Joe Bendel

Joe Bendel
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Based in New York, Joe Bendel has reviewed film, television, music, and theater for nineteen years, in print and online. In addition to his site, J.B. Spins, he frequently contributes reviews to The Epoch Times, specializing in mystery/thriller series, documentaries, and Asian cinema. As a critic he has attended in-person international film festivals, including Sundance, Slamdance, Fantasia, and the New York Film Festival, as officially accredited press. He has also written for Nightfire, Libertas Film Magazine, and Signal to Noise (the dearly departed experimental music print magazine). He has over twenty-five years of experience in the book publishing industry and has taught film and music survey courses at NYU’s School of Continuing Studies. Bendel also coordinated the Jazz Foundation of America’s instrument donation drive for musicians displaced by Hurricane Katrina. He is a graduate of Wittenberg University and the University of Denver Publishing Institute.
Based in New York, Joe Bendel has reviewed film, television, music, and theater for nineteen years, in print and online. In addition to his site, J.B. Spins, he frequently contributes reviews to The Epoch Times, specializing in mystery/thriller series, documentaries, and Asian cinema. As a critic he has attended in-person international film festivals, including Sundance, Slamdance, Fantasia, and the New York Film Festival, as officially accredited press. He has also written for Nightfire, Libertas Film Magazine, and Signal to Noise (the dearly departed experimental music print magazine). He has over twenty-five years of experience in the book publishing industry and has taught film and music survey courses at NYU’s School of Continuing Studies. Bendel also coordinated the Jazz Foundation of America’s instrument donation drive for musicians displaced by Hurricane Katrina. He is a graduate of Wittenberg University and the University of Denver Publishing Institute.

“Never After Dark” Review : For Truly Old School Genre Fans, It Exemplifies the Best Kind of Horror

©Courtesy of Magnolia Pictures  Teiko’s shuttered hotel is sort of the Japanese equivalent of the Overlook in The Shining. It is isolated and haunted. Fortunately, she hires the perfect medium/exorcist/spiritualist. Airi is also isolated and haunted, emotionally and literally. The ghost of her late sister Miku still accompanies her on all her jobs. In this…

The Transformers: The Movie, 40th Anniversary Edition

ⓒCourtesy of Hasbro For many kids in the 1980s, the deaths of several fan-favorite Transformers in the franchise’s first animated feature landed just as traumatically as the shooting of “Old Yeller” had for their parents. Eventually, the most notable fallen Transformers “returned” in the two-part finale to season three. However, there is no denying his…

Hope, Na Hong-jin’s Record-Breaking Sci-Fi Monster Movie

ⓒCourtesy of Neon  They are too small to be proper kaiju, but they are too large and weird-looking to be human. Whatever they are, they are Ko Bum-seok’s problem. As the police chief of Hope Harbor, it is his job to serve and protect. However, he is not trained to fight monsters. Fortunately, his town…

Japan Cuts ’26: Suzuki=Bakudan Review

ⓒCourtesy of Japan Cuts  Tagosaku Suzuki is the most dubious psychic since Uri Geller pretended to bend spoons with his mind. However, Suzuki’s deception involves life and death ramifications, because casualties will surely result from the bombings he pretends to have fuzzy precognitive visions of. The police know he must be an accomplice, but they…

Japan Cuts ’26: Junk World Review

ⓒCourtesy of Japan Cuts  In this prequel, the clones will attack. However, you will never mistake Takahide Hori’s latest stop-motion animated feature for that other film. You might even appreciate it more, if you give it half a chance. Science fiction fans will be hard-pressed to find world-building as inventive and immersive, even in tent-poles…

Japan Cuts ’26: Cocoon: One Summer of Girlhood Review

©Courtesy of Japan Cuts  Competition was fierce, but the Battle of Okinawa might have been the most brutal 82 days of World War II’s Pacific Theater. The tragedy escalated and compounded when Okinawan civilians were used as human shields. Propaganda misinformation regarding American G.I.’s directly led to horrific mass suicides, including many of the so-called…

Supergirl: James Gunn’s DC Takes a Darker Turn

©Courtesy of Warner Brothers  From a cinematic perspective DC films have been far more interesting than Marvel movies, because they have been willing to go dark, in stylistically interesting ways. Truly, no comic book movies were darker than Todd Phillips’ Joker or Matt Reeves’ The Batman. In contrast, James Gunn’s rebooted Superman was widely considered…

The Furious: Joe Taslim & Xie Mao vs. Human Traffickers

ⒸCourtesy of Lionsgate  Action movie heroes hate human traffickers—and rightly so. They are the scum of the earth, whom nobody would defend. Notable examples include, Liam Neeson in Taken, Veronica Ngo in Furie, Jim Caviezel in Sound of Freedom, and Dolph Lundgren in Skin Trade, and in real-life as an advocate for victims. Now, Joe…

Chie Hayakawa’s “Renoir” is Emotionally Complex Coming-of-Age Drama

©Courtesy of Film Movement  Kids always pick up on more than their parents realize. That is especially true of eleven-year-old Fuki Okita. She fully understands that her father Keiji is dying from cancer and that her mother Utako is dealing with it badly. In fact, she often rather awkwardly acknowledges these facts to her increasingly…

Pressure: Forecasting D-Day

  Just imagine how today’s media and politicians would have reacted to the Allied Normandy landing. On D-Day, June 6, 1944, American forces suffered 6,000 casualties, out which 2,500 were confirmed fatalities. That was simply to land on and hold the beaches of Normandy. Almost an entire year a fighting still lay ahead, including the…