HomeTrailersDreamWorks Animation Creates Its New Opening Logo

DreamWorks Animation Creates Its New Opening Logo

DreamWorks Animation has created a brand new opening logo sequence with familiar animated characters joined together with fishing boy in the moon.

In this new sequence, the iconic DreamWorks child fishing on the moon leaves its position to travel across the galaxy, passing along characters from our favorite franchises such as “The Bad Guys,” “How to Train Your Dragon,” “Boss Baby,” “Kung Fu Panda,” “Shrek.” Created by producer Suzanne Buirgy, and production designer Kendall Cronkhite. will first play ahead of the upcoming new film, “Puss in Boots: The Last Wish” when it hits cinemas on December 21st.

“We make dreams come to life on screen, so the idea was basically that you go into the dreams of a new child. They are taking you through this dreamscape and reintroducing you to these iconic figures that we’ve created over all these years,” says production designer Kendal Cronkhite, who helped lead the project. “The child is surfing, floating and flying through these kinds of galaxies, and bringing all those very different-looking film characters together into one piece.”

The new music was composed by Harry Gregson-Williams, who worked on “Shrek”  DreamWorks has a third “Trolls” set for release in November next year, whilst a fourth “Kung Fu Panda” is on the way for March 2024.

Nobuhiro Hosoki
Nobuhiro Hosokihttps://www.cinemadailyus.com
Nobuhiro Hosoki grew up watching American films since he was a kid; he decided to go to the United States thanks to seeing the artistry of Stanley Kubrick's "A Clockwork Orange.” After graduating from film school, he worked as an assistant director on TV Tokyo’s program called "Morning Satellite" at the New York branch office but he didn’t give up on his interest in cinema. He became a film reporter for via Yahoo Japan News. In that role, he writes news articles, picks out headliners for Yahoo News, as well as interviewing Hollywood film directors, actors, and producers working in the domestic circuit in the USA. He also does production interviews for Japanese distributors of American films and for in-theater on-sale programs. He is now the editor-in-chief of Cinemadailyus.com while continuing his work for Japan.

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