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Japan Cuts : Between the White Key and the Black Key / Exclusive Interview with Director Masanori Tominaga

©Courtesy of Japan Cuts Between the White Key and the Black Key  :Music sweeps through 1980s Ginza, a glamorous and dangerous neighborhood where well heeled Tokyoites, artists and thugs all sway together under the power of jazz. Sosuke Ikematsu stars in this spiraling, splintering, intersecting Mobius strip of a film based on the memoirs of…

Japan Cuts: Between the White Key and the Black Key/ A Yin-Yang Experience Through Jazz

©Courtesy of Tokyo Theater Company Japan Cuts opens its 2024 edition at Japan Society with the North American Premiere and Opening Night Film Between the White Key and the Black Key, at the presence of director Masanori Tominaga. Between the White Key and the Black Key is an autobiographical essay by Hiroshi Minami, a leading Japanese jazz…

NYAFF : Exclusive interview with Director Junji Sakamoto on “Okiku and the World”

Synopsis : Edo-era Japan is remembered for many things — brutal nation building, isolationist foreign policies, the last samurai. Leave it to veteran auteur Junji Sakamoto to remind us that it also marked the culmination of a truly sustainable ecosystem. In his audacious, aesthetically brilliant new jidaigeki, Okiku and the World, the director achieves a…

“Shin Kamen Rider” / Review : A Solid Film and a Love Letter to One of the Grandfathers of the Tokusatsu TV Shows

During the last few years, director Hideaki Anno has successfully re-defined Japanese monsters/heroes through the Shin series. “Shin Godzilla” was a satire of Japanese politics, a reflection on the March 11 disasters. “Shin Ultraman” — which retained Anno as the mastermind — had the directorial duties passed onto Shinji Higuchi, his frequent collaborator, and this…