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Mission: Impossible – Dead Reckoning Part One | The Biggest Stunt in Cinema History (Tom Cruise)

Paramount Pictures has released an incredible featurette which takes you behind the scenes of “Mission: Impossible – Dead Reckoning Part One.” The featurette follows star Tom Cruise and director Christopher McQuarrie through the steps of the biggest stunt in cinema history.

The featurette involves Cruise parachuting out of a helicopter, then driving a motorcycle off a cliff, into a base jump. The footage takes the audience through the steps of Cruise’s training for his stunt, in which he worked with experts and stunt performers in each of the sequences.

To get the OK shots for the film, Cruise did the stunt six times over the course of a day, McQuarrie talked in the video that Mission: Impossible tends to start production with their biggest stunt, which means that Cruise was coming into it after whatever break he got between movies.

Cruise is also joined by co-stars Simon Pegg and Vanessa Kirby among others. Tackling this film was complicated because it wasn’t just by elaborate stunt work, but also by the COVID-19 pandemic. But in the end, Cruise managed to control the sailing.

The new stunt was created for the long-awaited film, which is set to be released to theaters on July 14, 2023.

Nobuhiro Hosoki
Nobuhiro Hosokihttps://www.cinemadailyus.com
Nobuhiro Hosoki grew up watching American films since he was a kid; he decided to go to the United States thanks to seeing the artistry of Stanley Kubrick's "A Clockwork Orange.” After graduating from film school, he worked as an assistant director on TV Tokyo’s program called "Morning Satellite" at the New York branch office but he didn’t give up on his interest in cinema. He became a film reporter for via Yahoo Japan News. In that role, he writes news articles, picks out headliners for Yahoo News, as well as interviewing Hollywood film directors, actors, and producers working in the domestic circuit in the USA. He also does production interviews for Japanese distributors of American films and for in-theater on-sale programs. He is now the editor-in-chief of Cinemadailyus.com while continuing his work for Japan.


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