Robert Sodmak
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Reviews

Sundance Film Festival Review : Free Chol Soo Lee, How the Wrongful Conviction of an Asian Man Led to a Significant Movement

Longtime journalists-turned-directors Julie Ha and Eugene Yi capture a sensitive and unique moment in Asian American history. At this year’s Sundance Film Festival, they debuted “Free Chol Soo Lee” — their recent documentary feature — which shed a new light on the story of Korean immigrant Chol Soo Lee, whose life was brutalized by America’s…

Sundance Film Festival Review – ‘Cha Cha Real Smooth’ is a Delight from Cooper Raiff

When a filmmaker comes out with an acclaimed work that marks their breakthrough, it’s worth paying attention to what comes next. Cooper Raiff delivered S#!&house, a story of a college freshman who spends a night with his RA, at the 2020 SXSW Film Festival, taking home the grand jury prize. Raiff returns with Cha Cha…

Sundance Film Festival Review: ‘Am I Ok?’ is a Fun Tale of Friendship and Self-Discovery

Self-expression can be a difficult thing when society has so much to say about who and what people are supposed to be. It would be considerably easier to navigate this world without preconceived notions about when important milestones should occur, if they should at all, and without constructs like gender and other defining characteristics. Unfortunately,…

Sundance Film Festival Review – Evan Rachel Wood Opens Up and Advocates in ‘Phoenix Rising’

While modern civilization has evolved in certain respects, it is still horrifying and disturbing to see how people continue to be led to believe that they occupy a particular rank or place where they must do what is asked or expected of them. Too often, young individuals – and individuals of any age – are…

Sundance Film Festival Review- The blunt end of “Sharp Stick”

Around 5 minutes into Sharp Stick 26 year old Sarah Jo (Kristine Froseth) goes to put a “pre-eviction” note on the door of a tenant her mother is about to evict from the apartment complex they run. Or, so it seems it is an apartment complex. They refer to him as the tenant in 1-A, but…

Sundance Film Festival Review – ‘Call Jane’ Spotlights Early Heroes in the Battle for Abortion Access

The fight for abortion rights in the United States has been an uphill battle, and it is frequently pointed out that those making the decisions about what women can and cannot do with their bodies are almost always men. The irony of that is sadly lost on most, and, especially those who claim to value…

Sundance Film Festival Review- Searching Intimacy with, “Good Luck to You, Leo Grande.”

A favorite talking point of mine is that too many people confuse lust for love. Good Luck To You, Leo Grande (which from this point further will be mentioned simple as Good Luck… for brevities sake) in no way connects to this idea. But, in a similar vein, it looks at intimacy in a way that breaks it…

Sundance Film Festival Review – Venice Winner ‘Happening’ Showcases an Arduous Abortion Journey

Getting an abortion at this current moment can be a difficult thing even for those with excellent access to healthcare and abundant resources. Throughout history, it has mostly been an incredibly arduous and potentially life-threatening endeavor, one that held grave penalties for those who both were and were not successfully able to obtain an illegal…

Sundance Film Review – ‘Alice’ Tells a Powerful Tale of Redemption

It’s horrifying to think that the institution of slavery was widely accepted within a good portion of American society just over one hundred and fifty years ago. Those born into slavery may not have known what the rest of the world looked like and were likely taught that they were serving their rightful place, not…

Sundance Film Festival Review – Does “Dual” Duel Itself?

Ask me what my favorite films are and eventually- when I want to throw in some more modern choices – I’ll bring up Duncan Jones’s 2009 debut, Moon. With more than one layer to it, I always try to boil it down the philosophical journey of Moon into a signal sentence; “would you get along…

Sundance Film Festival Review – ‘Living’ Brings Akira Kurosawa’s ‘Ikiru’ to London

Society functions to a degree because most people don’t know when their lives will end. Having a sense of how much time someone has left in the world can affect their behavior entirely and inspire them to make decisions that are not at all in line with how they typically operate. It can also lead…