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NYFF: ‘The Damned’ Brings Us Where We’ve Already Been…

@Courtesy of Cinetic Media Six years after What You Gonna Do When the World’s on Fire? the Italian director Roberto Minervini is back behind the camera with a feature film set during the American Civil War. In 1862, a battalion of volunteers from the Union Army was sent to the uncharted lands of the West…

NYFF / Hard Truth : Q&A With Actress Marianne Jean-Baptiste, Actor Tuwaine Barrett and Director Mike Leigh

Hard Truth : Legendary filmmaker Mike Leigh returns to the contemporary world with a fierce, compassionate, and often darkly humorous study of family and the thorny ties that bind us. Reunited with Leigh for the first time since multiple Oscar-nominated Secrets and Lies, the astonishing Marianne Jean-Baptiste plays Pansy, a woman wracked by fear, tormented…

NYFF/ Hard Truths Review: Mike Leigh Returns to Form with Superb Marianne Jean-Baptiste

In the opening scene of Mike Leigh’s Oscar nominated and Golden Palm winner Secrets & Lies (1996), Marianne Jean-Baptiste’s character sings at her adopted mother’s funeral on a lush cemetery. She then played the mild-mannered and soft-spoken optometrist with a contagious smile who searches for her biological mother (Brenda Blethyn). When she now revisits Mike…

NYFF: ‘Emilia Pérez’ Delivers Drama, Musical and Outstanding Performances

@Courtesy of Netflix The ability of Jacques Audiard consists of working inside the genre and at the same time trying to give his interpretation of it. Depending on the film, he decides to follow its rules or surprise the audience with a slightly different tone. His last Emilia Pérez belongs to the latter case: awarded…

NYFF: With ‘Anora’ You Just Need to Embrace the Chaos and Enjoy the Ride!

©Courtesy of NEON In the last ten years, Sean Baker has directed four movies that speak about life like nothing else in contemporary American cinema. Tangerine, The Florida Project, Red Rocket, and last but not least Anora are linked by a vitality that can drag the viewer into a chaotic world populated by flawed, questionable,…

NYFF/ Nickel Boys Review: RaMell Ross Triumphs in Daring Adaptation

It’s in the glimpses tragic and poetry happen. In the beginning of RaMell Ross’s extraordinary first narrative feature Nicke Boys, a realization of the 2019 Pulitzer Prize-winning novel by Colson Whitehead, which opens the New York Film Festival, the filmmaker creates a world unlike any other. A child’s hand holds a leaf in the grass, a…

NYFF/The Seed of the Sacred Fig Review: Iranian Filmmaker Thrives in Boiling Domestic Drama/Thriller

©Courtesy of Neon To avoid an eight-year prison sentence for making his latest film The Seed of the Sacred Fig, Iranian filmmaker Mohammad Rasoulof fled his native country to begin a life in exile. In two hours, he made the decision to embark on the risky escape on foot across the mountains. Two weeks later his film…

NYFF Review: “Ferrari” Loses its Fight for First Place

The wonderful thing about a biopic is that you don’t have to have any invested interest into the subject to enjoy the product. Your interest in cars and their legacy won’t get in the way of what you experience on the screen in Ferrari. Yet, unlike Maestro where superior filmmaking makes up for pitfalls of…

NYFF Review: Evaluating “The Zone of Interest”

It’s always been important to remember our pasts. online pharmacy buy periactin online with best prices today in the USA Though we’ve always been told we study the past to prevent the same problems from arising again, that never seems to work. Maybe there is a part of us all that somewhere in the back…

New York Film Festival Review – ‘Poor Things’ is a Mesmerizing Creative Triumph from Yorgos Lanthimos

Filmmaker Yorgos Lanthimos has established himself as a teller of bizarre stories weaving dark humor and unexpected scenarios together in the most intriguing possible way. His Oscar-nominated Greek-language breakthrough, Dogtooth, was an exceptional film that led to his English-language hits The Lobster and The Favourite. While he frequently collaborates on original scripts with Efthimis Filippou…

NYFF Review: Striking up the Band with “Maestro”

When Bradley Cooper jumped into the director’s chair for the umpteenth remake of A Star is Born, many weren’t sure of what type of film maker he would be. When the film was released however, it was clear that he was a director that had a vision and not just someone who told his crew…