HomeReviewsThe Sundance Winning film, "Nanny" Examines the Mindset and Experience of Immigrant...

The Sundance Winning film, “Nanny” Examines the Mindset and Experience of Immigrant Worker with a Supernatural Twist

Sierra Leonean-American director Nikyatu Jusu has made “Nanny” — a remarkable feature debut which grapples with cultural alienation and familial disconnection through the life of Aisha (Anna Diop), a Senegalese immigrant who has moved to New York City with the intent of bringing her own son to the States from Senegal.

The pressure is on her right from the start. Having come here to secure a better life for her and son, Aisha deeply immerses herself in her position as a nanny for a predominantly white neighborhood in the Upper West Side. Trapped by the empty promise of the American dream, she finds her time and personal life being disregarded almost immediately.

Aisha strikes a bond with the allergy-prone Rose (Rose Decker) who follows a strict diet insisted upon by her controlling mother Amy (Michelle Monaghan), a businesswoman whose anxieties make her increasingly unstable in a male-dominated world. Her imperiled relationship with an absent photojournalist husband (Morgan Spector) — who has a roving eye — becomes obvious to Aisha. Caught in the middle of their marital problems, she faces her own fears that she may never see her son again. 

But Aisha isn’t so different from the people she serves as a nanny. She has left her own child, Lamine, to be cared for by her aunt, which stirs anxiety in her. That escalates into her seeing visions which causes her to go into a trance. Director Jusu draws on aspects of West African mythology, invoking such supernatural figures as Anansi the Spider (one of the great folk heroes of the world), and Mami Wata (a seductive water spirit or mermaid with dark motives). When the time gets closer to her son’s arrival, her visions become even more foreboding.

As her first narrative feature, this former documentary director relies on the power of ambiguity and suggestion to pull the audience into this haunting supernatural drama. As her vivid hallucinations slowly build tension and suspense, bringing fresh eyes to this widely understood world of the supernatural genre. 

Director Jusu gives the audience a rare opportunity to see it from the authentic perspective of a vulnerable immigrant worker — quite a contrast from the life of a privileged New Yorker. The film also explores the exploitation and abuse domestic workers in the U.S regularly face. The film is also helped by Diop’s subtle, but moving performance, in which she informs the audience through her  sincerity, and evolving emotional feelings. 

While the film juggles many concepts dealing with the past, present, and future — as well as language and culture — it also effectively fuses its horror elements together to make for one powerful movie. Though it addresses profound issues, it never loses sight of Nanny’s macabre visions and disturbing messages. Nikyatu Jusu definitely reveals a unique style that puts her on the map of Hollywood’s up-and-comers.

Nobuhiro Hosoki
Nobuhiro Hosokihttps://www.cinemadailyus.com
Nobuhiro Hosoki grew up watching American films since he was a kid; he decided to go to the United States thanks to seeing the artistry of Stanley Kubrick's "A Clockwork Orange.” After graduating from film school, he worked as an assistant director on TV Tokyo’s program called "Morning Satellite" at the New York branch office but he didn’t give up on his interest in cinema. He became a film reporter for via Yahoo Japan News. In that role, he writes news articles, picks out headliners for Yahoo News, as well as interviewing Hollywood film directors, actors, and producers working in the domestic circuit in the USA. He also does production interviews for Japanese distributors of American films and for in-theater on-sale programs. He is now the editor-in-chief of Cinemadailyus.com while continuing his work for Japan.


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