Chiara Spagnoli Gabardi

Chiara Spagnoli Gabardi
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Works as film critic and journalist who covers stories about culture and sustainability. With a degree in Political Sciences, a Master’s in Screenwriting & Film Production, and studies at the Lee Strasberg Theatre & Film Institute, Chiara has been working in the press since 2003. Italian by blood, British by upbringing, fond of Japanese culture since the age of 7, once a New Yorker always a New Yorker, and an avid traveller, Chiara collaborates with international magazines and radio-television networks. She is also a visual artist, whose eco-works connect to her use of language: the title of each painting is inspired by the materials she upcycles on canvas. Her ‘Material Puns’ have so far been exhibited in four continents, across ten countries. She is a dedicated ARTivist, donating her works to the causes and humanitarians she supports, and is Professor of Phenomenology of Contemporary Arts at Istituto Europeo di Design in Milan.
Works as film critic and journalist who covers stories about culture and sustainability. With a degree in Political Sciences, a Master’s in Screenwriting & Film Production, and studies at the Lee Strasberg Theatre & Film Institute, Chiara has been working in the press since 2003. Italian by blood, British by upbringing, fond of Japanese culture since the age of 7, once a New Yorker always a New Yorker, and an avid traveller, Chiara collaborates with international magazines and radio-television networks. She is also a visual artist, whose eco-works connect to her use of language: the title of each painting is inspired by the materials she upcycles on canvas. Her ‘Material Puns’ have so far been exhibited in four continents, across ten countries. She is a dedicated ARTivist, donating her works to the causes and humanitarians she supports, and is Professor of Phenomenology of Contemporary Arts at Istituto Europeo di Design in Milan.

Japan Cuts: ‘The Last Blossom’ Shows Humanity Blooming

In 1836 Joseph-Xavier Boniface published a book called Picciola, about Count Charney, a former soldier who had been jailed for conspiring against Napoleon, who passed his days behind bars tending a plant that lightened his time amidst the walls that imprisoned him. Japanese film director Baku Kinoshita and writer Kazuya Konomoto seem to have grasped…

‘Young Washington’ Retraces The Ambition, Tempered By Duty, That Forged A Myth

For all those who lack historical awareness Young Washington will clarify why King Charles III, when meeting President Donald Trump at the White House in April 2026, in his speech said: “You recently commented, Mr. President, that if it were not for the United States, European countries would be speaking German. Dare I say that,…

‘Couture,’ A Drama That Weaves Together Life’s Contingencies

“A Fashion Show is like a war machine,” is the statement made by one of the characters in the film Couture, directed by Alice Winocour. This proclamation defines not just an industry, but our time, when people are defined by the productivity in any work sector. Maxine (Angelina Jolie), is an American filmmaker who arrives…

‘The Gas Station Attendant,’ Immigration Is Shown Through A Dual-Perspective

The gaze of second-generation immigrants captures the plight of its forbearers. This is what film director Karla Murthy projects in her documentary The Gas Station Attendant. Through the use of footage from home videos and old recorded tapes, the director and Emmy-nominated producer who began her career working for several news programs on PBS, finds…

Park Chan-wook Is Seen As The Antidote To The Hallyu-wood Phenomenon

After presiding the 2026 Cannes Film Festival Jury, Park Chan-wook has been part of the 27th edition of La Milanesiana conceived and directed by Elisabetta Sgarbi. Two days homaged the award-winning South Korean director — with a Masterclass moderated by Marco Müller and a screening marathon of his The Vengeance Trilogy (Sympathy for Mr. Vengeance,…

Cannes Film Festival: ‘Amarga Navidad,’ Almodóvar Parses The Ethics Of Storytelling

Pedro Almodóvar’s Bitter Christmas (Amarga Navidad) was presented at the 2026 Cannes Film Festival. The theme is strong, but its realisation is weak. The 24th motion picture of the filmmaker from La Mancha is a cynical study on the motives of creation. Pedro Almodóvar’s tragicomedy navigates in the territory of metacinema, as we’re initially introduced…

‘Moss & Freud,’ An Artistic Friendship Unveiling The Act Of Creation

Academy Award-winning director James Lucas brings to the silver screen more than a conventional biopic. Moss & Freud is the extraordinary account of the never-before-told story of Supermodel Kate Moss and artist Lucian Freud’s unique friendship, that developed through the sittings that gave life to the painting Naked Portrait 2002, that sold for £3.9 million…

‘Marty, Life Is Short’ Applauds The Power Of Laughter Therapy

Netflix documentary Marty, Life Is Short, directed by Lawrence Kasdan, retraces Martin Short’s art and career across film, television, theatre and comedy. The Canadian actor — who gained prominence for his roles in sketch comedy before exploring film sets and Broadway stages — has lived what one would consider a full life. He was surrounded…

‘Omaha,’ An Interior Journey Channelled Through A Road Trip

The American drama Omaha, directed by Cole Webley and penned by Robert Machoian, made its world premiere at the 2025 Sundance Film Festival as an entry in the U.S. Dramatic Competition category. The narrative builds up slowly with John Magaro playing a father who takes his two children Ella (Molly Belle Wright) and Charlie (Wyatt…

‘The Devil Wears Prada 2,’ Milan Celebrates The Forever-Cerulean Generation

Two decades later, there is a sequel celebrating the retaliation of a woman who has learnt to deal with the challenges of grind culture in the fashion world. The Devil Wears Prada 2 reunites Miranda Priestly (Meryl Streep), Andy (Anne Hathaway) Emily (Emily Blunt) and Nigel (Stanley Tucci) grappling with the uncertain future of Runway….