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Asian Film Festival of Dallas Announces the Line-Up

Asian Film Festival of Dallas (AFFD) announces film lineup for 21st edition  (July 21-24)  Wenxiong Xing’s TOO COOL TO KILL is the Opening Night  Selection, Closing Night’s Selection will feature Roshan Sethi’s 7 DAYS  highlighting a day-long celebration of female filmmakers Highlights include Spotlight screenings of Park Hoon-Jung’s  THE WITCH 2: THE OTHER ONE, Shô…

Minions : The Rise Of Gru, The Minions’ Slapstick Comedy Saves The Day

The computer-animated action comedy Minions : The Rise Of Gru, produced by Illumination and distributed by Universal Pictures, premiered at the Annecy International Animation Film Festival. The film is set in the Seventies, after the events of the previous movie with a twelve year old Gru who is growing up in the suburbs. Like every adolescent he…

TV Review – ‘Westworld’ Season Four Invites Audiences Back for More Mind-Bending Intrigue

Westworld has always been a show about the dangers of human impulse and the need for control. It has also served as a foreboding warning about artificial intelligence and its inevitable rebellion against its human overlords. After a third season that took on a much sleeker, future-focused vibe, the dark, riveting drama series returns for…

New York Asian Film Festival Announces First Wave of 2022 lineup

THE NEW YORK ASIAN FILM FOUNDATION AND FILM AT LINCOLN CENTER ANNOUNCE FIRST HIGHLIGHTS FROM THE 20TH ANNIVERSARY NEW YORK ASIAN FILM FESTIVALThis year’s festival returns fully to in-person programming at Film at Lincoln Center and the Asia Society, with 60+ world, international, and North American premieres    New York, NY (June 16, 2022) –…

Emmy Contender / The Staircase : Exclusive Interview with a Showrunner Maggie Cohn

Synopsis : The Staircase follows the compelling story of Michael Peterson, a crime novelist accused of killing wife Kathleen after she is found dead at the bottom of a staircase in their home, and the 16 year judicial battle that followed. Exclusive Interview with a Showrunner Maggie Cohn Q: “The Staircase” documentary had a such impact…

“1962…1963…1964” July 22 – August 11 AT Film Forum  3-Week, 35-Film Series Spotlights  Rich Period of Movie History

“1962…1963…1964” JULY 22 – AUGUST 11 AT FILM FORUM  3-WEEK, 35-FILM SERIES SPOTLIGHTS  RICH PERIOD OF MOVIE HISTORY   Includes films by Stanley Kubrick, David Lean, Federico Fellini, François Truffaut, Jacques Demy, John Ford, Richard Lester,  Agnès Varda, Roman Polanski, Jean-Luc Godard, Tony Richardson, Sergio Leone, Luis Buñuel, Francis Ford Coppola, Alfred Hitchcock, and many others  Presented…

Geena Davis’ 8th Annual Bentonville Film Festival Unveils Competition and Spotlight Lineup

8TH ANNUAL BENTONVILLE FILM FESTIVAL, LED BY GEENA DAVIS, ANNOUNCES COMPETITION LINE-UP Festival will open with World Premiere of The Seven Faces of Jane Co-Directed by Julian Acosta, Xan Cassavetes, Gia Coppola, Ryan Heffington, Boma Lluma, Gillian Jacobs, Ken Jeong and Alex Takacs The Bentonville Film Foundation, in collaboration with founding partner, Walmart, and presenting…

Tribeca Festival Review – ‘The Forgiven’ is Typical Social Commentary from John Michael McDonagh

There’s often a tremendous gap between the rich and the poor, and the lack of acknowledgment of that disparity can serve to foster resentment. Many people who have plenty tend to treat those who have little as beneath them, as if hiring them is a gift rather than a contract and they should be expected…

Tribeca Festival : Review / An Aspiring Filmmaker’s Self-Discovery While Latvia Struggles for Independence in Poignant and Terrific Tribeca Festival Winner

In the opening scene of ”January”, the final scene of Ingmar Bergman’s “Through a Glass Darkly” is shown on a small screen. In the Swedish auteur’s 1961 Oscar winning film a searching son asks his restrained father about love. The father firmly answers that love has many forms – it can be noble, foul, awkward…

Tribeca Festival : Review / We Might As Well Be Dead, A Dark Tale Mimicking Society’s Blatant Chauvinism

We Might As Well Be Dead is the epitome of fear as a self-reproducing system that dominates the political discourse. This is the feature debut directed by Russian-German Natalia Sinelnikova, that was presented at the 72nd Berlin Film Festival and at the 21st Tribeca Film Festival. Forty year old Anna Wilczynska (Ioana Iacob) lives with…