The first-time screenwriter and director Sarah Gyllenstierna with her debut thriller set in the Swedish woods shows a knowledge of men’s psychology way deeper than many of her male colleagues. Focusing on the atmosphere and genre aspect of the movie, she is capable of depicting a universe where all the dark sides and ancestral fears…
@Courtesy of Tribeca Film Festival Winner of Best Movie and Best Screenplay in the U.S. Narrative Feature section at the Tribeca Film Festival, Griffin in Summer by the first-time director Nicholas Colia is a classic coming-of-age story. It’s way too classic. Set in the nice, clean, suburban small town that has no real name (let…
@Courtesy of Sony Pictures Classic Daddio : New York City. JFK airport. A young woman jumps into the backseat of a yellow taxi, the cabbie throws the vehicle into drive as the two head out into the night toward Manhattan, striking up the most unexpected conversation resulting in a single, epic, remarkable journey. Director :…
@Courtesy of Roadshow Attractions/Larry Horricks Adapting the 2013 novel Queen’s Gambit by Elizabeth Freemantle, Firebrand brings back to the big screen one of the most controversial figures in Great Britain’s History, King Henry VIII (1491-1547). In the past magnificent actors like Charles Laughton (The Private Life of Henry VIII, 1933), Robert Shaw (A Man For…
Peacock recently acquired the U.S. rights to the sports documentary “We Dare to Dream.” The movie, which chronicles the refugee Olympic team at the Summer Olympics in Tokyo in 2021, debuted on the streamer this past Friday, Dec. 1, according to Variety. The acquisition comes after the 93-minute feature had its world premiere in June…
If there is something that isn’t much in the way of new news for a long time; too many movies are delving into some very familiar territory. It’s been dominating the narrative selections so far at the 2023 Tribeca Film Festival. That doesn’t have to be a bad thing. When a writer/director can take a…
Katja Gauriloff, the award-winning film director from Finland, presents at the Tribeca Film Festival another of her influential films: Je’vida. The beautifully-shot, black and white, picture is a journey of acceptance, discovery and reconciliation. The narrative opens up with an aunt (Lida) and her niece (Sanna) who have never met before and drive to Lapland…
History has defined the hierarchy of power through estates. The French Revolution dismantled the archetypical tryptic of the First (clergy), Second (aristocracy) and Third (commoners) estates of the realm. The modern era brought the advent of a new force: the Fourth Estate, characterised by the mass media and its explicit capacity of advocacy and implicit…
We Might As Well Be Dead is the epitome of fear as a self-reproducing system that dominates the political discourse. This is the feature debut directed by Russian-German Natalia Sinelnikova, that was presented at the 72nd Berlin Film Festival and at the 21st Tribeca Film Festival. Forty year old Anna Wilczynska (Ioana Iacob) lives with…
Narrated by Willem Dafoe, The Wild One is an introspective documentary that reconstructs the personal and professional life of Jack Garfein: Holocaust survivor, Actors Studio co-founder, controversial stage and screen director. Award-nominated director and producer Tessa Louise-Salomé skilfully plays with old footage. She creates chimerical effects through black and white moving pictures that come from…
Cinematic polymath Cooper Raiff (director, writer, actor, producer), is currently part of Variety’s List Of New Directors To Watch In 2022. After his breakout film S#!%house — that was the recipient of the 2020 SXSW Film Festival Grand Jury Prize for Best Narrative Film — he returns with another compassionate cross-section of contemporary society. Raiff’s…
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