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TILL | Official Trailer | MGM Studios : The True Story of Emmett Till and Mother’s Fight for Justice

From director Chinonye Chukwu (Clemency), 

comes the true story of Emmett Till and Mamie Till Mobley, and a mother’s fight for justice. 

Watch the official trailer for TILL 

Only in theaters this October

In Select Theaters October 14th

Everywhere October 28th

Synopsis : Till is a profoundly emotional and cinematic film about the true story of Mamie Till Mobley’s relentless pursuit of justice for her 14 year old son, Emmett Till, who, in 1955, was lynched while visiting his cousins in Mississippi. In Mamie’s poignant journey of grief turned to action, we see the universal power of a mother’s ability to change the world.

Directed by: Chinonye Chukwu

Written by: Michael Reilly & Keith Beauchamp and Chinonye Chukwu

Producers: Keith Beauchamp, p.g.a., Barbara Broccoli, p.g.a., Whoopi Goldberg, Thomas Levine, Michael Reilly

and Frederick Zollo, p.g.a.

Executive Producers: Preston Holmes, Chinonye Chukwu

Cast: Danielle Deadwyler, Jalyn Hall, Frankie Faison, Haley Bennett, and Whoopi Goldberg

Genre: Drama

(L to R) Director Chinonye Chukwu and actor Jalyn Hill on the set of TILL, released by Orion Pictures.
Credit: Lynsey Weatherspoon / Orion Pictures
© 2022 ORION PICTURES RELEASING LLC. All Rights Reserved.

CHINONYE CHUKWU– Director’s Statement

When I was approached to write and direct a story about Emmett Till, I found myself drawn to a singular figure at the center of his orbit. I saw an opportunity to subvert expectations and approach the narrative through another lens – from the maternal point of view of Mamie Till Mobley. Had it not been for Mamie, her son’s memory would have evaporated into thin air. She was the catalyst for a modern day civil rights movement that has laid a formidable framework for future activists and Freedom Fighters. I felt compelled to champion Mamie’s legacy and center her in the spotlight where she rightfully belongs.

Mamie’s untold story is one of resilience and courage in the face of adversity and unspeakable devastation. For me, the opportunity to focus the film on Mamie, a multi-faceted Black woman, and peel back the layers on this particular chapter in her life, was a tall order I accepted with deep respect and responsibility. On the daily, Mamie combatted racism, sexism, and misogyny, which was exponentially heightened in the wake of Emmett’s murder. Mamie did not cower. Instead, she evolved into a warrior for justice who helped me to understand and shape my own similar journey in activism. And as a filmmaker, showing Mamie in all her complex humanity was of utmost importance.

The crux of this story is not about the traumatic, physical violence inflicted upon Emmett – which is why I refused to depict such brutality in the film – but it is about Mamie’s remarkable journey in the aftermath. She is grounded by the love for her child, for at its core, TILL is a love story. Amidst the inherent pain and heartbreak, it was critical for me to ground their affection throughout the film. The cinematic language and tone of TILL was deeply rooted in the balance between loss in the absence of love; the inconsolable grief in the absence of joy; and the embrace of Black life alongside the heart wrenching loss of a child.

I hope viewers will empathize with the humanities on screen and see our present cultural and political realities within this film. And I hope that Mamie’s story helps us all to realize the power within ourselves to continue to fight for the change we want to see in the world, just as she did.

Nobuhiro Hosokihttps://www.cinemadailyus.com
Nobuhiro Hosoki grew up watching American films since he was a kid; he decided to go to the United States thanks to seeing the artistry of Stanley Kubrick's "A Clockwork Orange.” After graduating from film school, he worked as an assistant director on TV Tokyo’s program called "Morning Satellite" at the New York branch office but he didn’t give up on his interest in cinema. He became a film reporter for via Yahoo Japan News. In that role, he writes news articles, picks out headliners for Yahoo News, as well as interviewing Hollywood film directors, actors, and producers working in the domestic circuit in the USA. He also does production interviews for Japanese distributors of American films and for in-theater on-sale programs. He is now the editor-in-chief of Cinemadailyus.com while continuing his work for Japan.

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