender to Oliver Laxe’s Brilliant Beat

©Courtesy of Neon Rave culture has always thrived outside the mainstream, an underground heartbeat pulsing against the silence of daily life. For many, the rave isn’t just music—it’s rebellion, refuge, and pilgrimage. The ravers of “Sirāt“, Oliver Laxe’s Cannes Jury Prize winner and Spain’s Oscar contender, now creating buzz at the New York Film Festival,…

NYFF/The Mastermind Review: Masterful Kelly Reichardt and Josh O’Connor’s Subtle Sting

©Courtesy of MUBI She has been called the quietest of the great American directors. Kelly Reichardt doesn’t rush. She clears away the unnecessary and takes her time capturing the American soul. Now she returns with something as unusual and unlikely as an observational heist movie. Her style works wonders. Set in a sleepy Massachusetts suburb…

TIFF/Christy Review: Sydney Sweeney Packs a Punch in Biopic Boxing Drama

Photo by Eddy Chen – © courtesy of Black Bear Boxers have always been symbols of grit in a cinema. They fight not just opponents, but demons of pride, poverty, and identity. From Sylvester Stallone’s underdog triumph in “Rocky“ (1976) to Robert De Niro’s bruising portrait of self-destruction in “Raging Bull“ (1980), the ring becomes a…

TIFF/ Dead Man’s Wire Review: Gus Van Sant Back in Shape with a Splendid Bill Skarsgård

©Courtesy of TIFF David Lynch’s surreal “Eraserhead“ was about to flicker onto screens, and Jimmy Carter had just been sworn in as president. It was early 1977 — post-Kennedy, post-Watergate America — when Indianapolis businessman Tony Kiritsis stormed into an office and wired a sawed-off shotgun to the back of a mortgage broker’s head. What followed…

TIFF/ Frankenstein Review: Jacob Elordi Stuns in Guillermo del Toro’s Visually Grand Gothic Tale

©Courtesy of Netflix Watching a Guillermo del Toro film feels like discovering a forgotten fairy tale in a mausoleum — lush, disturbing, and hard to forget. The Mexican filmmaker crafts fables for grownups: grotesque yet tender, brutal yet poetic. More than just spectacle, we can’t stop liking his emotional monsters — from “Pan’s Labyrinth” (2006) to “The…

Tribeca Festival : People and Meat Review / Poor Old Trio Dine and Dash in Korean Gem

©Courtesy of Tribeca Festival In youth-oriented, fast-moving, modern societies, many elderly are overlooked and brushed aside, marginalized and isolated, or just have a bad rap. In the autumn of age, it’s too common to become invisible. In cinema, the theme has been explored in various ways, from Poetry to Umberto D., from Nomadland to Tokyo…

Tribeca Festival/A Second Life Review: Chaos Meets Claude Monet When Titane Star Agathe Rousselle Crosses Paris on the Verge of the Olympics

Life was dark when French painter Claude Monet, regarded as the father of impressionism, took on the grand scale Water Lilies at the age of 74, a series of around 250 paintings depicting the water garden at his Giverny home. The year was 1914. His son had recently died, World War 1 had just begun,…

Sundance Film Festival / Sabar Bonda (Cactus Pears) Review: World Cinema Grand Jury Prize Winner is a Gentle, Indian Triumph

Courtesy of Sundance Film Festival There are layers behind the title “Cactus Pears“ (Sabar Bonda in Marathi). In these red pears there’s a soft, juicy flesh that’s bursting with sweet flavor. Filled with vitamins, indigenous people have used the juice for centuries to treat burns and hepatitis. It takes years to grow, but the sweetness…

Sundance Film Festival / DJ Ahmet Review: Music Throbs in Timeless, North Macedonian Charmer

©Courtesy of Sundance Film Festival In a scene in DJ Ahmet, the winner of the Special Jury Award: World Cinema Dramatic, a horde of escaped sheep crash a rave party in the countryside. The beats pulsate as the sheep bleat. The bells jingle in the blinking lights while cool dudes dance and spray graffiti. But in…