Niclas Goldberg

Niclas Goldberg
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Niclas Goldberg was born and raised in Stockholm, Sweden. After graduating from film studies at the University of Stockholm he has been working in New York as a programmer for Göteborg Film Festival and as a film journalist interviewing various directors and actors for newspapers and film magazines, such as Dagens Nyheter and Filmrutan. In addition, he has written film reviews, poetry books and directed short films.
Niclas Goldberg was born and raised in Stockholm, Sweden. After graduating from film studies at the University of Stockholm he has been working in New York as a programmer for Göteborg Film Festival and as a film journalist interviewing various directors and actors for newspapers and film magazines, such as Dagens Nyheter and Filmrutan. In addition, he has written film reviews, poetry books and directed short films.

Tribeca Festival/ Memorizu Review: A Quietly Beautiful Japanese Meditation on Memory

©Courtesy of Tribeca Festival Our everyday lives are made up of countless small moments that slowly gather over time. Most of them are forgotten because they seem ordinary and insignificant. Lacking the drama of major events, they fade almost as soon as they occur. In great films such as Wim Wenders’ “Perfect Days” (2023) Jim…

Tribeca Festival/ Sad Girlz Review: Swimming Through Silence: A Striking Mexican Debut

© Still from the film by DoP: Rosa Hadit Hernández © Colectivo Colmena Sexual assault remains one of the most urgent and complex issues facing young people today. Despite increased awareness, it is still shrouded in silence, confusion, and contradiction. More troubling still, it often arises not from the outside, but within spaces meant to feel…

Sundance Film Festival/ Filipiñana Review: Stunning Stillness, Hidden Stir

©Courtesy of Sundance Film Festival Master directors Jia Zhangke of China and Lav Diaz of the Philippines both believe that films need space and time to breathe. Long, slow takes allow viewers to notice small details, absorb everyday moments, and reflect. Filmmaker Rafael Manuel has taken this philosophy to heart. In his quietly powerful debut…

Sundance Film Festival/ How to Divorce During the War Review: Sharp Lithuanian Award Winner Makes Room for Fragile Empathy

©Courtesy of the Sundance Film Festival Lithuania knows Russia not as a distant neighbor, but as a shadow in its history — from centuries of conflict to five decades of Soviet occupation (1940–1990). In 1990, the Baltic nation became the first republic to break from the USSR and reclaim its independence. So, when Russia invaded…

NYFF/Sentimental Value Review: Echoes in a Wooden House – Joachim Trier Excels

©Courtesy of Neon The prologue sets the emotional architecture of “Sentimental Value”, the Grand Prize winner at Cannes. We’re introduced to two sisters’ childhood home — a magnificent red wooden house in Oslo, Norway — that serves as the emotional center of the story. The film then cuts to a young stage actress, moments before her…

NYFF / Sirāt Review: Pulses in the Desert – Surrender to Oliver Laxe’s Brilliant Beat

©Courtesy of Neon Rave culture has always thrived outside the mainstream, an underground heartbeat pulsing against the silence of daily life. For many, the rave isn’t just music—it’s rebellion, refuge, and pilgrimage. The ravers of “Sirāt“, Oliver Laxe’s Cannes Jury Prize winner and Spain’s Oscar contender, now creating buzz at the New York Film Festival,…

NYFF/The Mastermind Review: Masterful Kelly Reichardt and Josh O’Connor’s Subtle Sting

©Courtesy of MUBI She has been called the quietest of the great American directors. Kelly Reichardt doesn’t rush. She clears away the unnecessary and takes her time capturing the American soul. Now she returns with something as unusual and unlikely as an observational heist movie. Her style works wonders. Set in a sleepy Massachusetts suburb…

TIFF/Christy Review: Sydney Sweeney Packs a Punch in Biopic Boxing Drama

Photo by Eddy Chen – © courtesy of Black Bear Boxers have always been symbols of grit in a cinema. They fight not just opponents, but demons of pride, poverty, and identity. From Sylvester Stallone’s underdog triumph in “Rocky“ (1976) to Robert De Niro’s bruising portrait of self-destruction in “Raging Bull“ (1980), the ring becomes a…

TIFF/ Dead Man’s Wire Review: Gus Van Sant Back in Shape with a Splendid Bill Skarsgård

©Courtesy of TIFF David Lynch’s surreal “Eraserhead“ was about to flicker onto screens, and Jimmy Carter had just been sworn in as president. It was early 1977 — post-Kennedy, post-Watergate America — when Indianapolis businessman Tony Kiritsis stormed into an office and wired a sawed-off shotgun to the back of a mortgage broker’s head. What followed…

TIFF/ Frankenstein Review: Jacob Elordi Stuns in Guillermo del Toro’s Visually Grand Gothic Tale

©Courtesy of Netflix Watching a Guillermo del Toro film feels like discovering a forgotten fairy tale in a mausoleum — lush, disturbing, and hard to forget. The Mexican filmmaker crafts fables for grownups: grotesque yet tender, brutal yet poetic. More than just spectacle, we can’t stop liking his emotional monsters — from “Pan’s Labyrinth” (2006) to “The…